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<title>Notizbuch B2</title>
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<persName>Theodor Fontane</persName>
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<resp key="scr">Schreiber</resp>
<name>
<persName>Friedrich Fontane</persName>
<idno type="GND" xml:base="http://d-nb.info/gnd/">116647701</idno>
</name>
</respStmt>
<editor xml:id="GR">
<persName>Gabriele Radecke</persName>
<idno type="GND" xml:base="http://d-nb.info/gnd/">123987385</idno>
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<respStmt>
<resp key="oth">Editorische Assistenz</resp>
<name>
<persName>Judith Michaelis</persName>
</name>
<name>
<persName>Rahel Rami</persName>
</name>
</respStmt>
<respStmt>
<resp key="trc">Transkription</resp>
<name>
<persName>Gabriele Radecke</persName>
<idno type="GND" xml:base="http://d-nb.info/gnd/">123987385</idno>
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<respStmt>
<resp key="mrk">Codierung</resp>
<name>
<persName>Gabriele Radecke</persName>
<idno type="GND" xml:base="http://d-nb.info/gnd/">123987385</idno>
</name>
<name>
<persName>Judith Michaelis</persName>
</name>
<name>
<persName>Rahel Rami</persName>
</name>
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<respStmt>
<resp key="cwt">Kommentierung</resp>
<name>
<persName>Gabriele Radecke</persName>
<idno type="GND" xml:base="http://d-nb.info/gnd/">123987385</idno>
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<respStmt>
<resp key="oth">Metadaten</resp>
<name>
<persName>Martin de la Iglesia</persName>
<idno type="GND" xml:base="http://d-nb.info/gnd/">1017477760</idno>
</name>
</respStmt>
<respStmt>
<resp key="oth">IT, Visualisierung und Portalentwicklung</resp>
<name>
<persName>Mathias Göbel</persName>
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<listBibl>
<head>Druckgeschichte einzelner Notizbuchaufzeichnungen</head>
<bibl><abbr>E</abbr> (<abbr>TD</abbr>): <rs ref="lit:GBA_Gedichte_1">GBA–Gedichte, Bd. 1</rs>, S. 526. (<ref target="#xpath(//surface[@n='12v'])">Blatt 12v</ref>, <ref target="#xpath(//surface[@n='13v'])">13v</ref> und <ref target="#xpath(//surface[@n='14v'])"> 14v</ref>: Die Brück’ am Tay; datiert auf den 31. Dezember 1879 [terminus post quem].)</bibl>
<bibl><abbr>E</abbr> (<abbr>TD</abbr>): <rs ref="lit:Knudsen_1942">Knudsen 1942</rs>, S. 237f. (<ref target="#xpath(//surface[@n='32v'])">Blatt 32v</ref>-<ref target="#xpath(//surface[@n='37r'])">37r</ref>: Emilia Galotti.)</bibl>
<bibl><abbr>E</abbr> (<abbr>TD</abbr>): <rs ref="lit:GBA_Erz_Werk_6">GBA–Erz. Werk, Bd. 6</rs>, S. 198f. (<ref target="#xpath(//surface[@n='IIr'])">Blatt IIr</ref>: Schach von Wuthenow; keine Datierung vorgenommen.)</bibl>
<bibl><abbr>E</abbr> (<abbr>TD</abbr>): <rs ref="lit:GBA_Erz_Werk_4">GBA–Erz. Werk, Bd. 4</rs>, S. 192-194 und 196f. (<ref target="#xpath(//surface[@n='48v'])">Blatt 48v</ref>, <ref target="#xpath(//surface[@n='62r'])">62r</ref>-<ref target="#xpath(//surface[@n='63v'])">63v</ref>, <ref target="#xpath(//surface[@n='65r'])">65r</ref><ref target="#xpath(//surface[@n='78v'])">78v</ref>, <ref target="#xpath(//surface[@n='77v'])">77v</ref> und <ref target="#xpath(//surface[@n='78r'])">78r</ref>: L’Adultera; datiert auf zwischen dem 6. und 17. Dezember 1879 [Kapitel 9) und auf den 31. Dezember 1879 [terminus post quem; Kapitel 1].)</bibl>
</listBibl>
<listBibl>
<head>Notizbuch-Gesamtpublikationen</head>
<listBibl>
<head>Fontane-Notizbuch-Portal</head>
<bibl>
<bibl>Theodor Fontane: Notizbücher. Digitale genetisch-kritische und kommentierte Edition. Hrsg. von Gabriele Radecke. https://fontane-nb.dariah.eu/index.html. 2015-2017, abgerufen am: [Datum des Abrufs]</bibl>
<availability>
<licence target="http://creativecommons.org/licenses/by-nc-nd/4.0/">Alle im Rahmen des Projektes erarbeiteten Inhalte der Edition sind unter der Lizenz „CC-BY-ND-NC-4.0 international“ zugänglich. Die Digitalisate der Notizbücher Theodor Fontanes stehen unter der Lizenz „CC0-1.0“ zur Verfügung.</licence>
</availability>
</bibl>
</listBibl>
<listBibl>
<head>Digitale Edition im TextGrid-Repositorium als Langzeitarchivierung</head>
<bibl>Theodor Fontane: Notizbücher. Digitale genetisch-kritische und kommentierte Edition. Hrsg. von Gabriele Radecke. https://textgridrep.de/browse.html?id=textgrid:129mw.0, abgerufen am: [Datum des Abrufs]</bibl>
</listBibl>
<listBibl>
<head>Publikationen im Verlag Walter de Gruyter</head>
<listBibl>
<listBibl>
<head>Print-Edition</head>
<bibl>Theodor Fontane: Notizbücher. Historisch-kritische und kommentierte Edition. Hrsg. von Gabriele Radecke. Berlin [in Vorbereitung]</bibl>
</listBibl>
<listBibl>
<head>E-Book-Edition</head>
<bibl>Theodor Fontane: Notizbücher. Historisch-kritische und kommentierte Edition. Hrsg. von Gabriele Radecke. Berlin [in Vorbereitung]</bibl>
</listBibl>
</listBibl>
</listBibl>
</listBibl>
</listBibl>
<idno type="TextGrid" xml:base="http://textgridrep.org/">textgrid:22jtj</idno>
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<title>Notizbücher. Digitale genetisch-kritische und kommentierte Hybrid-Edition</title>
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<name>
<persName>Theodor Fontane</persName>
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<respStmt>
<resp key="edt">Herausgeberin</resp>
<name>
<persName>Dr. Gabriele Radecke</persName>
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<respStmt>
<resp key="pdr">Gesamtleitung, Idee und Konzeption sowie editions- und literaturwissenschaftliche Leitung</resp>
<name>
<persName>Dr. Gabriele Radecke</persName>
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</name>
</respStmt>
<respStmt>
<resp key="oth">Informationswissenschaftliche und -technologische Leitung sowie Koordination in der SUB</resp>
<name>
<persName>Dr. Mirjam Blümm (seit April 2015)</persName>
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</name>
<name>
<persName>Prof. Dr. Heike Neuroth (Juni 2011–März 2015)</persName>
<idno type="GND" xml:base="http://d-nb.info/gnd/">118022547</idno>
</name>
</respStmt>
<respStmt>
<resp key="oth">Editorische Assistenz</resp>
<name>
<persName>Judith Michaelis (Juni 2011–Dezember 2015; Codierung)</persName>
</name>
<name>
<persName>Rahel Rami (Juni 2012–Juni 2017; Codierung und Register)</persName>
</name>
<name>
<persName>Hartmut Hombrecher (August 2015–Juni 2017; Codierung)</persName>
</name>
<name>
<persName>Adrian Bruhns (Februar 2016–Januar 2018; Codierung und Register)</persName>
</name>
<name>
<persName>Juljana Battenberg (Juli 2016–September 2019; Register)</persName>
</name>
<name>
<persName>Lisa Kunze (Februar 2018–September 2019; Register)</persName>
</name>
<name>
<persName>Simon Sendler (Oktober 2018–September 2019; Codierung und IT)</persName>
</name>
<name>
<persName>Jan Stieglitz (2018; Register)</persName>
</name>
<name>
<persName>Anne Karzel (2019; Codierung)</persName>
</name>
</respStmt>
<respStmt>
<resp key="oth">Metadaten</resp>
<name>
<persName>Martin de la Iglesia</persName>
<idno type="GND" xml:base="http://d-nb.info/gnd/">1017477760</idno>
</name>
<name>
<persName>Dr. Susanne Al-Eryani</persName>
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</name>
</respStmt>
<respStmt>
<resp key="oth">IT, Visualisierung und Portalentwicklung</resp>
<name>
<persName>Mathias Göbel</persName>
</name>
<name>
<persName>Michelle Weidling (Edierter Text und Buchausgabe)</persName>
</name>
<name>
<persName>Ubbo Veentjer (Suche)</persName>
</name>
</respStmt>
<respStmt>
<resp key="oth">GND</resp>
<name>
<persName>Stephan Heupst</persName>
</name>
</respStmt>
<respStmt>
<resp key="csp">Beratung</resp>
<name>
<persName>Christoph Kudella</persName>
</name>
</respStmt>
<respStmt>
<resp key="csp">Beratung (Metadaten)</resp>
<name>
<persName>Alexander Jahnke</persName>
</name>
<name>
<persName>Uwe Sikora</persName>
<idno type="GND" xml:base="http://d-nb.info/gnd/">1155094360</idno>
</name>
<name>
<persName>Christiane Fritze</persName>
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<respStmt>
<resp key="csp">Beratung (TextGrid)</resp>
<name>
<persName>Stefan Funk</persName>
</name>
<name>
<persName>Felix Lohmeier</persName>
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<respStmt>
<resp key="csp">Beratung (Visualisierung)</resp>
<name>
<persName>Sibylle Söring</persName>
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<name>
<persName>Thorsten Vitt</persName>
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<respStmt>
<resp key="oth">Institutionen</resp>
<name>
<orgName>Theodor Fontane-Arbeitsstelle, Georg-August-Universität Göttingen, Seminar für Deutsche Philologie (Leitung: Dr. Gabriele Radecke)</orgName>
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<orgName>Niedersächsische Staats- und Universitätsbibliothek Göttingen</orgName>
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<idno type="ISIL" xml:base="http://ld.zdb-services.de/resource/organisations/">DE-7</idno>
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<orgName>Abteilung Forschung & Entwicklung (Leitung: Dr. Jan Brase)</orgName>
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<name>
<orgName>Gruppe Metadaten und Datenkonversion (Leitung: Alexander Jahnke)</orgName>
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<orgName>Digital Research Infrastructure for the Arts and Humanities (DARIAH-DE)</orgName>
</name>
<name>
<orgName>TextGrid – Virtuelle Forschungsumgebung für die Geisteswissenschaften (TextGrid)</orgName>
</name>
<name>
<orgName>Deutsche Forschungsgemeinschaft</orgName>
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<respStmt>
<resp key="asn">Assoziierte Partnerin</resp>
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<orgName>Staatsbibliothek zu Berlin, Preußischer Kulturbesitz, Handschriftenabteilung</orgName>
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<resp key="own">Eigentümerin der Handschriften</resp>
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<respStmt>
<resp key="pbl">Verlag</resp>
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<orgName>Walter de Gruyter</orgName>
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<resp key="pro">Herstellung der Scans: Leitung</resp>
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<persName>Dr. Jutta Weber</persName>
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<resp key="pro">Herstellung der Scans</resp>
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<resp key="pro">Herstellung der Scans: Finanzierung</resp>
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<resp key="fnd">Projektförderung (2011–2017)</resp>
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<idno type="DFG-Projektnummer">NE 1434/1-2 <idno type="DFG-AOBJ">610728</idno></idno>
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<ab>
<list type="authorial">
<note>Fontanes unvollständige Inhaltsübersicht, die er teils auf Notizbuchhersteller-Etiketten, teils auf an- bzw. aufgeklebten Blättern der vorderen äußeren Einbanddecken oder auf vorderen äußeren Einbanddecken notierte. Die Inhaltsübersicht zu Notizbuch B02 schrieb Fontane auf einem Notizbuchhersteller-Etikett.</note>
<item>1879.</item>
</list>
<list type="Friedrich_Fontane">
<note>Friedrich Fontanes unvollständige Inhaltsübersicht, die er auf den Rückseiten von an- bzw. aufgeklebten Kalenderblättern der vorderen inneren Einbanddecken oder in Ausnahmefällen auf Notizbuchhersteller-Etiketten oder aufgeklebten Blättern der vorderen äußeren Einbanddecken festhielt. Die Inhaltsübersichten entstanden zwischen dem 2. März 1923 (vgl. Notizbuch E01; eigenhändige Datierung) und dem 9. Dezember 1927 (vgl. Notizbuch A15; Datum auf dem Kalenderblatt). Nur in wenigen Fällen hat Friedrich Fontane die Übersichten datiert. Die Inhaltsübersicht zu Notizbuch B02 entstand am oder nach dem 2. Juni 1925.</note>
<item>Schach v. Wuthenow 1. Seite Theater (Graf v. Mailand – Stiftungsfest – Essex – Freund des Fürsten – Macbeth – Compromittirten – In der Mitte links etwas Urtext zu „Brück am Tay“ (Emilia Galotti) gegen den Schluss zu einige Seiten Urtext von L’Adultera</item>
</list>
<list type="Fontane_Blätter">
<note>Die in den „Fontane Blättern“ 1976 veröffentlichte Inhaltsübersicht, die lediglich Theodor und Friedrich Fontanes Inhaltsübersichten zusammenführt. Mit vielen Entzifferungsfehlern; vgl. Fontane Blätter 1976, S. 64–66.</note>
<item>Schach von Wuthenow 1. Seite. Theater Graf v. Mailand. – Stiftungsfest. – Essex – Freund des Fürsten – Macbeth. Etwas Urtext zu „Brück am Tay“. (Emilia Galotti) gegen den Schluss zu einigen Seiten Urtext von L’Adultera. 1879.</item>
</list>
<list type="editorial">
<note>Gabriele Radeckes autopsiertes Inhaltsverzeichnis, das im Rahmen der Notizbuch-Edition von 2017 ermittelt wurde.</note>
<item>Die Brück’ am Tay (Entwurf: Gedicht) (Entstehung: zwischen dem 29.12. und 31.12.1879), <ref target="#xpath(//surface[@n='12v'])">Blatt 12v</ref>, <ref target="#xpath(//surface[@n='13v'])">13v</ref> und <ref target="#xpath(//surface[@n='14v'])"> 14v</ref></item>
<item>L’Adultera (Entwurf: Roman; zum 1. Kapitel) (Entstehung: vor dem 22.11.1879), <ref target="#xpath(//surface[@n='78v'])">Blatt 78v</ref>, <ref target="#xpath(//surface[@n='77v'])">77v</ref> und <ref target="#B02_78r_1">78r</ref></item>
<item>L’Adultera (Entwurf: Roman; zum 9. Kapitel) (Entstehung: 17.12.1879), <ref target="#xpath(//surface[@n='48v'])">Blatt 48v</ref>, <ref target="#xpath(//surface[@n='62r'])">62r</ref>, <ref target="#xpath(//surface[@n='62v'])">62v</ref>, <ref target="#xpath(//surface[@n='63r'])">63r</ref>, <ref target="#xpath(//surface[@n='63v'])">63v</ref> und <ref target="#xpath(//surface[@n='65r'])">65r</ref></item>
<item>[Notizen:] „Wenn ich gefragt würde“ (Notizen: Adel) (Entstehung: XXX), <ref target="#xpath(//surface[@n='1v'])">Blatt 1v</ref> und <ref target="#xpath(//surface[@n='2v'])">2v</ref></item>
<item>Schach von Wuthenow (Entwurf: Roman; zum 15. Kapitel) (Entstehung: vor dem 22.11.1879), <ref target="#xpath(//surface[@n='front_endpaper_IIr'])">Blatt IIr</ref></item>
<item>[Tagebuchaufzeichnungen] (Entwurf) (Entstehung: 1880XXX), <ref target="#xpath(//surface[@n='inner_front_cover'])">Vordere innere Einbanddecke</ref></item>
<item>[Theaterkritik: Notizen. Das Stiftungsfest – von Gustav von Moser] (Theaterbesuch: 27.11.1879), <ref target="#xpath(//surface[@n='31r'])">Blatt 31r</ref>, <ref target="#xpath(//surface[@n='31v'])">31v</ref> und <ref target="#xpath(//surface[@n='32r'])">32r</ref></item>
<item>[Theaterkritik: Notizen. Der Freund des Fürsten – von Ernst Wichert] (Theaterbesuch: 17.12.1879), <ref target="#xpath(//surface[@n='65v'])">Blatt 65v</ref>, <ref target="#xpath(//surface[@n='66r'])">66r</ref>, <ref target="#xpath(//surface[@n='66v'])">66v</ref>, <ref target="#xpath(//surface[@n='67r'])">67r</ref>, <ref target="#xpath(//surface[@n='67v'])">67v</ref>, <ref target="#xpath(//surface[@n='68r'])">68r</ref>, <ref target="#xpath(//surface[@n='68v'])">68v</ref>, <ref target="#xpath(//surface[@n='69r'])">69r</ref>, <ref target="#xpath(//surface[@n='69v'])">69v</ref> und <ref target="#xpath(//surface[@n='70r'])">70r</ref></item>
<item>[Theaterkritik: Notizen. Der Herzog von Mailand – von Philip Massinger] (Theaterbesuch: 22.11.1879), <ref target="#xpath(//surface[@n='1r'])">Blatt 1r</ref>, <ref target="#xpath(//surface[@n='2r'])">2r</ref>, <ref target="#xpath(//surface[@n='3r'])">3r</ref>, <ref target="#xpath(//surface[@n='4r'])">4r</ref>, <ref target="#xpath(//surface[@n='5r'])">5r</ref>, <ref target="#xpath(//surface[@n='6r'])">6r</ref>, <ref target="#xpath(//surface[@n='7r'])">7r</ref>, <ref target="#xpath(//surface[@n='8r'])">8r</ref>, <ref target="#xpath(//surface[@n='9r'])">9r</ref>, <ref target="#xpath(//surface[@n='10r'])">10r</ref>, <ref target="#xpath(//surface[@n='11r'])">11r</ref>, <ref target="#xpath(//surface[@n='12r'])">12r</ref>, <ref target="#xpath(//surface[@n='11v'])">11v</ref>, <ref target="#xpath(//surface[@n='13r'])">13r</ref>, <ref target="#xpath(//surface[@n='14r'])">14r</ref>, <ref target="#xpath(//surface[@n='15r'])">15r</ref>, <ref target="#xpath(//surface[@n='16r'])">16r</ref>, <ref target="#xpath(//surface[@n='17r'])">17r</ref>, <ref target="#xpath(//surface[@n='18r'])">18r</ref>, <ref target="#xpath(//surface[@n='19r'])">19r</ref>, <ref target="#xpath(//surface[@n='20r'])">20r</ref>, <ref target="#xpath(//surface[@n='21r'])">21r</ref>, <ref target="#xpath(//surface[@n='22r'])">22r</ref>, <ref target="#xpath(//surface[@n='23r'])">23r</ref>, <ref target="#xpath(//surface[@n='24r'])">24r</ref>, <ref target="#xpath(//surface[@n='25r'])">25r</ref>, <ref target="#xpath(//surface[@n='26r'])">26r</ref>, <ref target="#xpath(//surface[@n='27r'])">27r</ref>, <ref target="#xpath(//surface[@n='28r'])">28r</ref>, <ref target="#xpath(//surface[@n='29r'])">29r</ref> und <ref target="#xpath(//surface[@n='30r'])">30r</ref></item>
<item>[Theaterkritik: Notizen. Die Compromittirten – von Julius Rosen] (Theaterbesuch: 31.12.1879), <ref target="#B02_75v_1">Blatt 75v</ref>, <ref target="#xpath(//surface[@n='76r'])">76r</ref>, <ref target="#xpath(//surface[@n='76v'])">76v</ref> und <ref target="#xpath(//surface[@n='77r'])">77r</ref></item>
<item>[Theaterkritik: Notizen. Emilia Galotti – von Gotthold Ephraim Lessing] (Theaterbesuch: 2.12.1879), <ref target="#xpath(//surface[@n='32v'])">Blatt 32v</ref>, <ref target="#xpath(//surface[@n='33r'])">33r</ref>, <ref target="#xpath(//surface[@n='33v'])">33v</ref>, <ref target="#xpath(//surface[@n='34r'])">34r</ref>, <ref target="#xpath(//surface[@n='34v'])">34v</ref>, <ref target="#xpath(//surface[@n='35r'])">35r</ref>, <ref target="#xpath(//surface[@n='35v'])">35v</ref>, <ref target="#xpath(//surface[@n='36r'])">36r</ref>, <ref target="#xpath(//surface[@n='36v'])">36v</ref> und <ref target="#xpath(//surface[@n='37r'])">37r</ref></item>
<item>[Theaterkritik: Notizen. Graf Essex – von Heinrich Laube] (Theaterbesuch: 6.12.1879), <ref target="#xpath(//surface[@n='37v'])">Blatt 37v</ref>, <ref target="#xpath(//surface[@n='38r'])">38r</ref>, <ref target="#xpath(//surface[@n='38v'])">38v</ref>, <ref target="#xpath(//surface[@n='39r'])">39r</ref>, <ref target="#xpath(//surface[@n='39v'])">39v</ref>, <ref target="#xpath(//surface[@n='40r'])">40r</ref>, <ref target="#xpath(//surface[@n='41v'])">41v</ref>, <ref target="#xpath(//surface[@n='42r'])">42r</ref>, <ref target="#xpath(//surface[@n='42v'])">42v</ref>, <ref target="#xpath(//surface[@n='43r'])">43r</ref>, <ref target="#xpath(//surface[@n='43v'])">43v</ref>, <ref target="#xpath(//surface[@n='44r'])">44r</ref>, <ref target="#xpath(//surface[@n='44v'])">44v</ref>, <ref target="#xpath(//surface[@n='45r'])">45r</ref>, <ref target="#xpath(//surface[@n='45v'])">45v</ref>, <ref target="#xpath(//surface[@n='46r'])">46r</ref>, <ref target="#xpath(//surface[@n='46v'])">46v</ref>, <ref target="#xpath(//surface[@n='47r'])">47r</ref>, <ref target="#xpath(//surface[@n='47v'])">47v</ref> und <ref target="#xpath(//surface[@n='48r'])">48r</ref></item>
<item>[Theaterkritik: Notizen. Macbeth – von William Shakespeare] (Theaterbesuch: 20.12.1879), <ref target="#xpath(//surface[@n='70v'])">Blatt 70v</ref>, <ref target="#xpath(//surface[@n='71r'])">71r</ref>, <ref target="#xpath(//surface[@n='71v'])">71v</ref>, <ref target="#xpath(//surface[@n='72r'])">72r</ref>, <ref target="#xpath(//surface[@n='72v'])">72v</ref>, <ref target="#xpath(//surface[@n='73r'])">73r</ref>, <ref target="#xpath(//surface[@n='73v'])">73v</ref>, <ref target="#xpath(//surface[@n='74r'])">74r</ref>, <ref target="#xpath(//surface[@n='74v'])">74v</ref>, <ref target="#xpath(//surface[@n='75r'])">75r</ref> und <ref target="#B02_75v_2">75v</ref></item>
<item>[Nicht ermittelt: Notizen] (XXX), <ref target="#xpath(//surface[@n='front_endpaper_IIv'])">Blatt IIv</ref></item>
<item>[Nicht ermittelt] (XXX), <ref target="#xpath(//surface[@n='16v'])">Blatt 16v</ref> </item>
<item>[Nicht ermittelt] (XXX), <ref target="#xpath(//surface[@n='78r'])">Blatt 78r</ref></item>
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<ab><hi>Blattfragmente:</hi> Keine Reste von herausgerissenen Blättern</ab>
<ab><hi>Blattfragmente:</hi> 14; Reste von herausgeschnittenen Blättern, unbeschriftet. <ref target="#xpath(//surface[@n='49r'])">Blatt 49r</ref>-<ref target="#xpath(//surface[@n='61v'])">61v</ref>, <ref target="#xpath(//surface[@n='64r'])">64r</ref> und <ref target="#xpath(//surface[@n='64v'])">64v</ref></ab>
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<foliation>Die erste Foliierung der Einzelblätter in arabischen Ziffern hat <rs ref="#Archivar1">Archivar 1</rs> vermutlich in den 1960er Jahren mit Bleistift auf den Blattvorderseiten (recto-Seiten) vorgenommen. Die zweite Foliierung der Einzelblätter wurde im Rahmen der Notizbuch-Edition von <rs ref="#Archivar2">Archivar 2</rs> im November 2011 mit Bleistift auf den Blattvorderseiten (recto-Seiten) in arabischen Ziffern durchgeführt. Dabei wurde die alte Zählung mit eckigen Klammern markiert. Der auf dem <ref target="#xpath(//surface[@n='front_endpaper_IIr'])">Vorsatzblatt IIr</ref> geschriebenen Auktionsnummer von 1933, „508-2“, ging keine Foliierung voraus.</foliation>
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<ab><hi>Skizzen:</hi> Keine</ab>
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<ab>Alle editorischen Zeichen sind im <ref target="content.html?id=gesamtdokumentation_verzeichnis_editorischer_zeichen.md">Verzeichnis editorischer Zeichen</ref> dokumentiert.</ab>
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<rendition xml:id="roman"><ref target="tr111.htm">Antiqua</ref></rendition>
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<date type="editorial"><date notAfter-iso="1879-11-22" notBefore-iso="1880-05">Zwischen dem 22.11.1879 (terminus ante quem) und Mai 1880 (terminus post quem)</date>: <date notAfter-iso="1879-11-22">vor dem 22.11.1879</date> (Entwurf des 1. Kapitels von L’Adultera; Entwurf des 15. Kapitels von Schach von Wuthenow), <date when-iso="1879-11-22">22.11.1879</date> (Herzog von Mailand), <date when-iso="1879-11-27">27.11.1879</date> (Das Stiftungsfest), <date when-iso="1879-12-02">2.12.1879</date> (Emilia Galotti), <date when-iso="1879-12-06">6.12.1879</date> (Graf Essex), <date when-iso="1879-12-17">17.12.1879</date> (Der Freund des Fürsten; Entwurf zum 9. Kapitel von L’Adultera), <date when-iso="1879-12-20">20.12.1879</date> (Macbeth), <date notBefore-iso="1879-12-29" notAfter-iso="1879-12-31">zwischen dem 29.12. und 31.12.1879</date> (Die Brück’ am Tay), <date when-iso="1879-12-31">31.12.1879</date> (Die Compromittirten) und <date notBefore-iso="1880-05">Mai 1880 (terminus post quem)</date> (Tagebuchaufzeichnungen)</date>
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<term>Notizen (Adel)</term>
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<handNote xml:id="Fontane" script="contemporary">Theodor Fontane</handNote>
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<handNote xml:id="Friedrich_Fontane" script="posthumous"><rs type="direct" ref="psn:Fontane_Friedrich">Friedrich Fontane</rs></handNote>
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<handNote xml:id="Archivar1" script="posthumous">Archivar 1: Unbekannter Archivar, in den 1960er Jahren</handNote>
<handNote xml:id="Archivar2" script="posthumous">Archivar 2: Gabriele Radecke, im November 2011</handNote>
<handNote xml:id="fremde_Hand1" script="posthumous">Fremde Hand 1: Bibliothekssignatur auf den Signaturen-Klebchen (alt) der Einbanddecken/des Buchrückens</handNote>
<handNote xml:id="fremde_Hand2" script="posthumous">Fremde Hand 2: Auktionsnummer, 1933</handNote>
<handNote xml:id="fremde_Hand3" script="posthumous">Fremde Hand 3: Häkchen auf dem Etikett</handNote>
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<handNote xml:id="Stempel1" script="stamp">Friedrich Fontane (FONTANE.), von Friedrich Fontanes Hand</handNote>
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<handNote xml:id="Druck_p" script="posthumous">Postumer Druck</handNote>
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<handNote medium="medium_pen">Feder mit mittlerer Breite</handNote>
<handNote medium="thin_pen">Feder mit feiner Breite</handNote>
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<handNote script="clean">Reinschriftliche Notizbuchaufzeichnungen mit sehr gleichmäßigen Schriftzügen, Unterstreichungen, Gliederungen und Einrückungen. Die meisten Reinschriften sind Abschriften früherer Aufzeichnungen oder belegen, dass konzeptionelle Überlegungen vorausgegangen waren.</handNote>
<handNote script="hasty">Sehr schwer zu entziffernde, mit Bleistift geschriebene Notizbuchaufzeichungen mit einem äußerst unruhigen Duktus und verzerrten Buchstaben. Sie sind darauf zurückzuführen, dass die Notizbuchaufzeichnungen ohne eine feste Schreibunterlage zumeist unterwegs entstanden sind. </handNote>
<handNote script="standard">Notizbuchaufzeichnungen mit regelmäßigem und nur vereinzelt vorkommendem unregelmäßigen Duktus</handNote>
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<change status="published" when-iso="2019-03-29" who="#GR">Version 0.1 vom 29.03.2019 <note>Notizbuch B2: Digitalisate, Transkription, TEI/XML-Ansicht (Ausschnitt und Gesamtansicht), Inhaltsverzeichnis, Überblickskommentar, Stellenkommentar, Register.</note></change>
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<line style="margin-left:1.1cm">In <hi><seg style="text-decoration:underline">der Mitte link</seg>s</hi></line>
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<line style="margin-left:0.7cm">etwas <seg><ref xml:id="B02_Ir_a" next="#B02_Ir_b" target="#xpath(//surface[@n='12v'])">Urtext zu</ref></seg></line>
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<line style="margin-left:0.9cm">gegen den Schlu<handShift script="Latn"/>ſ<handShift script="Latf"/>s zu</line>
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<line style="margin-left:0.9cm">einige Seiten</line>
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<line style="display:flex; justify-content:space-between"><seg style="font-weight:bold">1925</seg> <seg style="font-size:large" rendition="#roman">Juni</seg> <seg rendition="#roman">30 Tage</seg></line>
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<line style="margin-left:1.7cm">Große Geſellſchaft mit lauter</line>
<line style="margin-left:2.2cm">Miniſtern u. Excellenzen.</line>
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<line style="margin-left:0.0cm"><seg><date type="synchronous" when-iso="1880-02-27">27. <hi><seg style="text-decoration:underline">Febr</seg></hi>.</date></seg> bei <seg><rs type="direct" ref="psn:Lewald_Fanny"><hi>Fan<seg style="text-decoration:underline">ny Le<seg rend="underline-style:wavy">wald</seg></seg></hi></rs></seg></line>
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<line style="margin-left:2.4cm"><seg><rs type="direct" ref="psn:Kruse_Heinrich">Dr. Kruse</rs></seg>. <seg><rs type="direct" ref="psn:Hehn_Victor">Victor Hehn</rs></seg>. <seg><rs type="direct" ref="psn:Demberg">Dr. Demberg</rs></seg></line>
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<handShift script="Latn"/>
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<note type="editorial" target="#B02_inner_front_cover_k"/>
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<line style="margin-left:1.9cm" type="heading" rend="align(center)"><seg style="font-size:large"><seg xml:id="B02_front_endpaper_IIr_k"><seg><rs type="direct" ref="wrk:Carayon"><hi>Fra<seg style="text-decoration:underline">u v. Carayo</seg>n</hi></rs></seg></seg>.</seg> <handShift new="#Archivar2"/><fw type="pageNum">[<handShift new="#Archivar1"/>1<handShift new="#Archivar2"/>]</fw></line>
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<line style="margin-left:2.0cm">In der Scene <handShift new="#Archivar2"/><fw type="pageNum">II</fw></line>
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<line style="margin-left:1.7cm">würde uns mehr</line>
<line style="margin-left:2.0cm">vergeben. Denn</line>
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<line style="margin-left:1.8cm">empfindlichſte Stelle.</line>
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<note type="editorial" target="#B02_front_endpaper_IIr_k">Der Romanentwurf zu „Schach von Wuthenow“ (Kapitel 15, hier noch unter dem Titel „Frau von Carayon“) entstand vermutlich vor der Theaternotiz vom 22. November 1879 (vgl. Blatt 1r).</note>
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<line style="margin-left:0.7cm">Der X---keits</line>
<line style="margin-left:0.0cm">x---x Gelehrtenſtreits,</line>
<line style="margin-left:0.7cm">vielleicht ſelbſt</line>
<line style="margin-left:0.9cm">x---x X---x</line>
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<line><fw type="pageNum">[<handShift new="#Archivar1"/>2<handShift new="#Archivar2"/>]</fw></line>
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<line style="margin-left:1.4cm"><seg><rs type="indirect" ref="wrk:Herzog_Mailand">Akt I. Scene 1</rs></seg>.</line>
<line style="margin-left:1.7cm">Geburtstags-</line>
<line style="margin-left:1.7cm">feier, alles</line>
<line style="margin-left:1.7cm">fein glänzend.</line>
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<figDesc><ref target="http://vocab.getty.edu/aat/300200009">horizontale einfache Absatzlinie</ref></figDesc>
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<line style="margin-left:2.2cm" rend="indent"><seg><rs type="direct" ref="psn:Stollberg">Stolberg</rs></seg>, <seg><rs xml:id="B02_1r_o" next="#B02_1r_p" type="direct" ref="psn:Breitbach">Breit-</rs></seg></line>
<line style="margin-left:2.4cm"><seg><rs xml:id="B02_1r_p" prev="#B02_1r_o" type="direct" ref="psn:Breitbach">bach</rs></seg>, <seg><rs type="direct" ref="psn:Kahle">Kahle</rs></seg>.</line>
<line style="margin-left:1.6cm">„Es weiſſagt</line>
<line style="margin-left:2.3cm">Unglück“, dann</line>
<line style="margin-left:1.2cm">inmitten des</line>
<line style="margin-left:1.3cm">Feſtes trifft die</line>
<line style="margin-left:1.4cm">letzte Nachricht</line>
<line style="margin-left:1.5cm">ein, daß ſein</line>
<line style="margin-left:1.8cm">beſter Freund oder</line>
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<note type="editorial" target="#B02_1r_q">Fontanes Notizen zu Philip Massingers „Der Herzog von Mailand“ entstanden während der Theateraufführung am 22. November 1879. Die Kritik erschien am 25. November 1879 in der Vossischen Zeitung (Nr. 329); vgl. <bibl><ptr target="lit:Bibliographie_1"/><citedRange>Nr. 3703</citedRange></bibl>.</note>
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<line style="margin-left:0.5cm"><seg xml:id="B02_1v_k">Wenn <seg><rs type="direct" ref="psn:Fontane_Theodor">ich</rs></seg> gefragt würde,</seg></line>
<line style="margin-left:0.0cm">durch welche Machenſchaft</line>
<line style="margin-left:0.0cm"><seg><rs type="indirect" ref="psn:Fontane_Theodor">mir</rs></seg> am meiſten</line>
<line style="margin-left:0.3cm">Freude, Wohlwollen, Güte,</line>
<line style="margin-left:0.2cm">Erbauung bereitet worden</line>
<line style="margin-left:0.3cm">iſt, ſo würd’ <seg><rs type="direct" ref="psn:Fontane_Theodor">ich</rs></seg> ohne</line>
<line style="margin-left:0.2cm">irgend welches Beſinnen</line>
<line style="margin-left:0.6cm">ſagen müſſen: durch den</line>
<line style="margin-left:0.9cm">Adel. Und dieſer arme</line>
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<line style="margin-left:0.0cm">Adel hat nun</line>
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<note type="editorial" target="#B02_1v_k"/>
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<line><fw type="pageNum">2</fw></line>
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<line style="margin-left:2.2cm">gefallen iſt.</line>
<line style="margin-left:2.3cm">Alles iſt bewegt;</line>
<line style="margin-left:2.3cm">er ſelbſt erſchüttert,</line>
<line style="margin-left:2.1cm">weil er ihm</line>
<line style="margin-left:2.3cm">in dieſem</line>
<line style="margin-left:1.8cm">Feſte Böſes weiſ⸗</line>
<line style="margin-left:2.0cm">ſagt. <seg><rs type="indirect" ref="wrk:Herzog_Mailand">Vorher</rs></seg></line>
<line style="margin-left:2.0cm">hat man ſchon</line>
<line style="margin-left:2.0cm">bemerkt, daß der</line>
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<line style="margin-left:1.9cm">Abſichten hat.</line>
<line style="margin-left:3.0cm">„Mein Herr</line>
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<line style="margin-left:2.3cm">Feldherr todt,</line>
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<line style="margin-left:0.5cm">als lächerlich vorutheils</line>
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<line style="margin-left:0.6cm">iſt nicht mehr zum</line>
<line style="margin-left:0.6cm">aushalten. Man</line>
<line style="margin-left:0.0cm">nehme doch andre</line>
<line style="margin-left:0.7cm">Stücke, x---x <handShift script="Latn"/><choice><abbr>etc</abbr><expan>et cetera</expan></choice>etc</line>
<line style="margin-left:0.6cm"><choice><abbr>etc</abbr><expan>et cetera</expan></choice><handShift script="Latf"/> geht es <add place="above" style="margin-left:-0.3cm">einem</add> dann</line>
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<line style="margin-left:2.1cm">und Frankreichs <handShift new="#Archivar2"/><fw type="pageNum">3</fw></line>
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<line style="margin-left:2.0cm">König Franz ge-</line>
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<line style="margin-left:1.9cm">Das iſt die</line>
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<line style="margin-left:2.1cm">alſo im Bündniß</line>
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<line style="margin-left:3.1cm" rend="indent"><seg><rs type="direct" ref="psn:Ludwig_Maximilian"><hi>L<seg style="text-decoration:underline">udwig</seg></hi></rs></seg> weiter</line>
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<line style="margin-left:2.1cm">Anfang an die</line>
<line style="margin-left:2.3cm">Eiferſucht in</line>
<line style="margin-left:3.0cm">ihm ſpukt.</line>
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<line style="margin-left:1.7cm">Anſpielungen im <handShift new="#Archivar2"/><fw type="pageNum">4</fw></line>
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<line style="margin-left:1.9cm">Lord Maxwell-</line>
<lb break="keepHyphen"/>
<line style="margin-left:2.0cm">Stil. „Ni<g ref="#mgem">mm</g> Dich</line>
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<line style="margin-left:3.2cm" rend="indent"><seg><rs xml:id="B02_4r_m" next="#B02_4r_n" type="indirect" ref="wrk:Herzog_Mailand">Markgraf von</rs></seg></line>
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<line style="margin-left:1.9cm"><seg><rs xml:id="B02_4r_n" prev="#B02_4r_m" type="indirect" ref="wrk:Herzog_Mailand"><seg style="font-size:large; letter-spacing:0.2cm">Pescara<handShift script="Latf"/></seg></rs></seg> wird</line>
<line style="margin-left:1.9cm">durch <seg><rs type="direct" ref="psn:Kahle"><seg style="font-size:large; letter-spacing:0.2cm"><handShift script="Latn"/>Kahle<handShift script="Latf"/></seg></rs></seg> an-</line>
<line style="margin-left:2.0cm">gekündigt.</line>
<milestone unit="paragraph"/>
<line style="margin-left:3.0cm" rend="indent">Er ko<g ref="#mgem">mm</g>t</line>
<line style="margin-left:1.8cm">auf <hi><seg style="text-decoration:underline">Widerſt</seg>and</hi></line>
<line style="margin-left:1.9cm">gegen <seg><rs type="indirect" ref="wrk:Herzog_Mailand">Karl</rs></seg> zu</line>
<line style="margin-left:2.1cm">ſich <unclear>anlaſſen</unclear>,</line>
<line style="margin-left:2.2cm">iſt Untergang;</line>
<line style="margin-left:2.2cm">ergebt Euch</line>
<line style="margin-left:2.2cm">ihm, gebt Euch</line>
<line style="margin-left:2.2cm">ihn in ſeinem</line>
<line style="margin-left:6.4cm">Hauſe.</line>
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<line><fw type="pageNum">[<handShift new="#Archivar1"/>6<handShift new="#Archivar2"/>]</fw></line>
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<line style="margin-left:2.0cm">Nur ſo iſt <handShift new="#Archivar2"/><fw type="pageNum">5</fw></line>
<handShift new="#Fontane"/>
<line style="margin-left:1.5cm">Rettung.“ <seg><rs type="indirect" ref="wrk:Herzog_Mailand">Sforza</rs></seg></line>
<line style="margin-left:2.0cm">ni<g ref="#mgem">mm</g>t dieſen</line>
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<line style="margin-left:2.7cm" rend="indent">„Francisco,</line>
<line style="margin-left:2.3cm">(<seg><rs type="direct" ref="psn:Kahle">Kahle</rs></seg>) Du</line>
<line style="margin-left:1.9cm">bleibſt.“</line>
<milestone unit="paragraph"/>
<line style="margin-left:2.7cm" rend="indent">Dein Leben</line>
<line style="margin-left:1.9cm">brächteſt willig</line>
<line style="margin-left:1.2cm">Du mir dar?</line>
<line style="margin-left:1.7cm">Gut. Mich</line>
<line style="margin-left:2.0cm">reuet kein</line>
<line style="margin-left:2.1cm">Geiſt da ich</line>
<line style="margin-left:1.8cm">auf Dich gehört</line>
<line style="margin-left:2.1cm">und Dich als</line>
<line style="margin-left:1.9cm"><hi>Sch<seg style="text-decoration:underline">wager</seg></hi> mir</line>
<line style="margin-left:2.2cm">zunächſt geſtellt.“</line>
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<line><fw type="pageNum">[<handShift new="#Archivar1"/>7<handShift new="#Archivar2"/>]</fw></line>
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<line style="margin-left:2.2cm">„Und ſtritten</line>
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<note type="authorial" subtype="text" target="#B02_6r_1" xml:id="B02_6r_a">
<line style="margin-left:0.0cm">Sehr</line>
<line style="margin-left:0.4cm">ſchön.</line>
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<line style="margin-left:0.7cm">„Wenn ich nicht</line>
<line style="margin-left:0.6cm">wiederkehre, ver-</line>
<line style="margin-left:1.0cm">lang’ ich ſie von</line>
<line style="margin-left:1.0cm">Deiner Hand</line>
<line style="margin-left:1.0cm">ermordet.“</line>
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<line style="margin-left:3.6cm" rend="indent"><seg><rs type="indirect" ref="wrk:Herzog_Mailand">Hierin</rs></seg></line>
<line style="margin-left:2.2cm">liegt der Kern.</line>
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<line><fw type="pageNum">[<handShift new="#Archivar1"/>8<handShift new="#Archivar2"/>]</fw></line>
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<line style="margin-left:1.7cm">„Dem Herrſcher <handShift new="#Archivar2"/><fw type="pageNum">7</fw></line>
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<line style="margin-left:1.8cm">redelos (wider-</line>
<line style="margin-left:1.8cm">ſtandslos) das</line>
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<line style="margin-left:3.0cm" rend="indent">Er willigt</line>
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<line style="margin-left:1.8cm">ſchriftlich.</line>
<milestone unit="paragraph"/>
<line style="margin-left:1.1cm" rend="indent">Wundervolle <seg><rs xml:id="B02_7r_m" next="#B02_7r_n" type="indirect" ref="wrk:Herzog_Mailand">Ex-</rs></seg></line>
<line style="margin-left:1.9cm"><seg><rs xml:id="B02_7r_n" prev="#B02_7r_m" type="indirect" ref="wrk:Herzog_Mailand">poſition</rs></seg>; von</line>
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<line style="margin-left:1.9cm">Klarheit und</line>
<line style="margin-left:1.7cm">ſchöner Einfach-</line>
<line style="margin-left:6.8cm">heit.</line>
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<line style="margin-left:1.6cm">Und <seg style="letter-spacing:0.2cm"><seg xml:lang="fr-Latn">enfin</seg></seg> <handShift new="#Archivar2"/><fw type="pageNum">8</fw></line>
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<line style="margin-left:1.1cm">ſolche <seg><rs type="indirect" ref="wrk:Herzog_Mailand">Käuze</rs></seg></line>
<line style="margin-left:1.6cm">giebt es auch</line>
<line style="margin-left:1.7cm">noch heute.</line>
<line style="margin-left:1.2cm">Das ſind die</line>
<line style="margin-left:1.3cm">Verführungen der</line>
<line style="margin-left:1.6cm">Macht. Und weil</line>
<line style="margin-left:2.0cm">etwas davon</line>
<line style="margin-left:1.5cm">alles leidenſchaftliche</line>
<line style="margin-left:1.7cm">eiferſüchtige Liebe</line>
<line style="margin-left:1.8cm">innewohnt, ſo</line>
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<line style="margin-left:2.4cm"><seg xml:lang="en-Latn"><seg style="letter-spacing:0.2cm">overdrawn</seg></seg></line>
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<line style="margin-left:1.4cm" type="heading" subtype="section"><seg><rs type="indirect" ref="wrk:Herzog_Mailand"><hi><seg style="text-decoration:underline; font-size:large">Akt II</seg></hi></rs></seg></line>
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<line style="margin-left:2.0cm"><seg><rs type="direct" ref="psn:Hellmuth-Braem"><seg style="font-size:large; letter-spacing:0.2cm">Bräm<handShift script="Latf"/></seg></rs></seg> und</line>
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<line style="margin-left:1.7cm">ſagen: „Francisco</line>
<line style="margin-left:1.8cm">ſtieg hoch. Marian-</line>
<line style="margin-left:1.6cm">ne war in ſo</line>
<line style="margin-left:1.6cm">voller Fröhlichkeit.“</line>
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<note type="editorial" target="#B02_12v_m">Am 28. Dezember 1879 stürzte die Firth-of-Tay-Brücke in Schottland ein und mit ihr ein Zug mit 75 Passagieren, die starben. Fontanes Notizbuch-Entwurf ist vermutlich das früheste entstehungsgeschichtliche Dokument, das Fontane zwischen dem 29. und 31. Dezember 1879 geschrieben hat. Zur Datierung und Entstehungsgeschichte vgl. <bibl><ptr target="Lit:Radecke_2002"/><citedRange>S. 294</citedRange></bibl>; vgl. auch <bibl><ptr target="lit:Beck_2014"/></bibl>.</note>
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<line style="margin-left:1.5cm">nach mir ſie <handShift new="#Archivar2"/><fw type="pageNum">18</fw></line>
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<line style="margin-left:1.2cm">daran hat <hi><seg style="text-decoration:underline">er</seg></hi> <handShift new="#Archivar2"/><fw type="pageNum">19</fw></line>
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<line><fw type="pageNum">[<handShift new="#Archivar1"/>21<handShift new="#Archivar2"/>]</fw></line>
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<line style="margin-left:2.0cm">für mich?“ <handShift new="#Archivar2"/><fw type="pageNum">20</fw></line>
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<line style="margin-left:1.9cm">Es ko<g ref="#mgem">mm</g>t dadurch</line>
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<line style="margin-left:1.6cm"><seg><rs type="direct" ref="psn:Fontane_Theodor">mir</rs></seg> wider-</line>
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<line style="margin-left:1.2cm" type="heading" subtype="sub"><seg><rs type="indirect" ref="wrk:Herzog_Mailand"><del><hi>G<seg style="text-decoration:underline">roße Scene <retrace>2</retrace>.</seg></hi></del></rs></seg></line>
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<line style="margin-left:1.8cm"><del><seg><rs xml:id="B02_21r_n" prev="#B02_21r_m" type="direct" ref="psn:Oberlaender">länder</rs></seg>. <seg><rs type="direct" ref="psn:Oberlaender">Oberländer</rs></seg></del></line>
<line style="margin-left:2.0cm"><del>ſagt: „Und <retrace>biſt</retrace></del></line>
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<line style="margin-left:1.7cm" type="heading" subtype="section"><seg style="font-size:large"><seg><rs type="indirect" ref="wrk:Herzog_Mailand"><hi><seg style="text-decoration:underline">Akt I</seg>V</hi></rs></seg>.</seg> <handShift new="#Archivar2"/><fw type="pageNum">[<handShift new="#Archivar1"/>23<handShift new="#Archivar2"/>]</fw></line>
<line><fw type="pageNum">22</fw></line>
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<line style="margin-left:1.9cm"><seg><rs type="indirect" ref="wrk:Herzog_Mailand"><hi>S<seg style="text-decoration:underline">cene</seg></hi></rs></seg> zwiſchen <seg><rs type="direct" ref="psn:Kahle">Kahle</rs></seg></line>
<line style="margin-left:1.7cm">und <seg><rs type="direct" ref="psn:Vollmer">Vollmer</rs></seg>.</line>
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<line style="margin-left:2.9cm" rend="indent"><seg><rs type="indirect" ref="wrk:Herzog_Mailand"><hi>S<seg style="text-decoration:underline">cene 2</seg></hi></rs></seg>. <seg><rs type="indirect" ref="wrk:Herzog_Mailand">Sforza</rs></seg>,</line>
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<line style="margin-left:1.7cm">dran, weiter eine</line>
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<line style="margin-left:3.1cm" rend="indent"><seg><rs type="indirect" ref="wrk:Herzog_Mailand"><hi>S<seg style="text-decoration:underline">cene 3</seg></hi></rs></seg>. <hi><seg><rs type="direct" ref="psn:Kahle">K<seg style="text-decoration:underline">ahle</seg></rs></seg>:</hi></line>
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<line style="margin-left:1.5cm">zwiſchen Dich und <handShift new="#Archivar2"/><fw type="pageNum">23</fw></line>
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<line style="margin-left:3.1cm" rend="indent"><seg><rs type="direct" ref="psn:Oberlaender">Oberländer</rs></seg> ſagt:</line>
<line style="margin-left:1.5cm">„Und biſt geliebt</line>
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<line style="margin-left:1.6cm"><hi><seg style="text-decoration:underline"><seg><rs type="direct" ref="psn:Fontane_Theodor">Ich</rs></seg></seg></hi> hätt ihn nicht</line>
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<line style="margin-left:1.3cm"><seg style="letter-spacing:0.2cm"><seg><rs type="direct" ref="psn:Krause">Krause</rs></seg><handShift script="Latf"/>:</seg> „Mit der</line>
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<line style="margin-left:1.3cm">Dann ko<g ref="#mgem">mm</g>en <handShift new="#Archivar2"/><fw type="pageNum">25</fw></line>
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<line style="margin-left:1.5cm">Nämlich ſeiner Schweſter.</line>
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<line style="margin-left:1.8cm">i<g ref="#mgem">mm</g>er noch</line>
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<line style="margin-left:0.7cm"><hi xml:id="B02_25r_b" prev="#B02_25r_a" next="#B02_25r_c">a<seg style="text-decoration:underline">lſo die Tragöd</seg>ie</hi></line>
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<line style="margin-left:0.6cm"><hi xml:id="B02_25r_d" prev="#B02_25r_c" next="#B02_25r_e"><seg style="text-decoration:underline">aber ehrlicher</seg></hi></line>
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<line style="margin-left:2.9cm" rend="indent">„All meine Freud</line>
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<line style="margin-left:1.8cm">mir entflohn<mod type="subst"><del rend="overwritten">.</del><add place="superimposed">,</add></mod>“</line>
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<note xml:id="B02_25r_5" exclude="#B02_25r_4" type="edited_text" target="#B02_25r_2">am linken Blattrand von über sechs Zeilen hinweg ein Ausrufezeichen als metatextuelle Anmerkung Fontanes.</note>
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<line><handShift new="#Archivar2"/><fw type="pageNum">26</fw></line>
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<line style="margin-left:1.5cm"><seg><rs xml:id="B02_26r_m" prev="#B02_25r_m" type="indirect" ref="wrk:Herzog_Mailand">cisco</rs></seg>, als dieſer</line>
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<line style="margin-left:0.9cm"><del instant="true"><seg style="text-decoration:line-through">zu</seg></del> nun reinen</line>
<line style="margin-left:1.5cm">Wein einzu-</line>
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<line style="margin-left:1.5cm">verklagt <hi>ſ<seg style="text-decoration:underline">ie</seg></hi> vor</line>
<line style="margin-left:1.1cm"><seg><rs type="indirect" ref="wrk:Herzog_Mailand">Sforza</rs></seg> und forcirt</line>
<line style="margin-left:1.0cm">nun den Tod</line>
<line style="margin-left:1.5cm">dafür. „Marcella</line>
<line style="margin-left:1.6cm">liebt mich.“ Im</line>
<line style="margin-left:1.8cm">Publikum <retrace>leiſe</retrace></line>
<line style="margin-left:2.0cm">Heiterkeit, weil</line>
<line style="margin-left:2.1cm">es keiner recht</line>
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<line style="margin-left:1.9cm">dadurch wird es</line>
<line style="margin-left:2.3cm">lächerlich. <retrace>D</retrace>er</line>
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<line style="margin-left:1.1cm">„Wunſch“ iſt wie <handShift new="#Archivar2"/><fw type="pageNum">27</fw></line>
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<line style="margin-left:2.9cm" rend="indent">„Aus Eiferſucht</line>
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<line style="margin-left:1.8cm">Nun ſtirbt ſie; <handShift new="#Archivar2"/><fw type="pageNum">28</fw></line>
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<line style="margin-left:1.6cm"><seg><rs xml:id="B02_28r_n" prev="#B02_28r_m" type="indirect" ref="wrk:Herzog_Mailand">cisco</rs></seg> iſt geflohn.</line>
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<line style="margin-left:2.0cm">Der Arzt iſt</line>
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<line style="margin-left:2.6cm">dran.</line>
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<line><fw type="pageNum">[<handShift new="#Archivar1"/>31<handShift new="#Archivar2"/>]</fw></line>
<line><handShift new="#Archivar2"/><fw type="pageNum">30</fw></line>
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<line style="margin-left:3.9cm">willen.</line>
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<line><fw type="pageNum">[<handShift new="#Archivar1"/>32<handShift new="#Archivar2"/>]</fw></line>
<line><handShift new="#Archivar2"/><fw type="pageNum">31</fw></line>
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<line style="margin-left:1.7cm" type="heading"><seg xml:id="B02_31r_m"><seg><rs type="direct" ref="wrk:Stiftungsfest"><hi><seg style="text-decoration:underline; font-size:x-large">Stiftungsfeſt</seg></hi></rs></seg></seg></line>
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<line style="margin-left:1.4cm"><seg><rs type="indirect" ref="wrk:Stiftungsfest"><hi><seg style="text-decoration:underline" rend="underline-style:half-s-shaped(upper-left)"><seg style="font-size:large">Akt I</seg></seg></hi></rs></seg>. <seg><rs xml:id="B02_31r_a" next="#B02_31r_b" type="indirect" ref="wrk:Stiftungsfest">Begegnungs-</rs></seg></line>
<line style="margin-left:1.3cm"><seg><rs xml:id="B02_31r_b" prev="#B02_31r_a" type="indirect" ref="wrk:Stiftungsfest">ſcene</rs></seg> mit <seg><rs type="direct" ref="psn:Goritz">Goritz</rs></seg>,</line>
<line style="margin-left:1.8cm">die ſich früher in</line>
<line style="margin-left:1.4cm">Baden Baden geſehn.</line>
<line style="margin-left:1.6cm">Sie iſt abgereiſt</line>
<line style="margin-left:2.0cm"><mod type="subst"><del rend="overwritten"><unclear>ohne</unclear></del><add place="superimposed">weil</add></mod> ſie mußte.</line>
<line style="margin-left:1.6cm">Dieſe Begegnung iſt</line>
<line style="margin-left:2.0cm">ſehr hübſch; im</line>
<line style="margin-left:2.2cm">Wirken ſchlicht</line>
<line style="margin-left:2.0cm">und einfach, im</line>
<line style="margin-left:2.1cm"><retrace>Spiel</retrace> graziös.</line>
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<line style="margin-left:3.5cm" rend="indent">Gleich darauf <seg><rs type="indirect" ref="wrk:Stiftungsfest">Scene</rs></seg></line>
<line style="margin-left:2.0cm">mit der <seg style="letter-spacing:0.2cm; font-size:large"><seg><rs type="direct" ref="psn:Mariot"><handShift script="Latn"/>Mariot</rs></seg><handShift script="Latf"/>.</seg></line>
<line style="margin-left:2.0cm">Klein und unbedeutend.</line>
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<line style="margin-left:1.5cm"><seg><rs type="indirect" ref="wrk:Stiftungsfest"><hi><seg style="text-decoration:underline; font-size:large">Akt II</seg></hi></rs></seg>. <seg><rs type="direct" ref="psn:Mariot">Mariot</rs></seg>,</line>
<line style="margin-left:2.1cm"><seg><rs type="direct" ref="psn:Butze">Butze</rs></seg>, <seg><rs type="direct" ref="psn:Dehnicke">Dehnicke</rs></seg> –</line>
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<note type="editorial" target="#B02_31r_m">Fontanes Notizen zu Gustav von Mosers „Das Stiftungsfest“ entstanden während der Theateraufführung am 27. November 1879. Die Kritik erschien am 29. November 1879 in der Vossischen Zeitung (Nr. 333); vgl. <bibl><ptr target="lit:Bibliographie_1"/><citedRange>Nr. 3704</citedRange></bibl>.</note>
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<line style="margin-left:1.3cm">hübſche humoriſtiſche</line>
<line style="margin-left:1.4cm"><seg><rs type="indirect" ref="wrk:Stiftungsfest">Scene</rs></seg>. – Die</line>
<line style="margin-left:1.8cm"><seg><rs type="direct" ref="psn:Mariot">Mariot</rs></seg> ſchwach;</line>
<line style="margin-left:2.1cm"><seg><rs type="indirect" ref="psn:Mariot">ſie</rs></seg> iſt nicht</line>
<line style="margin-left:2.3cm">naiv und nicht</line>
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<line style="margin-left:2.6cm"><seg><rs xml:id="B02_31v_n" prev="#B02_31v_m" type="indirect" ref="wrk:Stiftungsfest">der Gießkanne</rs></seg>,</line>
<line style="margin-left:3.0cm">Sie iſt ſehr</line>
<line style="margin-left:3.5cm">niedlich.</line>
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<line style="margin-left:3.6cm" rend="indent">„Das haben</line>
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<line style="margin-left:4.1cm">„Wie ſie</line>
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<line style="margin-left:2.5cm" type="heading" rend="align(center)"><seg xml:id="B02_32v_m"><seg style="font-size:x-large"><seg><rs type="direct" ref="wrk:Emilia_Galotti"><hi>E<seg style="text-decoration:underline" rend="underline-style:3/4-ellipse_right">milia Galotti.</seg></hi></rs></seg></seg></seg></line>
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<line style="margin-left:1.4cm"><seg style="font-size:large"><seg type="heading" subtype="section"><rs type="indirect" ref="wrk:Emilia_Galotti"><hi><seg style="text-decoration:underline" rend="underline-style:half-s-shaped(upper-left)">Akt</seg></hi> I</rs></seg>.</seg> Siehe die</line>
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<line style="margin-left:1.8cm">Wichtig<handShift script="Latf"/>. – Am</line>
<line style="margin-left:2.2cm"><seg><rs type="indirect" ref="wrk:Emilia_Galotti">Schluß</rs></seg> <seg><rs type="direct" ref="psn:Klein"><seg style="letter-spacing:0.2cm; font-size:large"><handShift script="Latn"/>Klein</seg></rs></seg><handShift script="Latf"/> vorzüglich.</line>
<line style="margin-left:2.0cm">Sehr an <seg><rs type="direct" ref="wrk:Ben_Akiba">Ben Akiba</rs></seg></line>
<line style="margin-left:2.1cm">erinnernd. „Recht gern“.</line>
<line style="margin-left:2.2cm">„Alles ſchon dageweſen“.</line>
<line style="margin-left:2.5cm">Bei <seg><rs type="direct" ref="psn:Klein"><seg style="letter-spacing:0.2cm; font-size:large"><handShift script="Latn"/>Klein</seg></rs></seg><handShift script="Latf"/> verwun-</line>
<line style="margin-left:2.1cm">derts <seg><rs type="indirect" ref="psn:Fontane_Theodor">mich</rs></seg> doch.</line>
<line style="margin-left:2.5cm">Weil <seg><rs type="indirect" ref="psn:Klein">er</rs></seg> allem</line>
<line style="margin-left:2.5cm">einen Sonderſtem-</line>
<line style="margin-left:2.5cm">pel zu geben</line>
<line style="margin-left:2.8cm"><del instant="true"><seg style="text-decoration:line-through" rend="line-through-style:double">geh</seg></del> weiß. Hier</line>
<line style="margin-left:2.0cm">iſt <hi><seg style="text-decoration:underline">nur</seg></hi> das Koſtüm</line>
<line style="margin-left:2.1cm">anders, – was drin</line>
<line style="margin-left:2.6cm">ſteckt zu ſehr</line>
<line style="margin-left:2.6cm">daſſelbe.</line>
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<note type="editorial" target="#B02_32v_k">Dies ist einer der wenigen Hinweise darauf, dass Fontane seine Theaternotizen auch manchmal auf losen Blättern festhielt.</note>
<note type="editorial" target="#B02_32v_m"> Fontanes Notizen zu Lessings „Emilia Galotti“ entstanden während der Theateraufführung am 2. Dezember 1879. Die Kritik erschien am 4. Dezember 1879 in der Vossischen Zeitung (Nr. 338); vgl. <bibl><ptr target="lit:Bibliographie_1"/><citedRange>Nr. 3705</citedRange></bibl>.</note>
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<line style="margin-left:1.3cm"><seg type="heading" subtype="section"><rs type="indirect" ref="wrk:Emilia_Galotti"><hi><seg style="text-decoration:underline; font-size:large">Akt II</seg></hi></rs></seg>. <seg><rs type="direct" ref="psn:Berndal">Berndal</rs></seg></line>
<line style="margin-left:1.7cm">vorzüglich in</line>
<line style="margin-left:1.6cm">Erſcheinung. <seg><rs type="direct" ref="psn:Krause">Krauſe</rs></seg></line>
<line style="margin-left:2.2cm">gut, aber ganz</line>
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<line style="margin-left:2.4cm" rend="indent">„<hi>W<seg style="text-decoration:underline">as</seg></hi> hab ich hören</line>
<line style="margin-left:1.3cm">müſſen und <hi><seg style="text-decoration:underline">wo</seg></hi>?</line>
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<line style="margin-left:2.6cm" rend="indent"><seg><rs type="direct" ref="psn:Drach"><hi><seg style="text-decoration:underline">Drach</seg></hi></rs></seg>, als ob <seg><rs type="indirect" ref="psn:Drach">er</rs></seg></line>
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<line style="margin-left:1.9cm">tor um die Tochter</line>
<line style="margin-left:2.4cm">anhält. Vom</line>
<line style="margin-left:2.1cm"><choice><abbr>ariſtokrat:</abbr><expan>aristokratischen</expan></choice> Standpunkt</line>
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<line style="margin-left:1.2cm">dies iſt ganz aus- <handShift new="#Archivar2"/><fw type="pageNum">[<handShift new="#Archivar1"/>35<handShift new="#Archivar2"/>]</fw></line>
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<line style="margin-left:1.6cm">gezeichnet, aber in <handShift new="#Archivar2"/><fw type="pageNum">34</fw></line>
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<line style="margin-left:1.8cm">in <seg><rs type="indirect" ref="wrk:Emilia_Galotti">dieſer großen Scene</rs></seg></line>
<line style="margin-left:1.8cm">ſtellenweis lächerlich.</line>
<line style="margin-left:2.2cm">„Er wird den Tag</line>
<line style="margin-left:2.4cm">ihrer Geburt ver-</line>
<line style="margin-left:2.4cm">fluchen, er wird</line>
<line style="margin-left:2.1cm">mich verfluchen“</line>
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<line style="margin-left:1.4cm"><retrace><seg><rs type="indirect" ref="wrk:Emilia_Galotti">Prinz</rs></seg></retrace> und <seg><rs type="indirect" ref="wrk:Emilia_Galotti">Marinelli</rs></seg>.</line>
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<line style="margin-left:1.9cm">Stelle, wo er</line>
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<line style="margin-left:1.4cm">heimlich und heil-</line>
<line style="margin-left:1.6cm">ſam ſein.“</line>
<line style="margin-left:2.7cm" type="heading" subtype="sub"><hi><seg style="text-decoration:underline; font-size:x-large" rend="underline-style:half-s-shaped(upper-right)"><seg xml:id="B02_34v_k"><seg><rs type="indirect" ref="wrk:Emilia_Galotti">Orſina</rs></seg></seg>.</seg></hi></line>
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<line style="margin-left:1.6cm">gut. „Das</line>
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<note type="editorial" target="#B02_34v_k">Vgl. <bibl><ptr target="lit:Knudsen_1942"/><citedRange>S. 467, Fußnote 467</citedRange></bibl>, der nachgewiesen hat, dass sich Fontane auf Dialogstellen in der 3. und 4. Szene des 4. Akts bezieht.</note>
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<line><fw type="pageNum">35 [<handShift new="#Archivar1"/>36<handShift new="#Archivar2"/>]</fw></line>
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<line style="margin-left:1.1cm">zu laut, nachher</line>
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<line style="margin-left:0.7cm">Das Zergrübelte,</line>
<line style="margin-left:0.9cm">geiſtig Geſtörte,</line>
<line style="margin-left:1.1cm">Bittre, Herbe</line>
<line style="margin-left:1.0cm">alles in Erſcheinung</line>
<line style="margin-left:0.9cm">und Weſen vorzüglich.</line>
<line style="margin-left:0.6cm">Die Sti<g ref="#mgem">mm</g>e nicht</line>
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<line style="margin-left:1.4cm">Das <hi><seg style="text-decoration:underline">Lach</seg>en</hi> und</line>
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<line style="margin-left:1.9cm">„So lachen <mod type="subst"><del rend="overwritten">ſ</del><add place="superimposed">S</add></mod>ie</line>
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<line style="margin-left:1.8cm">paar Stellen ein</line>
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<line style="margin-left:1.0cm">verliert“ in Ton</line>
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<note type="editorial" target="#B02_36v_k">Vgl. <bibl><ptr target="lit:Knudsen_1942"/><citedRange>S. 238</citedRange></bibl>. Die betreffende Stelle lautet korrekt: „Des Morgens sprach der Prinz Ihre Tochter in der Messe; des Nachmittags hat er sie auf seinem Lust – Lustschlosse.“</note>
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<line><fw type="pageNum">37 [<handShift new="#Archivar1"/>38<handShift new="#Archivar2"/>]</fw></line>
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<note type="editorial" target="#B02_37v_m">Fontanes Notizen zu Heinrich Laubes „Graf Essex“ entstanden während der Theateraufführung am 6. Dezember 1879. Die Kritik erschien am 9. Dezember 1879 in der Vossischen Zeitung (Nr. 343); vgl. <bibl><ptr target="lit:Bibliographie_1"/><citedRange>Nr. 3707</citedRange></bibl>.</note>
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<line style="margin-left:1.5cm">man ſich beim <handShift new="#Archivar2"/><fw type="pageNum">38</fw></line>
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<line style="margin-left:1.1cm">die Bonho<g ref="#mgem">mm</g>ie,</line>
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<line style="margin-left:2.6cm" type="heading" subtype="sub" rend="align(center)"><seg><rs type="indirect" ref="wrk:Essex"><hi><seg style="text-decoration:underline; font-size:large">Akt III</seg></hi></rs></seg></line>
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<line style="margin-left:1.5cm"><seg><rs type="direct" ref="psn:Fontane_Theodor">mich</rs></seg> nur, daß</line>
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<line style="margin-left:1.4cm"><del instant="true"><seg style="text-decoration:line-through">lieb</seg></del> „artige</line>
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<line style="margin-left:1.0cm"><seg><rs type="direct" ref="psn:Shakespeare">Shakeſpeare</rs></seg>,</line>
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<line style="margin-left:1.7cm">beſtändig darin</line>
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<line style="margin-left:1.7cm">gut in ſeiner</line>
<line style="margin-left:2.0cm"><seg><rs type="indirect" ref="wrk:Essex">1. Scene</rs></seg> mit</line>
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<line style="margin-left:0.7cm">Damen bei</line>
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<line style="margin-left:1.2cm">mal ein</line>
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<line style="margin-left:1.1cm"><seg><rs xml:id="B02_45r_q" prev="#B02_45r_p" type="indirect" ref="wrk:Essex">ſcene</rs></seg> mit <seg><rs xml:id="B02_45r_m" next="#B02_45r_n" type="direct" ref="psn:Oberlaender">Ober-</rs></seg></line>
<line style="margin-left:1.3cm"><seg><rs xml:id="B02_45r_n" prev="#B02_45r_m" type="direct" ref="psn:Oberlaender">länder</rs></seg>, wie ſie</line>
<line style="margin-left:1.4cm">ihm die Hand zum</line>
<line style="margin-left:1.9cm">Kuſſe reicht, <hi>ſ<seg style="text-decoration:underline">ehr</seg></hi></line>
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<line style="margin-left:2.4cm" rend="indent">Die <seg><rs type="indirect" ref="wrk:Essex">Scene</rs></seg></line>
<line style="margin-left:1.7cm">zwiſchen <hi xml:id="B02_45r_a" next="#B02_45r_b"><seg style="text-decoration:underline">ihr u</seg>nd</hi></line>
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<line style="margin-left:1.7cm">reizend ſein könnte,</line>
<line style="margin-left:1.7cm">viel zu nüchtern,</line>
<line style="margin-left:1.6cm">namentlich anfangs</line>
<line style="margin-left:1.5cm">in dem Zierlichen</line>
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<line style="margin-left:1.5cm"><seg><rs type="indirect" ref="wrk:Essex">Die Scene</rs></seg></line>
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<line style="margin-left:0.6cm"><hi xml:id="B02_45v_c" prev="#B02_45v_b">S<seg style="text-decoration:underline">änfte?</seg></hi>“ In</line>
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<line style="margin-left:1.8cm">dieſer ganzen</line>
<line style="margin-left:1.4cm"><seg><rs type="indirect" ref="wrk:Essex">Scene</rs></seg> iſt ſie</line>
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<line style="margin-left:1.8cm">„<hi>E<seg style="text-decoration:underline">r ko<g ref="#mgem">mm</g>t</seg></hi></line>
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<line style="margin-left:3.3cm" rend="indent">Ich grüße</line>
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<line style="margin-left:1.0cm">Tudor“ – in <handShift new="#Archivar2"/><fw type="pageNum">46</fw></line>
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<line style="margin-left:2.0cm"><seg><rs type="indirect" ref="wrk:Essex">Scene</rs></seg> iſt voll</line>
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<line style="margin-left:1.4cm">wirklicher</line>
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<line style="margin-left:3.5cm" rend="indent"><seg><rs xml:id="B02_46v_m" next="#B02_46v_n" type="indirect" ref="wrk:Essex">Der ganze</rs></seg></line>
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<line><fw type="pageNum">[<handShift new="#Archivar1"/>48<handShift new="#Archivar2"/>]</fw></line>
<line><handShift new="#Archivar2"/><fw type="pageNum">47</fw></line>
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<line style="margin-left:1.3cm" type="heading" subtype="section"><seg><rs type="indirect" ref="wrk:Essex"><hi><seg style="text-decoration:underline; font-size:large">Akt IV</seg></hi></rs></seg></line>
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<line style="margin-left:1.4cm"><seg><rs type="direct" ref="wrk:Hamlet_Geist_Figur"><seg style="letter-spacing:0.2cm">Hamlets<handShift script="Latf"/></seg> Geiſt</rs></seg></line>
<line style="margin-left:1.8cm">ſpiele. Das</line>
<line style="margin-left:1.6cm">iſt zu viel. Auch</line>
<line style="margin-left:1.5cm">Schwerverwundete</line>
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<line style="margin-left:1.8cm" type="heading" subtype="section"><hi><seg style="text-decoration:underline; font-size:large"><seg><rs type="indirect" ref="wrk:Essex">Akt V</rs></seg>.</seg></hi></line>
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<line style="margin-left:1.0cm"><seg><rs xml:id="B02_47v_b" prev="#B02_47v_a" type="indirect" ref="wrk:Essex">ſcene</rs></seg> in Tiers </line>
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<line style="margin-left:0.9cm">u. <seg><rs type="direct" ref="psn:Meyer_Clara">Meyer</rs></seg> iſt</line>
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<line style="margin-left:1.2cm">weilig. <handShift new="#Archivar2"/><fw type="pageNum">48</fw></line>
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<figure>
<figDesc><ref target="http://vocab.getty.edu/aat/300200009">horizontale einfache Schlusslinie</ref></figDesc>
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<line style="margin-left:0.6cm"><seg xml:id="B02_48v_k">Wirkt es nicht venetianiſch?</seg> Iſt</line>
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<line style="margin-left:0.4cm">es nicht venetianiſch. Die</line>
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<line style="margin-left:1.0cm"><seg><rs xml:id="B02_48v_p" prev="#B02_48v_o" type="direct" ref="wrk:Gensdarmenmarkt_Dome_Berlin_Fontane">thürme</rs></seg> <unclear>wie</unclear> <seg><rs type="direct" ref="wrk:Santa_Maria_Salute_Venedig_Fontane">Santa Maria Saluta</rs></seg>.</line>
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<line style="margin-left:0.0cm">von einer</line>
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<line style="margin-left:4.1cm"><seg><rs type="direct" ref="wrk:Gabler">Gabler</rs></seg></line>
<line style="margin-left:4.9cm">ich</line>
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<line style="margin-left:0.0cm">ernenne</line>
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<note type="editorial" target="#B02_48v_k">Fontanes Romanentwurf zu „L’Adultera“ (Kapitel 9) entstand am 17. Dezember 1879; vgl. <bibl><ptr target="lit:Radecke_2002"/><citedRange>S. 59</citedRange></bibl>; dort auch eine Rekonstruktion der Schreibchronologie von Notizbuch B2.</note>
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<line style="margin-left:0.0cm"><seg><rs xml:id="B02_62r_m" prev="#B02_48v_m" type="direct" ref="wrk:Van_der_Straaten">der Straaten</rs></seg>. „Meinetwegen. Saluta,</line>
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<line style="margin-left:0.5cm"><seg xml:lang="it-Latn">Saluta, Saluté</seg> macht mir</line>
<line style="margin-left:0.8cm">keinen Unterſchied. Die Italiener</line>
<line style="margin-left:1.0cm">ſind in ſolchen Sachen ſonderbar</line>
<line style="margin-left:0.8cm">Und überhaupt ſo ſonderbar und</line>
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<line style="margin-left:1.3cm">allem ſind, ſo unzuverläſſig</line>
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<line style="margin-left:0.7cm"><seg><rs type="direct" ref="wrk:Elimar">Elimar</rs></seg> ſteht auf dem</line>
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<line style="margin-left:0.1cm">führt ſie zuſammen und</line>
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<line style="margin-left:1.1cm" type="heading" subtype="section"><seg><rs type="indirect" ref="wrk:Freund_Fuersten"><hi><seg style="text-decoration:underline">Akt I</seg></hi>. Scene 1</rs></seg>.</line>
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<note type="editorial" target="#B02_65v_m">Fontanes Notizen zu Ernst Wicherts „Der Freund des Fürsten“ entstanden während der Theateraufführung am 17. Dezember 1879. Die Kritik erschien am 19. Dezember 1879 in der Vossischen Zeitung (Nr. 353); vgl. <bibl><ptr target="lit:Bibliographie_1"/><citedRange>Nr. 3709</citedRange></bibl>.</note>
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<line style="margin-left:1.7cm">„Das iſt alles <handShift new="#Archivar2"/><fw type="pageNum">66</fw></line>
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<line style="margin-left:1.6cm">„ D<mod type="subst"><del rend="overwritten">er</del><add place="superimposed">ie</add></mod>ſer Freund des</line>
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<line style="margin-left:3.3cm" rend="indent"><seg><rs type="direct" ref="psn:Fontane_Theodor">Ich</rs></seg> kenne</line>
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<line style="margin-left:1.3cm">Leute wie <seg><rs xml:id="B02_67r_m" next="#B02_67r_n" type="direct" ref="psn:Bismarck">Bis-</rs></seg> <handShift new="#Archivar2"/><fw type="pageNum">67</fw></line>
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<line style="margin-left:1.2cm"><seg><rs xml:id="B02_67r_n" prev="#B02_67r_m" type="direct" ref="psn:Bismarck">marck</rs></seg>; aber</line>
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<line style="margin-left:2.2cm" rend="indent">Die alte</line>
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<line style="margin-left:1.6cm">von <hi>E<seg style="text-decoration:underline">hren</seg></hi>⸗ und</line>
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<line><handShift new="#Archivar2"/><fw type="pageNum">68</fw></line>
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<figDesc><ref target="http://vocab.getty.edu/aat/300200009">horizontale einfache Absatzlinie</ref></figDesc>
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<line style="margin-left:2.4cm" rend="indent"><seg><rs type="direct" ref="psn:Frieb-Blumauer">Frieb</rs></seg> und die</line>
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<line><fw type="pageNum">[<handShift new="#Archivar1"/>56<handShift new="#Archivar2"/>]</fw></line>
<line><handShift new="#Archivar2"/><fw type="pageNum">69</fw></line>
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<line style="margin-left:1.4cm">Mattuſch Prinz</line>
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<line style="margin-left:2.5cm" rend="indent">Der <seg><rs type="indirect" ref="wrk:Freund_Fuersten">3. Akt</rs></seg> ver-</line>
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<line style="margin-left:0.4cm"><seg><rs type="direct" ref="psn:Liedtcke">Liedtcke</rs></seg> brillant,</line>
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<line style="margin-left:1.6cm">zwiſchen <seg><rs type="direct" ref="psn:Ludwig_Maximilian">Ludwig</rs></seg></line>
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<line style="margin-left:1.6cm" type="heading" subtype="section"><seg style="font-size:large"><seg><rs type="indirect" ref="wrk:Freund_Fuersten"><hi><seg style="text-decoration:underline">Akt I</seg>V</hi></rs></seg>.</seg></line>
<line style="margin-left:2.3cm" rend="indent"><seg><rs type="indirect" ref="wrk:Freund_Fuersten">Scene 1.</rs></seg> hübſche</line>
<line style="margin-left:1.5cm"><seg><rs type="indirect" ref="wrk:Freund_Fuersten">Scene</rs></seg> zwiſchen</line>
<line style="margin-left:1.5cm"><seg><rs type="direct" ref="psn:Meyer_Clara"><hi><seg style="text-decoration:underline">Meyer</seg></hi></rs></seg> und <seg><rs type="direct" ref="psn:Niemann-Seebach"><hi>S<seg style="text-decoration:underline">eebach</seg></hi></rs></seg>.</line>
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<line><fw type="pageNum">70 [<handShift new="#Archivar1"/>57<handShift new="#Archivar2"/>]</fw></line>
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<line style="margin-left:1.3cm">von meinem Onkel</line>
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<note type="editorial" target="#B02_70v_m">Fontanes Notizen zu Shakespeares „Macbeth“ entstanden während der Theateraufführung am 20. Dezember 1879. Die Kritik erschien am 23. Dezember 1879 in der Vossischen Zeitung (Nr. 357); vgl. <bibl><ptr target="lit:Bibliographie_1"/><citedRange>Nr. 3710</citedRange></bibl>.</note>
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<line><fw type="pageNum">71 [<handShift new="#Archivar1"/>58<handShift new="#Archivar2"/>]</fw></line>
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<line style="margin-left:2.0cm" rend="indent">Und dieſe letzten</line>
<line style="margin-left:1.1cm">Zeilen ſind gerade</line>
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<line style="margin-left:1.8cm" rend="indent">Am beſten <seg><rs type="direct" ref="psn:Oberlaender">Oberländer</rs></seg>,</line>
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<line style="margin-left:2.0cm" rend="indent"><seg><rs type="indirect" ref="wrk:Macbeth">Große Scene</rs></seg> wirk-</line>
<line style="margin-left:1.5cm">ſam, aber zu</line>
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<line style="margin-left:1.7cm">wie in <seg><rs xml:id="B02_71v_m" next="#B02_71v_n" type="direct" ref="wrk:Robert_der_Teufel">Robert</rs></seg></line>
<line style="margin-left:1.7cm"><seg><rs xml:id="B02_71v_n" prev="#B02_71v_m" type="direct" ref="wrk:Robert_der_Teufel">dem Teufel</rs></seg>.</line>
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<line style="margin-left:3.0cm" rend="indent">Daß die <unclear>Schwerlichen</unclear> <handShift new="#Archivar2"/><fw type="pageNum">72</fw></line>
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<line style="margin-left:1.8cm">es nicht kö<g ref="#ngem">nn</g>en, iſt</line>
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<line style="margin-left:2.2cm">Malerwendung, die</line>
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<line style="margin-left:3.0cm"><mod type="subst"><del rend="overwritten">Untergang</del><add place="superimposed">Tod</add></mod> Schwedens</line>
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<line style="margin-left:1.5cm">in <seg><rs type="indirect" ref="wrk:Macbeth">dieſem Stück</rs></seg></line>
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<line style="margin-left:2.0cm" type="heading" subtype="section"><seg><rs type="indirect" ref="wrk:Macbeth"><hi><seg style="text-decoration:underline; font-size:large">Akt III</seg></hi></rs></seg> <handShift new="#Archivar2"/><fw type="pageNum">73</fw></line>
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<line style="margin-left:1.9cm" rend="indent">Anfang gut. Erſt</line>
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<line style="margin-left:1.5cm"><seg><rs type="direct" ref="psn:Fontane_Theodor">ich</rs></seg> finde nur den</line>
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<line style="margin-left:2.5cm" rend="indent">Die ganze <seg><rs type="indirect" ref="wrk:Macbeth">Mörderſcene</rs></seg></line>
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<line style="margin-left:2.3cm" rend="indent"><seg><rs type="indirect" ref="wrk:Macbeth"><hi>S<seg style="text-decoration:underline">cene 2.</seg></hi> Geiſternacht</rs></seg>.</line>
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<line style="margin-left:1.8cm">Arrangement</line>
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<line style="margin-left:0.3cm">gut. – <seg><rs type="indirect" ref="wrk:Macbeth"><hi xml:id="B02_73v_a" next="#B02_73v_b"><mod seq="1" style="text-decoration:underline" spanTo="#B02_73v_c"/><mod seq="2" style="text-decoration:underline" spanTo="#B02_73v_d"/>Banqu<anchor xml:id="B02_73v_c"/>o<anchor xml:id="B02_73v_d"/></hi></rs></seg></line>
<line style="margin-left:0.4cm"><hi xml:id="B02_73v_b" prev="#B02_73v_a"><seg style="text-decoration:underline" rend="underline-style:double">vorzüglich</seg></hi>. Auch </line>
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<line style="margin-left:1.4cm">hierin zeigt ſich der</line>
<line style="margin-left:1.7cm">Künſtler. Die Art</line>
<line style="margin-left:1.8cm">wie <seg><rs type="indirect" ref="psn:Klein">er</rs></seg> blickt und</line>
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<line style="margin-left:1.6cm">andren zuſa<g ref="#mgem">mm</g>en</line>
<line style="margin-left:1.5cm">genom<g ref="#mgem">mm</g>en. Es</line>
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<line><fw type="pageNum">[<handShift new="#Archivar1"/>61<handShift new="#Archivar2"/>]</fw></line>
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<line style="margin-left:1.3cm">ihrer <add place="above" style="margin-left:-0.6cm" rend="caret:slash"><choice><abbr>Königl.</abbr><expan>Königlichen</expan></choice></add> Schleppe beſchäftigt <handShift new="#Archivar2"/><fw type="pageNum">74</fw></line>
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<line style="margin-left:1.5cm">beiden am Tiſch</line>
<line style="margin-left:1.5cm">paſſabel.</line>
<line style="margin-left:1.8cm" type="heading" subtype="section"><seg><rs type="indirect" ref="wrk:Macbeth"><seg style="font-size:large"><hi><seg style="text-decoration:underline" rend="underline-style:half-s-shaped(upper-left)">Akt IV</seg></hi></seg></rs></seg></line>
<line style="margin-left:2.3cm" rend="indent">Die <seg><rs type="indirect" ref="wrk:Macbeth">1. Scene</rs></seg> zwiſchen</line>
<line style="margin-left:1.4cm"><seg><rs type="indirect" ref="wrk:Macbeth">Lenox</rs></seg> und Baſſa.</line>
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<line style="margin-left:2.3cm" rend="indent"><seg><rs type="indirect" ref="wrk:Macbeth"><hi>S<seg style="text-decoration:underline">cene 2</seg></hi></rs></seg>. Hexenkeſſel.</line>
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<line style="margin-left:1.9cm" rend="indent"><seg><rs type="indirect" ref="wrk:Macbeth"><hi>Sc<seg style="text-decoration:underline">ene 3.</seg></hi></rs></seg> <seg><rs type="indirect" ref="wrk:Macbeth">Lady Macduff</rs></seg>,</line>
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<line style="margin-left:0.3cm">„Doch muß ich</line>
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<line style="margin-left:2.3cm"><seg><rs xml:id="B02_74v_n" prev="#B02_74v_m" type="indirect" ref="wrk:Macbeth">Stelle</rs></seg>. X---x.</line>
<line style="margin-left:1.8cm">Hier kann man</line>
<line style="margin-left:2.4cm">ſehn, was auch</line>
<line style="margin-left:2.0cm">die X---x als ſolche</line>
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<line style="margin-left:2.0cm">Sehr bedeutender Beifall.</line>
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<line style="margin-left:2.1cm">empfindet alſo</line>
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<line style="margin-left:1.4cm">„erkeimt es mir“ <handShift script="Latn"/>etc. <handShift new="#Archivar2"/><fw type="pageNum">75</fw></line>
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<line style="margin-left:0.8cm">wirkt reno<g ref="#mgem">mm</g>iſtiſch.</line>
<line style="margin-left:1.2cm">Das muß bis zuletzt</line>
<line style="margin-left:1.4cm">bleiben mit den beiden</line>
<line style="margin-left:1.5cm">andren zuſa<g ref="#mgem">mm</g>en.</line>
<line style="margin-left:1.2cm">Vielleicht das Schwert</line>
<line style="margin-left:1.6cm">aufſtützen und <hi xml:id="B02_75r_a" next="#B02_75r_b">di<seg style="text-decoration:underline">e Han</seg>d</hi></line>
<line style="margin-left:1.7cm"><hi xml:id="B02_75r_b" prev="#B02_75r_a"><seg style="text-decoration:underline">heben</seg></hi>.</line>
<line style="margin-left:2.1cm" type="heading" subtype="section"><hi><seg style="text-decoration:underline; font-size:large"><seg><rs type="indirect" ref="wrk:Macbeth">Akt V</rs></seg>.</seg></hi></line>
<line style="margin-left:3.2cm" rend="indent"><seg><rs type="indirect" ref="wrk:Macbeth">Scene 1</rs></seg>. <seg><rs type="indirect" ref="wrk:Macbeth">Siward</rs></seg></line>
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<line style="margin-left:1.2cm"><seg><rs type="direct" ref="psn:Breitbach">Breitbach</rs></seg>. Dann <hi>ſ<seg style="text-decoration:underline">ie</seg></hi>.</line>
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<line style="margin-left:1.4cm">man merkt die Künſtlerin,</line>
<line style="margin-left:1.5cm">aber auch fourcirt. Man</line>
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<line style="margin-left:1.5cm"><seg><rs type="indirect" ref="wrk:Macbeth"><hi>S<seg style="text-decoration:underline">cene 3</seg></hi></rs></seg>. <seg><rs type="indirect" ref="psn:Krause"><hi>E<seg style="text-decoration:underline">r</seg></hi></rs></seg> an vielen</line>
<line style="margin-left:1.8cm">Stellen ſ<hi><seg style="text-decoration:underline" rend="underline-style:double">ehr</seg></hi> gut, an</line>
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<line style="margin-left:1.3cm">andern nicht. Brillant</line>
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<figure>
<figDesc><ref target="http://vocab.getty.edu/aat/300200009">horizontale einfache Schlusslinie</ref></figDesc>
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<line style="margin-left:4.5cm"><seg xml:id="B02_75v_n" prev="#B02_75v_m"><seg><rs xml:id="B02_75v_t" prev="#B02_75v_s" type="indirect" ref="wrk:Kompromittierten"><hi xml:id="B02_75v_b" prev="#B02_75v_a"><seg style="text-decoration:underline">ten</seg></hi></rs></seg></seg></line>
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<line style="margin-left:1.9cm"><seg type="heading" subtype="section"><rs type="indirect" ref="wrk:Kompromittierten">1. Akt</rs></seg>. Sehr hübſch</line>
<line style="margin-left:1.5cm">ſehr amüſant. Die</line>
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<note type="editorial" target="#B02_75v_m">Fontanes Notizen zu Julius Rosens „Die Compromittirten“ entstanden während der Theateraufführung am 31. Dezember 1879. Die Kritik erschien am 3. Januar 1880 in der Vossischen Zeitung (Nr. 3); vgl. <bibl><ptr target="lit:Bibliographie_1"/><citedRange>Nr. 3711</citedRange></bibl>.</note>
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<line style="margin-left:1.5cm">glücklich. Es iſt <handShift new="#Archivar2"/><fw type="pageNum">76</fw></line>
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<line style="margin-left:1.4cm">wahr, daß nichts</line>
<line style="margin-left:1.8cm">toller iſt als</line>
<line style="margin-left:1.3cm">die „ewige Rück-</line>
<line style="margin-left:1.1cm">ſichtsnahme“ und</line>
<line style="margin-left:1.3cm">wenn Menſchen</line>
<line style="margin-left:1.7cm">den Muth haben</line>
<line style="margin-left:1.8cm">ſich zu compromittiren,</line>
<line style="margin-left:1.8cm">ſo wird ers beſſer</line>
<line style="margin-left:1.4cm">haben. Die</line>
<line style="margin-left:1.8cm">Figur, die das</line>
<line style="margin-left:1.7cm">in Scene ſetzt, iſt</line>
<line style="margin-left:1.6cm">gewagt, aber das</line>
<line style="margin-left:1.9cm">ſchadet nichts.</line>
<line style="margin-left:1.7cm"><hi><seg type="heading" subtype="section" style="text-decoration:underline; font-size:large"><seg><rs type="indirect" ref="wrk:Kompromittierten">Akt II</rs></seg>.</seg></hi> Die</line>
<line style="margin-left:2.1cm"><seg><rs type="indirect" ref="wrk:Kompromittierten">Trunkenſcene</rs></seg></line>
<line style="margin-left:2.2cm">hübſch.</line>
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<line style="margin-left:1.0cm"><seg><rs type="direct" ref="psn:Liedtcke">Liedtcke</rs></seg> iſt</line>
<line style="margin-left:1.0cm">der <hi>Compromi<seg style="text-decoration:underline">ttirer</seg></hi></line>
<line style="margin-left:1.3cm">und alle andern</line>
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<line style="margin-left:2.6cm" rend="indent">Man empfindet</line>
<line style="margin-left:1.4cm">nicht, welch Talent</line>
<line style="margin-left:1.5cm">dazu gehört, einen</line>
<line style="margin-left:1.8cm"><mod type="subst"><del rend="overwritten"><seg style="font-size:small"><seg style="vertical-align:super">3</seg><g ref="#hb">/</g><seg style="vertical-align:sub">4</seg></seg></del><add place="superimposed">2</add></mod> <seg style="font-size:small"><seg style="vertical-align:super">1</seg><g ref="#hb">/</g><seg style="vertical-align:sub">2</seg></seg> Stunden lang i<g ref="#mgem">mm</g>er</line>
<line style="margin-left:1.8cm">in Laune und Spannung</line>
<line style="margin-left:1.6cm">zu erhalten.</line>
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<line style="margin-left:2.9cm" rend="indent">So hübſch es nun</line>
<line style="margin-left:2.0cm">iſt, tritt doch mitunter</line>
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<line style="margin-left:1.8cm">eine zu tolle Welt iſt, in die</line>
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<line><handShift new="#Archivar2"/><fw type="pageNum">77</fw></line>
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<line style="margin-left:1.0cm" type="heading" subtype="section"><hi><seg style="text-decoration:underline"><seg><rs type="indirect" ref="wrk:Kompromittierten">Akt III</rs></seg></seg></hi></line>
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<line style="margin-left:0.7cm">einen Anflug von</line>
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<line style="margin-left:1.6cm"><seg type="multiphrase" xml:id="B02_78v_i" prev="#B02_78v_f" corresp="#B02_78v_g">Vermögen</seg><add type="multiphrase" place="above" xml:id="B02_78v_j" prev="#B02_78v_g" corresp="#B02_78v_e" style="margin-left:-1.4cm"><del><seg style="text-decoration:line-through">aber freilich</seg></del> mehr</add> der Ausdehnung</line>
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<note type="editorial" target="#B02_78v_k">Fontanes Entwurf zu „L’Adultera“ (Kapitel 1) entstand nach den Theaternotizen vom 31. Dezember 1879; vgl. <bibl><ptr target="lit:Radecke_2002"/><citedRange>S. 58</citedRange></bibl>.</note>
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