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        <title>Notizbuch B3</title>
        <author>
          <persName>Theodor Fontane</persName>
          <idno type="GND" base="http://d-nb.info/gnd/">118534262</idno>
        </author>
        <respStmt>
          <resp key="scr">Schreiber</resp>
          <name>
            <persName>Friedrich Fontane</persName>
            <idno type="GND" base="http://d-nb.info/gnd/">116647701</idno>
          </name>
        </respStmt>
        <editor id="GR">
          <persName>Gabriele Radecke</persName>
          <idno type="GND" base="http://d-nb.info/gnd/">123987385</idno>
        </editor>
        <respStmt>
          <resp key="oth">Editorische Assistenz</resp>
          <name>
            <persName>Judith Michaelis</persName>
          </name>
          <name>
            <persName>Rahel Rami</persName>
          </name>
        </respStmt>
        <respStmt>
          <resp key="trc">Transkription</resp>
          <name>
            <persName>Gabriele Radecke</persName>
            <idno type="GND" base="http://d-nb.info/gnd/">123987385</idno>
          </name>
        </respStmt>
        <respStmt>
          <resp key="mrk">Codierung</resp>
          <name>
            <persName>Gabriele Radecke</persName>
            <idno type="GND" base="http://d-nb.info/gnd/">123987385</idno>
          </name>
          <name>
            <persName>Judith Michaelis</persName>
          </name>
          <name>
            <persName>Rahel Rami</persName>
          </name>
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        <respStmt>
          <resp key="cwt">Kommentierung</resp>
          <name>
            <persName>Gabriele Radecke</persName>
            <idno type="GND" base="http://d-nb.info/gnd/">123987385</idno>
          </name>
        </respStmt>
        <respStmt>
          <resp key="oth">Metadaten</resp>
          <name>
            <persName>Martin de la Iglesia</persName>
            <idno type="GND" base="http://d-nb.info/gnd/">1017477760</idno>
          </name>
        </respStmt>
        <respStmt>
          <resp key="oth">IT, Visualisierung und Portalentwicklung</resp>
          <name>
            <persName>Mathias Göbel</persName>
          </name>
        </respStmt>
      </titleStmt>
      <publicationStmt>
        <ab>
          <listBibl>
            <listBibl>
              <head>Druckgeschichte einzelner Notizbuchaufzeichnungen</head>
              <bibl><abbr>E</abbr> (<abbr>TD</abbr>): <rs ref="lit:GBA_Erz_Werk_5">GBA–Erz. Werk, Bd. 5</rs>, S. 173. (<ref target="#xpath(//surface[@n='55v'])">Blatt 55v</ref>-<ref target="#xpath(//surface[@n='57r'])">57r</ref>: Ellernklipp; datiert auf Sommer 1879.)</bibl>
            </listBibl>
            <listBibl>
              <head>Notizbuch-Gesamtpublikationen</head>
              <listBibl>
                <head>Fontane-Notizbuch-Portal</head>
                <bibl>
                  <bibl>Theodor Fontane: Notizbücher. Digitale genetisch-kritische und kommentierte Edition. Hrsg. von Gabriele Radecke. https://fontane-nb.dariah.eu/index.html. 2015-2017, abgerufen am: [Datum des Abrufs]</bibl>
                  <availability>
                    <licence target="http://creativecommons.org/licenses/by-nc-nd/4.0/">Alle im Rahmen des Projektes erarbeiteten Inhalte der Edition sind unter der Lizenz „CC-BY-ND-NC-4.0 international“ zugänglich. Die Digitalisate der Notizbücher Theodor Fontanes stehen unter der Lizenz „CC0-1.0“ zur Verfügung.</licence>
                  </availability>
                </bibl>
              </listBibl>
              <listBibl>
                <head>Digitale Edition im TextGrid-Repositorium als Langzeitarchivierung</head>
                <bibl>Theodor Fontane: Notizbücher. Digitale genetisch-kritische und kommentierte Edition. Hrsg. von Gabriele Radecke. https://textgridrep.de/browse.html?id=textgrid:129mw.0, abgerufen am: [Datum des Abrufs]</bibl>
              </listBibl>
              <listBibl>
                <head>Publikationen im Verlag Walter de Gruyter</head>
                <listBibl>
                  <listBibl>
                    <head>Print-Edition</head>
                    <bibl>Theodor Fontane: Notizbücher. Historisch-kritische und kommentierte Edition. Hrsg. von Gabriele Radecke. Berlin [in Vorbereitung]</bibl>
                  </listBibl>
                  <listBibl>
                    <head>E-Book-Edition</head>
                    <bibl>Theodor Fontane: Notizbücher. Historisch-kritische und kommentierte Edition. Hrsg. von Gabriele Radecke. Berlin [in Vorbereitung]</bibl>
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                </listBibl>
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        <title>Notizbücher. Digitale genetisch-kritische und kommentierte Hybrid-Edition</title>
        <respStmt>
          <resp key="aut">Autor</resp>
          <name>
            <persName>Theodor Fontane</persName>
            <idno type="GND" base="http://d-nb.info/gnd/">118534262</idno>
          </name>
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        <respStmt>
          <resp key="edt">Herausgeberin</resp>
          <name>
            <persName>Dr. Gabriele Radecke</persName>
            <idno type="GND" base="http://d-nb.info/gnd/">123987385</idno>
          </name>
        </respStmt>
        <respStmt>
          <resp key="pdr">Gesamtleitung, Idee und Konzeption sowie editions- und literaturwissenschaftliche Leitung</resp>
          <name>
            <persName>Dr. Gabriele Radecke</persName>
            <idno type="GND" base="http://d-nb.info/gnd/">123987385</idno>
          </name>
        </respStmt>
        <respStmt>
          <resp key="oth">Informationswissenschaftliche und -technologische Leitung sowie Koordination in der SUB</resp>
          <name>
            <persName>Dr. Mirjam Blümm (seit April 2015)</persName>
            <idno type="GND" base="http://d-nb.info/gnd/">1042174490</idno>
          </name>
          <name>
            <persName>Prof. Dr. Heike Neuroth (Juni 2011–März 2015)</persName>
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        <respStmt>
          <resp key="oth">Editorische Assistenz</resp>
          <name>
            <persName>Judith Michaelis (Juni 2011–Dezember 2015; Codierung)</persName>
          </name>
          <name>
            <persName>Rahel Rami (Juni 2012–Juni 2017; Codierung und Register)</persName>
          </name>
          <name>
            <persName>Hartmut Hombrecher (August 2015 #x2013;Juni 2017; Codierung)</persName>
          </name>
          <name>
            <persName>Adrian Bruhns (Februar 2016–Juni 2017; Register)</persName>
          </name>
          <name>
            <persName>Juljana Battenberg (Juli 2016–Junc 2017; Register)</persName>
          </name>
        </respStmt>
        <respStmt>
          <resp key="oth">Metadaten</resp>
          <name>
            <persName>Martin de la Iglesia</persName>
            <idno type="GND" base="http://d-nb.info/gnd/">1017477760</idno>
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        <respStmt>
          <resp key="oth">IT, Visualisierung und Portalentwicklung</resp>
          <name>
            <persName>Mathias Göbel</persName>
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        <respStmt>
          <resp key="csp">Beratung (Metadaten)</resp>
          <name>
            <persName>Christiane Fritze</persName>
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          <name>
            <persName>Alexander Jahnke</persName>
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        <respStmt>
          <resp key="csp">Beratung (TextGrid)</resp>
          <name>
            <persName>Stefan Funk</persName>
          </name>
          <name>
            <persName>Felix Lohmeier</persName>
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          <name>
            <persName>Thorsten Vitt</persName>
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          <resp key="oth">Institutionen</resp>
          <name>
            <orgName>Theodor Fontane-Arbeitsstelle, Georg-August-Universität Göttingen, Seminar für Deutsche Philologie (Leitung: Dr. Gabriele Radecke)</orgName>
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            <name>
              <orgName>Abteilung Forschung & Entwicklung (Leitung: Dr. Jan Brase)</orgName>
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            <name>
              <orgName>Gruppe Metadaten und Datenkonversion (Leitung: Alexander Jahnke)</orgName>
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          <name>
            <orgName>Digital Research Infrastructure for the Arts and Humanities (DARIAH-DE)</orgName>
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          <name>
            <orgName>TextGrid – Virtuelle Forschungsumgebung für die Geisteswissenschaften (TextGrid)</orgName>
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          <name>
            <orgName>Deutsche Forschungsgemeinschaft</orgName>
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          <resp key="asn">Assoziierte Partnerin</resp>
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          <resp key="own">Eigentümerin der Handschriften</resp>
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          <resp key="pbl">Verlag</resp>
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            <orgName>Walter de Gruyter</orgName>
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          <resp key="pro">Herstellung der Scans: Leitung</resp>
          <name>
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          </name>
          <name>
            <persName>Dr. Jutta Weber</persName>
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          <resp key="pro">Herstellung der Scans</resp>
          <name>
            <orgName>Firma MIK-Center Berlin-Blankenburg</orgName>
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          <resp key="pro">Herstellung der Scans: Finanzierung</resp>
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          <name>
            <orgName>Walter de Gruyter-Verlag</orgName>
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        <respStmt>
          <resp key="fnd">Projektförderung (2011–2017)</resp>
          <name>
            <orgName>Deutsche Forschungsgemeinschaft</orgName>
            <idno type="GND" base="http://d-nb.info/gnd/">2007744-0</idno>
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          <name>
            <idno type="DFG-Projektnummer">NE 1434/1-2 <idno type="DFG-AOBJ">610728</idno></idno>
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            <settlement>Berlin</settlement>
            <repository key="DE-1a">Staatsbibliothek zu Berlin, Preußischer Kulturbesitz</repository>
            <collection>Handschriftenabteilung</collection>
            <idno type="Signatur">Nachl._Theodor_Fontane,Notizbücher_B03</idno>
            <altIdentifier>
              <idno type="Kalliope" base="http://kalliope-verbund.info/de/ead?ead.id=">DE-611-HS-1779397</idno>
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            <msName type="authorial">1879</msName>
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              <list type="authorial">
                <note>Fontanes unvollständige Inhaltsübersicht, die er teils auf Notizbuchhersteller-Etiketten, teils auf an- bzw. aufgeklebten Blättern der vorderen äußeren Einbanddecken oder auf vorderen äußeren Einbanddecken notierte. Die Inhaltsübersicht zu Notizbuch B03 schrieb Fontane auf einem Notizbuchhersteller-Etikett.</note>
                <item>1879</item>
              </list>
              <list type="Friedrich_Fontane">
                <note>Friedrich Fontanes unvollständige Inhaltsübersicht, die er auf den Rückseiten von an- bzw. aufgeklebten Kalenderblättern der vorderen inneren Einbanddecken oder in Ausnahmefällen auf Notizbuchhersteller-Etiketten oder aufgeklebten Blättern der vorderen äußeren Einbanddecken festhielt. Die Inhaltsübersichten entstanden zwischen dem 2. März 1923 (vgl. Notizbuch E01; eigenhändige Datierung) und dem 9. Dezember 1927 (vgl. Notizbuch A15; Datum auf dem Kalenderblatt). Nur in wenigen Fällen hat Friedrich Fontane die Übersichten datiert. Die Inhaltsübersicht zu Notizbuch B03 entstand am oder nach dem 22. Juli 1925.</note>
                <item>Theater (Faust – Zärtliche Verwandte – Ehe von heute – Uriel Acosta)</item>
              </list>
              <list type="Fontane_Blätter">
                <note>Die in den „Fontane Blättern“ 1976 veröffentlichte Inhaltsübersicht, die lediglich Theodor und Friedrich Fontanes Inhaltsübersichten zusammenführt. Mit vielen Entzifferungsfehlern; vgl. Fontane Blätter 1976, S. 64–66.</note>
                <item>1879. Theater. (Faust – Zärtliche Verwandte – Ehe von heute – Zärtliche Verwandte – Ehe von heute – Uriel Acosta.)</item>
              </list>
              <list type="editorial">
                <note>Gabriele Radeckes autopsiertes Inhaltsverzeichnis, das im Rahmen der Notizbuch-Edition von 2017 ermittelt wurde.</note>
                <item>[Briefkonzept: An Wilhelm Hertz] (Ausfertigung am 10. Oktober 1879, Berlin, <rs ref="lit:HBV">HBV</rs>, Nr. 79/88), <ref target="#xpath(//surface[@n='15v'])">Blatt 15v</ref></item>
                <item>Die zärtlichen Verwandten – von Roderich Benedix (2.10.1879) (Notizen: Theaterkritik) <ref target="#xpath(//surface[@n='27r'])">Blatt 27r</ref>, <ref target="#xpath(//surface[@n='28r'])">28r</ref>, <ref target="#xpath(//surface[@n='29r'])">29r</ref> und <ref target="#xpath(//surface[@n='30r'])">30r</ref></item>
                <item>Eine Ehe von heut – von Antonie Hackenthal (4.11.1879) (Notizen: Theaterkritik), <ref target="#B03_38r_1">Blatt 38r</ref>, <ref target="#xpath(//surface[@n='38v'])">38v</ref>, <ref target="#xpath(//surface[@n='43r'])">43r</ref>, <ref target="#xpath(//surface[@n='43v'])">43v</ref>, <ref target="#xpath(//surface[@n='44r'])">44r</ref>, <ref target="#xpath(//surface[@n='44v'])">44v</ref>, <ref target="#xpath(//surface[@n='45r'])">45r</ref>, <ref target="#xpath(//surface[@n='45v'])">45v</ref>, <ref target="#xpath(//surface[@n='46r'])">46r</ref>, <ref target="#xpath(//surface[@n='46v'])">46v</ref>, <ref target="#xpath(//surface[@n='47r'])">47r</ref>, <ref target="#xpath(//surface[@n='47v'])">47v</ref>, <ref target="#xpath(//surface[@n='48r'])">48r</ref>, <ref target="#xpath(//surface[@n='48v'])">48v</ref>, <ref target="#xpath(//surface[@n='49r'])">49r</ref>, <ref target="#xpath(//surface[@n='49v'])">49v</ref>, <ref target="#xpath(//surface[@n='50r'])">50r</ref>, <ref target="#xpath(//surface[@n='50v'])">50v</ref>, <ref target="#xpath(//surface[@n='51r'])">51r</ref>, <ref target="#xpath(//surface[@n='51v'])">51v</ref> und <ref target="#xpath(//surface[@n='52r'])">52r</ref></item>
                <item>Ellernklipp (Sommer 1879?) (Entwurf zum 11. Kapitel), <ref target="#xpath(//surface[@n='55v'])">Blatt 55v</ref>, <ref target="#xpath(//surface[@n='56r'])">56r</ref>, <ref target="#xpath(//surface[@n='56v'])">56v</ref> und <ref target="#xpath(//surface[@n='57r'])">57r</ref></item>
                <item>Faust I – von Johann Wolfgang Goethe (27.09.1879) (Notizen: Theaterkritik), <ref target="#xpath(//surface[@n='15r'])">Blatt 15r</ref>, <ref target="#xpath(//surface[@n='16r'])">16r</ref>, <ref target="#xpath(//surface[@n='17r'])">17r</ref>, <ref target="#xpath(//surface[@n='18r'])">18r</ref>, <ref target="#xpath(//surface[@n='19r'])">19r</ref>, <ref target="#xpath(//surface[@n='20r'])">20r</ref>, <ref target="#xpath(//surface[@n='21r'])">21r</ref>, <ref target="#xpath(//surface[@n='22r'])">22r</ref>, <ref target="#xpath(//surface[@n='23r'])">23r</ref>, <ref target="#xpath(//surface[@n='24r'])">24r</ref>, <ref target="#xpath(//surface[@n='25r'])">25r</ref> und <ref target="#xpath(//surface[@n='26r'])">26r</ref></item>
                <item>Medea – von Ernest Legouvé (17.11.1879) (Notizen: Theaterkritik), <ref target="#B03_60v_1">Blatt 60v</ref>, <ref target="#xpath(//surface[@n='61r'])">61r</ref>, <ref target="#xpath(//surface[@n='61v'])">61v</ref>, <ref target="#xpath(//surface[@n='62r'])">62r</ref>, <ref target="#xpath(//surface[@n='62v'])">62v</ref> und <ref target="#xpath(//surface[@n='63r'])">63r</ref></item>
                <item>Uriel Acosta – von Karl Gutzkow (8.11.1879) (Notizen: Theaterkritik), <ref target="#xpath(//surface[@n='53r'])">Blatt 53r</ref>, <ref target="#xpath(//surface[@n='54r'])">54r</ref>, <ref target="#xpath(//surface[@n='54v'])">54v</ref> und <ref target="#xpath(//surface[@n='55r'])">55r</ref></item>
                <item>Wilhelm Tell – von Friedrich Schiller (11.11.1879) (Notizen: Theaterkritik), <ref target="#xpath(//surface[@n='57v'])">Blatt 57v</ref>, <ref target="#xpath(//surface[@n='58r'])">58r</ref>, <ref target="#xpath(//surface[@n='58v'])">58v</ref>, <ref target="#xpath(//surface[@n='59r'])">59r</ref>, <ref target="#xpath(//surface[@n='59v'])">59v</ref>, <ref target="#xpath(//surface[@n='60r'])">60r</ref> und <ref target="#B03_60v_2">60v</ref></item>
                <item>[Noch nicht ermittelt] (XXX), <ref target="#B03_38r_4">Blatt 38r</ref></item><!-- Entstehung-->
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                  <ab><hi>Blattfragmente:</hi> Keine Reste von herausgerissenen Blättern</ab>
                  <ab><hi>Blattfragmente:</hi> 25; Reste von herausgeschnittenen Blättern, unbeschriftet (beschriftet: Blatt 35r und 42r). <ref target="#xpath(//surface[@n='1r'])">Blatt 1r</ref>-<ref target="#xpath(//surface[@n='14v'])">14v</ref>, <ref target="#xpath(//surface[@n='31r'])">31r</ref>-<ref target="#xpath(//surface[@n='37v'])">37v</ref> und <ref target="#xpath(//surface[@n='39r'])">39r</ref>-<ref target="#xpath(//surface[@n='42v'])">42v</ref></ab>
                  <ab><hi>Blattfragmente:</hi> Keine Reste von herausgerissenen und -geschnittenen Blättern</ab>
                  <ab><hi>Kalenderblatt:</hi> 1; angeklebt. <ref target="#xpath(//surface[@n='Ir'])">Blatt Ir</ref> und <ref target="#xpath(//surface[@n='Iv'])">Iv</ref></ab>
                  <ab><hi>Vakat-Seiten:</hi> 31. Blatt IIr/v, 16v-30v (nur Blattrückseiten), 43v-53v (nur Blattrückseiten) und 63v-64v</ab>
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                <foliation>Die erste Foliierung der Einzelblätter in arabischen Ziffern hat <rs ref="#Archivar1">Archivar 1</rs> vermutlich in den 1960er Jahren mit Bleistift auf den Blattvorderseiten (recto-Seiten) vorgenommen. Die zweite Foliierung der Einzelblätter wurde im Rahmen der Notizbuch-Edition von <rs ref="#Archivar2">Archivar 2</rs> im November 2011 mit Bleistift auf den Blattvorderseiten (recto-Seiten) in arabischen Ziffern durchgeführt. Dabei wurde die alte Zählung mit eckigen Klammern markiert. Der auf dem <ref target="#xpath(//surface[@n='front_endpaper_IIr'])">Vorsatzblatt IIr</ref> geschriebenen Auktionsnummer von 1933, „508-3“, ging keine Foliierung voraus.</foliation>
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              <ab><hi>Skizzen:</hi> Keine</ab>
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              <ab><hi>Stempel:</hi> 1. Friedrich Fontane: <ref target="#xpath(//surface[@n='front_endpaper_IIr'])">Vorderes Vorsatzblatt IIr</ref></ab>
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        <handNote id="fremde_Hand2" script="posthumous">Fremde Hand 2: Auktionsnummer, 1933</handNote>
        <handNote id="fremde_Hand3" script="posthumous">Fremde Hand 3: Häkchen auf dem Etikett</handNote>
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        <handNote medium="thin_pen">Feder mit feiner Breite</handNote>
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      <handNotes n="9">
        <handNote script="clean">Reinschriftliche Notizbuchaufzeichnungen mit sehr gleichmäßigen Schriftzügen, Unterstreichungen, Gliederungen und Einrückungen. Die meisten Reinschriften sind Abschriften früherer Aufzeichnungen oder belegen, dass konzeptionelle Überlegungen vorausgegangen waren.</handNote>
        <handNote script="hasty">Sehr schwer zu entziffernde, mit Bleistift geschriebene Notizbuchaufzeichungen mit einem äußerst unruhigen Duktus und verzerrten Buchstaben. Sie sind darauf zurückzuführen, dass die Notizbuchaufzeichnungen ohne eine feste Schreibunterlage zumeist unterwegs entstanden sind. </handNote>
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        <line style="margin-left:2.8cm"><hi id="B03_15r_b" prev="#B03_15r_a"><seg style="text-decoration:underline">Mein</seg></hi> eigentliches</line>
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    <note type="editorial" target="#B03_14v_m">Fontanes Notizen zu Goethes „Faust I“ entstanden während der Theateraufführung am 27. September 1878. Die Kritik erschien am 30. September 1879 in der Vossischen Zeitung (Nr. 273); vgl. <bibl><ptr target="lit:Bibliographie_1"/><citedRange>Nr. 3693</citedRange></bibl>.<!--vgl. Knudsen, S. 252 --></note>
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        <line style="margin-left:0.0cm"><seg id="B03_15v_k">Endlich hab <seg><rs type="direct" ref="psn:Fontane_Theodor">ich</rs></seg></seg> die letzten</line>
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    <note type="editorial" target="#B03_15v_k">Fontane hat das Briefkonzept an Wilhelm Hertz am oder kurz vor dem 10. Oktober 1879, geschrieben; die Ausfertigung des Briefes ist auf Berlin, den 10. Oktober datiert. In dem Schreiben geht es um die dritte Auflage des zweiten „Wanderungen“-Bandes, „Oderland“. Vgl. <bibl><ptr target="lit:HBV"/><citedRange> Nr. 79/98</citedRange></bibl>, und <bibl><ptr target="lit:FHer"/><citedRange> Nr. 317</citedRange></bibl>.</note>
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        <line><fw type="pageNum">17</fw></line></zone>
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        <line style="margin-left:2.1cm" type="heading" subtype="sub"><hi><seg style="text-decoration:underline">Mit dem <seg><rs type="indirect" ref="wrk:Faust_I">Schüler</rs></seg></seg></hi></line>
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        <line style="margin-left:1.9cm">nicht, ſondern <seg><rs type="indirect" ref="psn:Kahle">er</rs></seg></line>
        <line style="margin-left:2.2cm">treibt Hohn mit</line>
        <line style="margin-left:2.3cm">dickem Behagen<mod type="subst"><del rend="overwritten">.</del><add place="superimposed">,</add></mod></line>
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        <line style="margin-left:3.3cm">Das ganze ſtu<g ref="#mgem">mm</g>e</line>
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        <line><fw type="pageNum">18 [<handShift new="#Archivar1"/>4<handShift new="#Archivar2"/>]</fw></line>
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        <line style="margin-left:2.2cm" rend="indent">Das <hi><seg style="text-decoration:underline">Flohlied</seg></hi></line>
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          <line style="margin-left:0.0cm">Bril-</line>
          <line style="margin-left:0.1cm">lant.</line>
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        <line style="margin-left:2.2cm">wöhnlich; aber <handShift new="#Archivar2"/><fw type="pageNum">19</fw></line>
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    <note type="editorial" target="#B03_27r_m">Fontanes Notizen zu Roderich Benedix’ „Die zärtlichen Verwandten“ entstanden während der Theateraufführung am 2. Oktober 1878. Die Kritik erschien am 4. Oktober 1879 in der Vossischen Zeitung (Nr. 277); vgl. <bibl><ptr target="lit:Bibliographie_1"/><citedRange>Nr. 3623</citedRange></bibl>.</note>
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    <note type="editorial" target="#B03_38r_m">Fontanes Notizen zu A. Hackenthals „Eine Ehe von heut“ entstanden während der Theateraufführung am 4. November 1879. Die Kritik erschien am 6. November 1879 in der Vossischen Zeitung (Nr. 310); vgl. <bibl><ptr target="lit:Bibliographie_1"/><citedRange>Nr. 3696</citedRange></bibl>.</note>
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        <line style="margin-left:1.5cm">Die ganze Scene mit</line>
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        <line style="margin-left:2.3cm">das Wort „Lehrer“.</line>
        <line style="margin-left:1.8cm">Dies kann aber</line>
        <line style="margin-left:2.2cm">nicht vorko<g ref="#mgem">mm</g>en.</line>
        <line style="margin-left:2.4cm">Sie kann es</line>
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        <line style="margin-left:2.7cm">ſagen, innerlich <!--?--></line>
        <line style="margin-left:2.7cm">accentuirt, aber</line>
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    <note type="editorial" target="#B03_53r_m">Fontanes Notizen zu Karl Gutzkows „Uriel Acosta“ entstanden während der Theateraufführung am 8. November 1879. Die Kritik erschien am 11. November 1879 in der Vossischen Zeitung (Nr. 315); vgl. <bibl><ptr target="lit:Bibliographie_1"/><citedRange>Nr. 3697</citedRange></bibl>.</note>
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        <line style="margin-left:1.7cm">leiſtet <seg><rs id="B03_53v_m" next="#B03_53v_n" type="direct" ref="psn:Urban">Herr Ur-</rs></seg><handShift new="#Archivar2"/><fw type="pageNum">54</fw></line>
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        <line style="margin-left:1.8cm"><seg><rs id="B03_53v_n" prev="#B03_53v_m" type="direct" ref="psn:Urban">ban</rs></seg> und ko<g ref="#mgem">mm</g>t an</line>
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        <line style="margin-left:1.7cm"><seg><rs type="indirect" ref="wrk:Uriel_Acosta"><hi><seg style="text-decoration:underline">Akt II</seg></hi></rs></seg>. Die große</line>
        <line style="margin-left:1.3cm">Scene kam zu</line>
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        <line style="margin-left:1.6cm">Er hat mehr Weiche,</line>
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        <line style="margin-left:1.5cm">als Leidenſchaft. X---x-</line>
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        <line style="margin-left:0.3cm"><seg><rs type="indirect" ref="wrk:Uriel_Acosta">Akt III</rs></seg>. Die Geſchichte</line>
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        <line style="margin-left:0.9cm">reißt er ſich ’raus.</line>
        <line style="margin-left:0.9cm">Der Gegenſatz iſt zu</line>
        <line style="margin-left:2.5cm">groß.</line>
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        <line style="margin-left:2.4cm"><seg><rs type="indirect" ref="wrk:Uriel_Acosta"><hi><seg style="text-decoration:underline; font-size:large">Akt IV</seg></hi></rs></seg>. Als</line>
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        <line style="margin-left:2.4cm">gäbe und nur ihm</line>
        <line style="margin-left:2.8cm">erſchienen ſei, – das</line>
        <line style="margin-left:2.6cm">alles glaub er.</line>
        <line style="margin-left:2.4cm">Dieſe monologe</line>
        <line style="margin-left:2.7cm">Stelle gab er gut.</line>
        <line style="margin-left:1.2cm">Die ganze Stelle,</line>
        <line style="margin-left:2.2cm">wie Acher, da</line>
        <line style="margin-left:2.3cm">er <hi>ant<seg style="text-decoration:underline">wortet</seg></hi>, iſt</line>
        <line style="margin-left:1.2cm">gut <retrace>(</retrace>auch in der</line>
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        <line style="margin-left:0.1cm">„Und nur den Dämon haſt</line>
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    <note type="editorial" target="#B03_54v_k">Die beiden vertikalen Linien markieren die Trennung zwischen Fontanes Theater-Notizen („Ja, ja“) und seiner emphatischen Bemerkung („Gut“).</note>
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        <line style="margin-left:1.1cm">Dichtung) und er <handShift new="#Archivar2"/><fw type="pageNum">55</fw></line>
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        <line style="margin-left:1.4cm">ſpricht es gut.</line>
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        <line style="margin-left:2.4cm" rend="indent">Sein ſtu<g ref="#mgem">mm</g>es</line>
        <line style="margin-left:1.5cm">Spiel das Außer-</line>
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        <line style="margin-left:2.0cm">den Widerruf</line>
        <line style="margin-left:2.1cm">zuerſt lieſt, war</line>
        <line style="margin-left:2.3cm">ſchwach, über-</line>
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        <line style="margin-left:2.9cm" rend="indent">Dann Erinnerung an</line>
        <line style="margin-left:1.9cm"><seg><rs type="indirect" ref="wrk:Uriel_Acosta">Galilei</rs></seg> und „<mod type="subst"><del rend="overwritten">daß</del><add place="superimposed">Sie</add></mod></line>
        <line style="margin-left:1.6cm">bewegt ſich doch</line>
        <line style="margin-left:2.3cm">gut.</line>
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        <line style="margin-left:2.8cm" rend="indent">„Die Mutter</line>
        <line style="margin-left:1.8cm">todt“ ſchwach.</line>
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        <line style="margin-left:3.2cm" rend="indent">Das Vorleſen</line>
        <line style="margin-left:2.1cm">des Widerrufs ganz</line>
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        <line style="margin-left:2.8cm" rend="indent">Sein Wieder-</line>
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        <line style="margin-left:0.0cm">war ſchwach. | auf die Treppe gut.</line><!--Funktion | unklar-->
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        <line style="margin-left:1.6cm" rend="indent"><seg id="B03_55v_k">Der Weg</seg>, als <seg><rs type="indirect" ref="wrk:Bocholt">er</rs></seg> <seg><rs type="indirect" ref="wrk:Hilde">ſie</rs></seg> ge-</line>
        <line style="margin-left:0.0cm">ſehen hat (die <unclear>Rouleaux</unclear> runter)</line>
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        <line style="margin-left:1.9cm" rend="indent"><hi>Ge<seg style="text-decoration:underline">ſpräch</seg></hi>. 1. „Ich möchte Dich</line>
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        <line style="margin-left:2.1cm">wohl was.“ „Was“ fragte <seg><rs type="indirect" ref="wrk:Hilde">ſie</rs></seg>.</line>
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    <note type="editorial" target="#B03_55v_k">Der Entwurf zu „Ellernklipp“ entstand vermutlich im Sommer 1879. Nähere noch nicht ermittelt.<!-- Ellernklipp: 1879? Sommer?--></note>
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        <line style="margin-left:0.0cm">in meiner Seele. Und ich ſeh es</line>
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        <line style="margin-left:0.0cm">Gottes willen nicht hier. Hier</line>
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        <line style="margin-left:1.4cm"><seg id="B03_57v_m"><seg><rs type="indirect" ref="wrk:Wilhelm_Tell"><hi><seg style="text-decoration:underline">Akt II</seg></hi>. <hi>R<seg style="text-decoration:underline">ütli-S</seg>cene</hi>.</rs></seg></seg></line>
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        <line style="margin-left:0.3cm">Die Sti<g ref="#mgem">mm</g>en ſind zu</line>
        <line style="margin-left:1.1cm">unglücklich von</line>
        <line style="margin-left:0.9cm">Landmann Reding</line>
        <line style="margin-left:1.3cm">an bis zu <seg><rs type="direct" ref="psn:Link">Link</rs></seg></line>
        <line style="margin-left:1.2cm">und <seg><rs type="direct" ref="psn:Krause">Krauſe</rs></seg> und <seg><rs type="direct" ref="psn:Dehnicke">Dehnicke</rs></seg></line>
        <line style="margin-left:1.0cm">herunter. <seg><rs type="direct" ref="psn:Fontane_Theodor">Ich</rs></seg> vertrage</line>
        <line style="margin-left:0.9cm">keine Gutturaltöne,</line>
        <line style="margin-left:1.1cm">aber es wirkt ſo</line>
        <line style="margin-left:0.8cm">ſchrecklich unächt. Es</line>
        <line style="margin-left:1.2cm">iſt alles mehr „ein-</line>
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        <line style="margin-left:1.8cm">und die zwei gekreuz-</line>
        <line style="margin-left:1.8cm">ten Schwerter ko<g ref="#ngem">nn</g>ten</line>
        <line style="margin-left:1.5cm">es nicht retten.</line>
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    <note type="editorial" target="#B03_57v_m">Fontanes Notizen zu Schillers „Wilhelm Tell“ entstanden während der Theateraufführung am 11. November 1879. Die Kritik erschien am 13. November 1879 in der Vossischen Zeitung (Nr. 317); vgl. <bibl><ptr target="lit:Bibliographie_1"/><citedRange>Nr. 3698</citedRange></bibl>.</note>
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        <line><handShift new="#Archivar2"/><fw type="pageNum">58</fw></line>
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        <line style="margin-left:1.2cm">halb Räubergeſchichte</line>
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        <line><seg id="B03_58r_s">Von</seg></line>
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      <zone ulx="6.6" uly="0.6">
        <line><anchor id="B03_58r_m" next="#B03_58r_2"/><metamark function="caret" rend="slash"/><anchor id="B03_58r_n"/> <seg id="B03_58r_u">weihnachts-</seg></line>
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        <line style="margin-left:1.0cm">mannähnlichen Land-</line>
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        <line style="margin-left:2.0cm"><seg><rs type="direct" ref="psn:Hellmuth-Braem">Hellmuth⸗Bräm</rs></seg></line>
        <line style="margin-left:1.2cm">im Ganzen gut in</line>
        <line style="margin-left:1.4cm">der <seg><rs type="indirect" ref="wrk:Wilhelm_Tell">Rütli-Scene</rs></seg>. Er</line>
        <line style="margin-left:1.4cm">ſprach eindringlich, die</line>
        <line style="margin-left:1.6cm">ſchönen Verſe kamen</line>
        <line style="margin-left:1.4cm">zur Wirkung. „Wir</line>
        <line style="margin-left:1.7cm">ſtehn für unſre</line>
        <line style="margin-left:1.8cm"><hi>W<seg style="text-decoration:underline" rend="underline-style:double">eibe</seg>r</hi>, unſre Kinder“.</line>
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        <line style="margin-left:1.8cm">ſo, als gedenke <seg><rs type="indirect" ref="psn:Hellmuth-Braem">er</rs></seg></line>
        <line style="margin-left:1.7cm">diesmal für die</line>
        <line style="margin-left:1.9cm">Weiber einzuſtehn</line>
        <line style="margin-left:2.0cm">und höchſtens einmal</line>
        <line style="margin-left:2.3cm">für die Kinder,</line>
        <line style="margin-left:1.6cm">was <seg><rs type="direct" ref="psn:Fontane_Theodor">ich</rs></seg> mehr <add place="above" style="margin-left:-0.4cm"><seg type="multiphrase" corresp="#B03_58r_m">chevaleresk</seg></add> <seg type="multiphrase" corresp="#B03_58r_m">galant</seg></line>
        <line style="margin-left:2.3cm">als richtig finde.</line>
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    <note target="#B03_58r_s #B03_58r_t #B03-58r_u" type="transcription">Die vergrößerten Wortabstände in der Transkriptionsansicht haben keine semantische Funktion, sondern wurden aufgrund einer verbesserten Darstellung der interlinearen Hinzufügung mit EInweisungszeichen slash in Kauf genommen.</note>
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        <line style="margin-left:1.4cm"><seg><rs type="indirect" ref="wrk:Wilhelm_Tell"><hi><seg style="text-decoration:underline">Akt III</seg></hi></rs></seg> „Doch</line>
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        <line style="margin-left:2.7cm" type="heading" rend="align(center)"><seg id="B03_60v_m" style="font-size:large; letter-spacing:0.2cm"><rs type="direct" ref="wrk:Medea"><hi><seg style="text-decoration:underline">Medea</seg></hi></rs></seg>.</line>
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        <line style="margin-left:1.7cm"><seg><rs type="indirect" ref="wrk:Medea"><hi><seg style="text-decoration:underline; font-size:large">Akt I</seg></hi></rs></seg>. <seg style="font-size:large; letter-spacing:0.2cm"><handShift script="Latn"/>Creonte</seg></line>
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    <note type="editorial" target="#B03_60v_m">Fontanes Notizen zu Ernest Legouvés „Medea“ entstanden während der Theateraufführung am 17. November 1879. Die Kritik erschien am 19. November 1879 in der Vossischen Zeitung (Nr. 323); vgl. <bibl><ptr target="lit:Bibliographie_1"/><citedRange>Nr. 3699</citedRange></bibl>.</note>
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        <line style="margin-left:0.7cm">Die Klagetöne zuerſt</line>
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        <line style="margin-left:1.2cm">lich ihr Vater oder</line>
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