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        <title>Notizbuch B15</title>
        <author>
          <persName>Theodor Fontane</persName>
          <idno type="GND" xml:base="http://d-nb.info/gnd/">118534262</idno>
        </author>
        <respStmt>
          <resp key="scr">Schreiber</resp>
          <name>
            <persName>Friedrich Fontane</persName>
            <idno type="GND" xml:base="http://d-nb.info/gnd/">116647701</idno>
          </name>
        </respStmt>
        <editor xml:id="GR">
          <persName>Gabriele Radecke</persName>
          <idno type="GND" xml:base="http://d-nb.info/gnd/">123987385</idno>
        </editor>
        <respStmt>
          <resp key="oth">Editorische Assistenz</resp>
          <name>
            <persName>Judith Michaelis</persName>
          </name>
          <name>
            <persName>Rahel Rami</persName>
          </name>
        </respStmt>
        <respStmt>
          <resp key="trc">Transkription</resp>
          <name>
            <persName>Gabriele Radecke</persName>
            <idno type="GND" xml:base="http://d-nb.info/gnd/">123987385</idno>
          </name>
        </respStmt>
        <respStmt>
          <resp key="mrk">Codierung</resp>
          <name>
            <persName>Gabriele Radecke</persName>
            <idno type="GND" xml:base="http://d-nb.info/gnd/">123987385</idno>
          </name>
          <name>
            <persName>Judith Michaelis</persName>
          </name>
          <name>
            <persName>Rahel Rami</persName>
          </name>
        </respStmt>
        <respStmt>
          <resp key="cwt">Kommentierung</resp>
          <name>
            <persName>Gabriele Radecke</persName>
            <idno type="GND" xml:base="http://d-nb.info/gnd/">123987385</idno>
          </name>
        </respStmt>
        <respStmt>
          <resp key="oth">Metadaten</resp>
          <name>
            <persName>Martin de la Iglesia</persName>
            <idno type="GND" xml:base="http://d-nb.info/gnd/">1017477760</idno>
          </name>
        </respStmt>
        <respStmt>
          <resp key="oth">IT, Visualisierung und Portalentwicklung</resp>
          <name>
            <persName>Mathias Göbel</persName>
          </name>
        </respStmt>
      </titleStmt>
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        <ab>
          <listBibl>
            <listBibl>
              <head>Druckgeschichte einzelner Notizbuchaufzeichnungen</head>
              <bibl><abbr>E</abbr> (<abbr>TD</abbr>): <rs ref="lit:Knudsen_1942">Knudsen 1942</rs>, S. 245-249. (Nur <ref target="#xpath(//surface[@n='11r'])">Blatt 11r</ref>-<ref target="#xpath(//surface[@n='25r'])">25r</ref>, Blattvorderseiten.)</bibl>
              <bibl><abbr>E</abbr> (<abbr>TD</abbr>): <rs ref="lit:AFA_Romane_5">AFA–Romane, Bd. 5</rs>, S. 531-533. (Nur <ref target="#xpath(//surface[@n='28v'])">Blatt 28v</ref>-<ref target="#xpath(//surface[@n='31r'])">31r</ref>, <ref target="#xpath(//surface[@n='32r'])">32r</ref>, <ref target="#xpath(//surface[@n='33r'])">33r</ref>, <ref target="#xpath(//surface[@n='49v'])">49v</ref>, <ref target="#xpath(//surface[@n='50r'])">50r</ref>, <ref target="#xpath(//surface[@n='51r'])">51r</ref>, <ref target="#xpath(//surface[@n='52r'])">52r</ref> und <ref target="#xpath(//surface[@n='70r'])">70r</ref>: Irrungen, Wirrungen; datiert auf „zwischen dem 20.4. und dem 8.5.1884“.)</bibl>
              <bibl><abbr>D</abbr> (<abbr>TD</abbr>): <rs ref="lit:GBA_Erz_Werk_10">GBA–Erz. Werk, Bd. 10</rs>, S. 232-235. (Nur <ref target="#xpath(//surface[@n='28v'])">Blatt 28v</ref>-<ref target="#xpath(//surface[@n='31r'])">31r</ref>, <ref target="#xpath(//surface[@n='32r'])">32r</ref>, <ref target="#xpath(//surface[@n='33r'])">33r</ref>, <ref target="#xpath(//surface[@n='49v'])">49v</ref>, <ref target="#xpath(//surface[@n='50r'])">50r</ref>, <ref target="#xpath(//surface[@n='51r'])">51r</ref>, <ref target="#xpath(//surface[@n='52r'])">52r</ref> und <ref target="#xpath(//surface[@n='70r'])">70r</ref>: Irrungen, Wirrungen; datiert auf „zwischen dem 20.4. und dem 8.5.1884“.)</bibl>
              <bibl><abbr>E</abbr> (<abbr>TD</abbr>): <rs ref="lit:AFA_Romane_4">AFA–Romane, Bd. 4</rs>, S. 566-568. (Nur <ref target="#xpath(//surface[@n='55v'])">Blatt 55v</ref>, <ref target="#xpath(//surface[@n='70r'])">70r</ref>, <ref target="#xpath(//surface[@n='71r'])">71r</ref>, <ref target="#xpath(//surface[@n='72r'])">72r</ref>, <ref target="#xpath(//surface[@n='73r'])">73r</ref>, <ref target="#xpath(//surface[@n='72v'])">72v</ref>, <ref target="#xpath(//surface[@n='74r'])">74r</ref>, <ref target="#xpath(//surface[@n='75r'])">75r</ref>, <ref target="#xpath(//surface[@n='75v'])">75v</ref>, <ref target="#xpath(//surface[@n='76r'])">76r</ref>, <ref target="#xpath(//surface[@n='77r'])">77r</ref> und <ref target="#xpath(//surface[@n='78r'])">78r</ref>: Cécile; keine Datierung vorgenommen.)</bibl>
              <bibl><abbr>D</abbr> (<abbr>TD</abbr>): <rs ref="lit:GBA_Erz_Werk_9">GBA–Erz. Werk, Bd. 9</rs>, S. 260-262. (Nur <ref target="#xpath(//surface[@n='55v'])">Blatt 55v</ref>, <ref target="#xpath(//surface[@n='70r'])">70r</ref>, <ref target="#xpath(//surface[@n='71r'])">71r</ref>, <ref target="#xpath(//surface[@n='72r'])">72r</ref>, <ref target="#xpath(//surface[@n='73r'])">73r</ref>, <ref target="#xpath(//surface[@n='72v'])">72v</ref>, <ref target="#xpath(//surface[@n='74r'])">74r</ref>, <ref target="#xpath(//surface[@n='75r'])">75r</ref>, <ref target="#xpath(//surface[@n='75v'])">75v</ref>, <ref target="#xpath(//surface[@n='76r'])">76r</ref>, <ref target="#xpath(//surface[@n='77r'])">77r</ref> und <ref target="#xpath(//surface[@n='78r'])">78r</ref>: Cécile; keine Datierung vorgenommen.)</bibl>
              <bibl><abbr>E</abbr> (<abbr>TD</abbr>): <rs ref="lit:Fontane_Fragmente_1">Fontane–Fragmente, Bd. 1</rs>, S. 387. (Nur <ref target="#xpath(//surface[@n='85r'])">Blatt 85r</ref>: „1. Post-Suitier“; „2. Geschichte in Stubbenkammer“; datiert auf „Herbst 1884“.)</bibl>
            </listBibl>
            <listBibl>
              <head>Notizbuch-Gesamtpublikationen</head>
              <listBibl>
                <head>Fontane-Notizbuch-Portal</head>
                <bibl>
                  <bibl>Theodor Fontane: Notizbücher. Digitale genetisch-kritische und kommentierte Edition. Hrsg. von Gabriele Radecke. https://fontane-nb.dariah.eu/index.html. 2015-2017, abgerufen am: [Datum des Abrufs]</bibl>
                  <availability>
                    <licence target="http://creativecommons.org/licenses/by-nc-nd/4.0/">Alle im Rahmen des Projektes erarbeiteten Inhalte der Edition sind unter der Lizenz „CC-BY-ND-NC-4.0 international“ zugänglich. Die Digitalisate der Notizbücher Theodor Fontanes stehen unter der Lizenz „CC0-1.0“ zur Verfügung.</licence>
                  </availability>
                </bibl>
              </listBibl>
              <listBibl>
                <head>Digitale Edition im TextGrid-Repositorium als Langzeitarchivierung</head>
                <bibl>Theodor Fontane: Notizbücher. Digitale genetisch-kritische und kommentierte Edition. Hrsg. von Gabriele Radecke. https://textgridrep.de/browse.html?id=textgrid:129mw.0, abgerufen am: [Datum des Abrufs]</bibl>
              </listBibl>
              <listBibl>
                <head>Publikationen im Verlag Walter de Gruyter</head>
                <listBibl>
                  <listBibl>
                    <head>Print-Edition</head>
                    <bibl>Theodor Fontane: Notizbücher. Historisch-kritische und kommentierte Edition. Hrsg. von Gabriele Radecke. Berlin [in Vorbereitung]</bibl>
                  </listBibl>
                  <listBibl>
                    <head>E-Book-Edition</head>
                    <bibl>Theodor Fontane: Notizbücher. Historisch-kritische und kommentierte Edition. Hrsg. von Gabriele Radecke. Berlin [in Vorbereitung]</bibl>
                  </listBibl>
                </listBibl>
              </listBibl>
            </listBibl>
          </listBibl>
          <idno type="TextGrid" xml:base="http://textgridrep.org/">textgrid:22jtx</idno>
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      <seriesStmt>
        <title>Notizbücher. Digitale genetisch-kritische und kommentierte Hybrid-Edition</title>
        <respStmt>
          <resp key="aut">Autor</resp>
          <name>
            <persName>Theodor Fontane</persName>
            <idno type="GND" xml:base="http://d-nb.info/gnd/">118534262</idno>
          </name>
        </respStmt>
        <respStmt>
          <resp key="edt">Herausgeberin</resp>
          <name>
            <persName>Dr. Gabriele Radecke</persName>
            <idno type="GND" xml:base="http://d-nb.info/gnd/">123987385</idno>
          </name>
        </respStmt>
        <respStmt>
          <resp key="pdr">Gesamtleitung, Idee und Konzeption sowie editions- und literaturwissenschaftliche Leitung</resp>
          <name>
            <persName>Dr. Gabriele Radecke</persName>
            <idno type="GND" xml:base="http://d-nb.info/gnd/">123987385</idno>
          </name>
        </respStmt>
        <respStmt>
          <resp key="oth">Informationswissenschaftliche und -technologische Leitung sowie Koordination in der SUB</resp>
          <name>
            <persName>Dr. Mirjam Blümm (seit April 2015)</persName>
            <idno type="GND" xml:base="http://d-nb.info/gnd/">1042174490</idno>
          </name>
          <name>
            <persName>Prof. Dr. Heike Neuroth (Juni 2011–März 2015)</persName>
            <idno type="GND" xml:base="http://d-nb.info/gnd/">118022547</idno>
          </name>
        </respStmt>
        <respStmt>
          <resp key="oth">Editorische Assistenz</resp>
          <name>
            <persName>Judith Michaelis (Juni 2011–Dezember 2015; Codierung)</persName>
          </name>
          <name>
            <persName>Rahel Rami (Juni 2012–Juni 2017; Codierung und Register)</persName>
          </name>
          <name>
            <persName>Hartmut Hombrecher (August 2015–Juni 2017; Codierung)</persName>
          </name>
          <name>
            <persName>Adrian Bruhns (Februar 2016–Januar 2018; Codierung und Register)</persName>
          </name>
          <name>
            <persName>Juljana Battenberg (Juli 2016–September 2019; Register)</persName>
          </name>
          <name>
            <persName>Lisa Kunze (Februar 2018–September 2019; Register)</persName>
          </name>
          <name>
            <persName>Simon Sendler (Oktober 2018–September 2019; Codierung und IT)</persName>
          </name>
          <name>
            <persName>Jan Stieglitz (2018; Register)</persName>
          </name>
          <name>
            <persName>Anne Karzel (2019; Codierung)</persName>
          </name>
        </respStmt>
        <respStmt>
          <resp key="oth">Metadaten</resp>
          <name>
            <persName>Martin de la Iglesia</persName>
            <idno type="GND" xml:base="http://d-nb.info/gnd/">1017477760</idno>
          </name>
          <name>
            <persName>Dr. Susanne Al-Eryani</persName>
            <idno type="GND" xml:base="http://d-nb.info/gnd/">105346181X</idno>
          </name>
        </respStmt>
        <respStmt>
          <resp key="oth">IT, Visualisierung und Portalentwicklung</resp>
          <name>
            <persName>Mathias Göbel</persName>
          </name>
          <name>
            <persName>Michelle Weidling (Edierter Text und Buchausgabe)</persName>
          </name>
          <name>
            <persName>Ubbo Veentjer (Suche)</persName>
          </name>
        </respStmt>
        <respStmt>
          <resp key="oth">GND</resp>
          <name>
            <persName>Stephan Heupst</persName>
          </name>
        </respStmt>
        <respStmt>
          <resp key="csp">Beratung</resp>
          <name>
            <persName>Christoph Kudella</persName>
          </name>
        </respStmt>
        <respStmt>
          <resp key="csp">Beratung (Metadaten)</resp>
          <name>
            <persName>Alexander Jahnke</persName>
          </name>
          <name>
            <persName>Uwe Sikora</persName>
            <idno type="GND" xml:base="http://d-nb.info/gnd/">1155094360</idno>
          </name>
          <name>
            <persName>Christiane Fritze</persName>
            <idno type="GND" xml:base="http://d-nb.info/gnd/">1018377743</idno>
          </name>
        </respStmt>
        <respStmt>
          <resp key="csp">Beratung (TextGrid)</resp>
          <name>
            <persName>Stefan Funk</persName>
          </name>
          <name>
            <persName>Felix Lohmeier</persName>
            <idno type="GND" xml:base="http://d-nb.info/gnd/">1059568683</idno>
          </name>
        </respStmt>
        <respStmt>
          <resp key="csp">Beratung (Visualisierung)</resp>
          <name>
            <persName>Sibylle Söring</persName>
            <idno type="GND" xml:base="http://d-nb.info/gnd/">174452152</idno>
          </name>
          <name>
            <persName>Thorsten Vitt</persName>
          </name>
        </respStmt>
        <respStmt>
          <resp key="oth">Institutionen</resp>
          <name>
            <orgName>Theodor Fontane-Arbeitsstelle, Georg-August-Universität Göttingen, Seminar für Deutsche Philologie (Leitung: Dr. Gabriele Radecke)</orgName>
            <idno type="GND" xml:base="http://d-nb.info/gnd/">1072779560</idno>
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          <name>
            <orgName>Niedersächsische Staats- und Universitätsbibliothek Göttingen</orgName>
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            <idno type="ISIL" xml:base="http://ld.zdb-services.de/resource/organisations/">DE-7</idno>
            <name>
              <orgName>Abteilung Forschung & Entwicklung (Leitung: Dr. Jan Brase)</orgName>
              <idno type="GND" xml:base="http://d-nb.info/gnd/">1024250601</idno>
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            <name>
              <orgName>Gruppe Metadaten und Datenkonversion (Leitung: Alexander Jahnke)</orgName>
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          </name>
          <name>
            <orgName>Digital Research Infrastructure for the Arts and Humanities (DARIAH-DE)</orgName>
          </name>
          <name>
            <orgName>TextGrid – Virtuelle Forschungsumgebung für die Geisteswissenschaften (TextGrid)</orgName>
          </name>
          <name>
            <orgName>Deutsche Forschungsgemeinschaft</orgName>
            <idno type="GND" xml:base="http://d-nb.info/gnd/">2007744-0</idno>
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        <respStmt>
          <resp key="asn">Assoziierte Partnerin</resp>
          <name>
            <orgName>Staatsbibliothek zu Berlin, Preußischer Kulturbesitz, Handschriftenabteilung</orgName>
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          <resp key="own">Eigentümerin der Handschriften</resp>
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        <respStmt>
          <resp key="pbl">Verlag</resp>
          <name>
            <orgName>Walter de Gruyter</orgName>
            <idno type="GND" xml:base="http://d-nb.info/gnd/">10095502-2</idno>
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        <respStmt>
          <resp key="pro">Herstellung der Scans: Leitung</resp>
          <name>
            <persName>Dr. Gabriele Radecke</persName>
            <idno type="GND" xml:base="http://d-nb.info/gnd/">123987385</idno>
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          <name>
            <persName>Dr. Jutta Weber</persName>
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        <respStmt>
          <resp key="pro">Herstellung der Scans</resp>
          <name>
            <orgName>Firma MIK-Center Berlin-Blankenburg</orgName>
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        <respStmt>
          <resp key="pro">Herstellung der Scans: Finanzierung</resp>
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            <orgName>Deutsche Forschungsgemeinschaft</orgName>
            <idno type="GND" xml:base="http://d-nb.info/gnd/">2007744-0</idno>
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          <name>
            <orgName>Walter de Gruyter-Verlag</orgName>
            <idno type="GND" xml:base="http://d-nb.info/gnd/">10095502-2</idno></name>
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        <respStmt>
          <resp key="fnd">Projektförderung (2011–2017)</resp>
          <name>
            <orgName>Deutsche Forschungsgemeinschaft</orgName>
            <idno type="GND" xml:base="http://d-nb.info/gnd/">2007744-0</idno>
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          <name>
            <idno type="DFG-Projektnummer">NE 1434/1-2 <idno type="DFG-AOBJ">610728</idno></idno>
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            <ab>
              <list type="authorial">
                <note>Fontanes unvollständige Inhaltsübersicht, die er teils auf Notizbuchhersteller-Etiketten, teils auf an- bzw. aufgeklebten Blättern der vorderen äußeren Einbanddecken oder auf vorderen äußeren Einbanddecken notierte.</note>
                <item/>
              </list>
              <list type="Friedrich_Fontane">
                <note>Friedrich Fontanes unvollständige Inhaltsübersicht, die er auf den Rückseiten von an- bzw. aufgeklebten Kalenderblättern der vorderen inneren Einbanddecken oder in Ausnahmefällen auf Notizbuchhersteller-Etiketten oder aufgeklebten Blättern der vorderen äußeren Einbanddecken festhielt. Die Inhaltsübersichten entstanden zwischen dem 2. März 1923 (vgl. Notizbuch E01; eigenhändige Datierung) und dem 9. Dezember 1927 (vgl. Notizbuch A15; Datum auf dem Kalenderblatt). Nur in wenigen Fällen hat Friedrich Fontane die Übersichten datiert. Die Inhaltsübersicht zu Notizbuch B15 entstand am oder nach dem 26. August 1925.</note>
                <item>Die linken Seiten sind mit „Theater“ gefüllt, auch „Bilder“ Wichtig: Ur⸗Anfänge zu: „Irrungen/Wirrungen“ „Aufsatz „Darstellende Künstler u. Die Kritik“  (auf den Seiten rechts) Beschreibung der Baude „Goldne Aussicht“ b/Krummhübel (vielleicht in „Quitt“ verwandt)</item>
              </list>
              <list type="Fontane_Blätter">
                <note>Die in den „Fontane Blättern“ 1976 veröffentlichte Inhaltsübersicht, die lediglich Theodor und Friedrich Fontanes Inhaltsübersichten zusammenführt. Mit vielen Entzifferungsfehlern; vgl. Fontane Blätter 1976, S. 64–66.</note>
                <item>Die linken Seiten sind mit „Theater“ gefüllt, auch „Bilder“. Wichtig: Uranfänge zu „Irrungen – Wirrungen“. „Aufsatz „Darstellende Künstler“ u. „Die Kritik“  (auf den Seiten rechts) Beschreibung der Baude „Goldene Aussicht“ bei Krummhübel, vielleicht in „Quitt“ verwandt.</item>
              </list>
              <list type="editorial">
                <note>Gabriele Radeckes autopsiertes Inhaltsverzeichnis, das im Rahmen der Notizbuch-Edition von 2017 ermittelt wurde.</note>
                <item>[Notizen: Namen „Anna⸗Gèsina“] (Entstehung: XXX), <ref target="#B15_44r_1">Blatt 44r</ref></item>
                <item>Aus alten und neuen Tagen in Mark Brandenburg. Aus der Stagnations- und Wartezeit 1815-48 (Notizen: faktuale Prosa) (Entstehung: 1.03.1883; terminus post quem), <ref target="#xpath(//surface[@n='26v'])">Blatt 26v</ref></item>
                <item>„Baude [‚Goldne Aussicht‘] bei Krummhübel“ (Entwurf zur Baude, vielleicht für „Quitt“ verwendet) (Entstehung: zwischen dem 18.07.1884 und dem 1.09.1884), <ref target="#xpath(//surface[@n='80r'])">Blatt 80r</ref>, <ref target="#xpath(//surface[@n='82r'])">82r</ref> und <ref target="#xpath(//surface[@n='82r'])">82r</ref></item>
                <item>[Briefkonzept: An Unbekannt] („Darf ich Ihnen ganz ergebenst bitten mir das Parquetbillet No 23“, Ausfertigung nicht ermittelt), im <rs ref="lit:HBV">HBV</rs> nicht verzeichnet) (XXX), <ref target="#xpath(//surface[@n='54v'])">Blatt 54v</ref></item>
                <item>Cécile (Notizen zu Kap. 8XXX) (Entstehung: 13.06.1884), <ref target="#xpath(//surface[@n='55v'])">Blatt 55v</ref>, <ref target="#B15_70r_1">70r</ref>, <ref target="#xpath(//surface[@n='71r'])">71r</ref>, <ref target="#xpath(//surface[@n='72r'])">72r</ref>, <ref target="#xpath(//surface[@n='73r'])">73r</ref>, <ref target="#xpath(//surface[@n='72v'])">72v</ref>, <ref target="#xpath(//surface[@n='74r'])">74r</ref>, <ref target="#xpath(//surface[@n='75r'])">75r</ref>, <ref target="#xpath(//surface[@n='75v'])">75v</ref>, <ref target="#xpath(//surface[@n='76r'])">76r</ref>, <ref target="#xpath(//surface[@n='77r'])">77r</ref> und <ref target="#xpath(//surface[@n='78r'])">78r</ref></item>
                <item>Darstellende Künstler und die Kritik (Entwurf: faktuale Prosa) (Entstehung: 2.11.1883), <ref target="#xpath(//surface[@n='47r'])">Blatt 47r</ref>, <ref target="#xpath(//surface[@n='48r'])">48r</ref> und <ref target="#xpath(//surface[@n='49r'])">49r</ref></item>
                <item>„Einleitung. Zustimmung.“ (Entwurf: faktuale Prosa) (Entstehung: XXX), <ref target="#xpath(//surface[@n='1r'])">Blatt 1r</ref>, <ref target="#xpath(//surface[@n='2r'])">2r</ref> und <ref target="#xpath(//surface[@n='3r'])">3r</ref></item>
                <item>„1. Post-Suitier“; „2. Geschichte in Stubbenkammer“ (Disposition: fiktionale Prosa) (Entstehung: 7./8.09.1884; terminus post quem), <ref target="#xpath(//surface[@n='85r'])">Blatt 85r</ref></item>
                <item>Irrungen, Wirrungen (Skizze der Gärtnerei und Entwurf zur Beschreibung der Gärtnerei und des Feldwegs nach Wilmersdorf) (Entstehung: vor Mai 1883; terminus ante quem), <ref target="#xpath(//surface[@n='28v'])">Blatt 28v</ref>, <ref target="#xpath(//surface[@n='29r'])">29r</ref>, <ref target="#xpath(//surface[@n='29v'])">29v</ref>, <ref target="#xpath(//surface[@n='30r'])">30r</ref>, <ref target="#xpath(//surface[@n='31r'])">31r</ref>, <ref target="#xpath(//surface[@n='32r'])">32r</ref> und <ref target="#xpath(//surface[@n='33r'])">33r</ref></item>
                <item>Irrungen, Wirrungen (Entwurf zu Kap. XXX) (Entstehung: vor dem 8.5.1884; terminus ante quem), <ref target="#xpath(//surface[@n='49v'])">Blatt 49v</ref>, <ref target="#xpath(//surface[@n='50r'])">50r</ref>, <ref target="#xpath(//surface[@n='51r'])">51r</ref> und <ref target="#B15_52r_1">52r</ref></item>
                <item>Irrungen, Wirrungen (Entwurf zu Kap. XXX) (Entstehung: XXX), <ref target="#B15_70r_2">Blatt 70r</ref></item>
                <item>[Kunstkritik: Notizen. Die Erziehung des Bacchus – von Peter Janssen: „Janssen’s Geburt des Bacchus“] (Besuch: 9.02.1883; terminus post quem) <ref target="#xpath(//surface[@n='27r'])">Blatt 27r</ref>, <ref target="#xpath(//surface[@n='27v'])">27v</ref> und <ref target="#xpath(//surface[@n='28r'])">28r</ref></item>
                <item>[Kunstkritik: Notizen (XXX)] (Entstehung: XXX), <ref target="#xpath(//surface[@n='1v'])">Blatt 1v</ref>, <ref target="#xpath(//surface[@n='2v'])">2v</ref>, -<ref target="#xpath(//surface[@n='5v'])">5v</ref> (nur Blattrückseiten),  <ref target="#xpath(//surface[@n='6v'])">6v</ref> und <ref target="#xpath(//surface[@n='8v'])">8v</ref></item>
                <item>„Mai“ (Notizen: Pflanzen; vielleicht für „Irrungen, Wirrungen“ verwendet) (Entstehung: 31.05.1883; terminus post quem), <ref target="#xpath(//surface[@n='43r'])">Blatt 43r</ref> und <ref target="#B15_44r_2">44r</ref></item>
                <item>[Notizen: Namen „Anna⸗Gèsina“] (Entstehung: XXX), <ref target="#B15_44r_1">Blatt 44r</ref></item>
                <item>[Rügen] (Reiseaufzeichnungen: Umgebungsskizze; vielleicht für „Sommers am Meer“ verwendet) (Entstehung: vermutlich 7./8.09.1884; terminus post quem), <ref target="#xpath(//surface[@n='84r'])">Blatt 84r</ref></item>
                <item>Storch von Adebar (Entwurf XXX) (Entstehung: Frühjahr 1883), <ref target="#xpath(//surface[@n='26r'])">Blatt 26r</ref></item>
                <item>[Theaterkritik: Notizen. Deborah – von Julius Mosenthal] (Theaterbesuch: 22.04.1884), <ref target="#xpath(//surface[@n='15v'])">Blatt 15v</ref>, <ref target="#xpath(//surface[@n='16v'])">16v</ref>, <ref target="#xpath(//surface[@n='17v'])">17v</ref>, <ref target="#xpath(//surface[@n='18v'])">18v</ref> und <ref target="#xpath(//surface[@n='19v'])">19v</ref></item>
                <item>[Theaterkritik: Notizen. Der Traum, ein Leben – von Franz Grillparzer] (Theaterbesuch: 8.05.1884), <ref target="#xpath(//surface[@n='53r'])">Blatt 53r</ref>, <ref target="#xpath(//surface[@n='54r'])">54r</ref> und <ref target="#xpath(//surface[@n='55r'])">55r</ref></item>
                <item>[Theaterkritik: Notizen. Dom Karlos – von Friedrich Schiller] (Theaterbesuch: 31.01.1883?), <ref target="#xpath(//surface[@n='9r'])">Blatt 9r</ref>, <ref target="#xpath(//surface[@n='9v'])">9v</ref>, <ref target="#xpath(//surface[@n='10r'])">10r</ref> und <ref target="#xpath(//surface[@n='10v'])">10v</ref></item>
                <item>[Theaterkritik: Notizen. Egmont – von Johann Wolfgang Goethe] (Theaterbesuch: 3.03.1886),, <ref target="#xpath(//surface[@n='32v'])">Blatt 32v</ref>, <ref target="#xpath(//surface[@n='31v'])">31v</ref>, <ref target="#xpath(//surface[@n='25v'])">25v</ref>, <ref target="#xpath(//surface[@n='24v'])">24v</ref>, <ref target="#xpath(//surface[@n='23v'])">23v</ref> und <ref target="#xpath(//surface[@n='22v'])">22v</ref></item>
                <item>[Theaterkritik: Notizen. Götz von Berlichingen – von Johann Wolfgang Goethe] (Theaterbesuch: 20.04.1884), <ref target="#xpath(//surface[@n='11v'])">Blatt 11v</ref>, <ref target="#xpath(//surface[@n='12v'])">12v</ref>, <ref target="#xpath(//surface[@n='13v'])">13v</ref> und <ref target="#xpath(//surface[@n='14v'])">14v</ref></item>
                <item>[Theaterkritik: Notizen. Graf Essex – von Heinrich Laube] (Theaterbesuch: 4.09.1884), <ref target="#xpath(//surface[@n='83r'])">Blatt 83r</ref></item>
                <item>[Theaterkritik: Notizen. Hamlet – von William Shakespeare] (Theaterbesuch: 9.02.1883), <ref target="#xpath(//surface[@n='11r'])">Blatt 11r</ref>, <ref target="#xpath(//surface[@n='12r'])">12r</ref>, <ref target="#xpath(//surface[@n='13r'])">13r</ref>, <ref target="#xpath(//surface[@n='14r'])">14r</ref>, <ref target="#xpath(//surface[@n='15r'])">15r</ref>, <ref target="#xpath(//surface[@n='16r'])">16r</ref>, <ref target="#xpath(//surface[@n='17r'])">17r</ref>, <ref target="#xpath(//surface[@n='18r'])">18r</ref>, <ref target="#xpath(//surface[@n='19r'])">19r</ref>, <ref target="#xpath(//surface[@n='20r'])">20r</ref>, <ref target="#xpath(//surface[@n='21r'])">21r</ref>, <ref target="#xpath(//surface[@n='22r'])">22r</ref>, <ref target="#xpath(//surface[@n='23r'])">23r</ref>, <ref target="#xpath(//surface[@n='24r'])">24r</ref> und <ref target="#xpath(//surface[@n='25r'])">25r</ref></item>
                <item>[Theaterkritik: Notizen. Mariannens Mutter – von Paul Lindau] (Theaterbesuch: 25.01.1883), <ref target="#B15_4r_1">Blatt 4r</ref>, <ref target="#B15_4v_2">4v</ref>, <ref target="#xpath(//surface[@n='5r'])">5r</ref>, <ref target="#xpath(//surface[@n='6r'])">6r</ref>, <ref target="#xpath(//surface[@n='7r'])">7r</ref>, <ref target="#xpath(//surface[@n='7v'])">7v</ref> und <ref target="#xpath(//surface[@n='8r'])">8r</ref></item>
                <item>[Theaterkritik: Notizen. Narziß – von Albert Emil Brachvogel] (Theaterbesuch: 17.05.1884), <ref target="#xpath(//surface[@n='47v'])">Blatt 47v</ref>, <ref target="#xpath(//surface[@n='48v'])">48v</ref>, <ref target="#xpath(//surface[@n='50v'])">50v</ref>, <ref target="#xpath(//surface[@n='51v'])">51v</ref> und <ref target="#B15_52r_2">52r</ref></item>
                <item>[Theaterkritik: Notizen. Treu dem Herrn – von Richard Voß] (Theaterbesuch: 6.02.1886), <ref target="#xpath(//surface[@n='115v'])">Blatt 115v</ref>, <ref target="#xpath(//surface[@n='115r'])">115r</ref>, <ref target="#xpath(//surface[@n='114v'])">114v</ref>, <ref target="#xpath(//surface[@n='114r'])">114r</ref>, <ref target="#xpath(//surface[@n='113v'])">113v</ref>, <ref target="#xpath(//surface[@n='113r'])">113r</ref>, <ref target="#xpath(//surface[@n='112v'])">112v</ref>, <ref target="#xpath(//surface[@n='112r'])">112r</ref>, <ref target="#xpath(//surface[@n='111v'])">111v</ref>, <ref target="#xpath(//surface[@n='111r'])">111r</ref> und <ref target="#xpath(//surface[@n='110v'])">110v</ref></item>
                <item>„Toilette“ (XXX) (Entstehung: zwischen Mai und November 1883), <ref target="#xpath(//surface[@n='45r'])">Blatt 45r</ref>, <ref target="#xpath(//surface[@n='45v'])">45v</ref> und <ref target="#xpath(//surface[@n='46r'])">46r</ref></item>
                <item>[Nicht ermittelt: Skizze] (Entstehung: XXX), <ref target="#xpath(//surface[@n='101v'])">Blatt 101v</ref></item>
                <item>[Nicht ermittelt: Theater] (Entstehung: XXX), <ref target="#xpath(//surface[@n='33v'])">Blatt 33v</ref></item>
                <item>[Nicht ermittelt] (Entstehung: XXX), <ref target="#B15_3r_2">Blatt 3r</ref> und <ref target="#B15_4r_2">4r</ref></item>
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                <foliation>Die erste Foliierung der Einzelblätter in arabischen Ziffern hat <rs ref="#Archivar1">Archivar 1</rs> vermutlich in den 1960er Jahren mit Bleistift auf den Blattvorderseiten (recto-Seiten) vorgenommen. Die zweite Foliierung der Einzelblätter wurde im Rahmen der Notizbuch-Edition von <rs ref="#Archivar2">Archivar 2</rs> im November 2011 mit Bleistift auf den Blattvorderseiten (recto-Seiten) in arabischen Ziffern durchgeführt. Dabei wurde die alte Zählung mit eckigen Klammern markiert. Der auf dem <ref target="#xpath(//surface[@n='front_endpaper_IIr'])">Vorsatzblatt IIr</ref> geschriebenen Auktionsnummer von 1933, „508-15“, ging keine Foliierung voraus.</foliation>
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        <handNote xml:id="Archivar1" script="posthumous">Archivar 1: Unbekannter Archivar, in den 1960er Jahren</handNote>
        <handNote xml:id="Archivar2" script="posthumous">Archivar 2: Gabriele Radecke, im November 2011</handNote>
        <handNote xml:id="fremde_Hand1" script="posthumous">Fremde Hand 1: Bibliothekssignatur auf den Signaturen-Klebchen (alt) der Einbanddecken/des Buchrückens</handNote>
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        <handNote xml:id="fremde_Hand6" script="posthumous">Fremde Hand 6: Archivar/Bibliothekar</handNote>
        <handNote xml:id="fremde_Hand10" script="posthumous">Fremde Hand 10: Archivar/Bibliothekar</handNote>
        <handNote xml:id="unbekannt_p">Eine unbekannte postume Schreiberhand</handNote></handNotes>
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        <handNote medium="black_ink">Tinte (Schwarz)</handNote>
        <handNote medium="blue_ink">Tinte (Blau)</handNote>
        <handNote medium="pencil">Bleistift</handNote>
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      <handNotes n="8">
        <handNote medium="medium_pen">Feder mit mittlerer Breite</handNote>
        <handNote medium="medium_thin_pen">Feder mit feiner Breite</handNote>
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      <handNotes n="9">
        <handNote script="clean">Reinschriftliche Notizbuchaufzeichnungen mit sehr gleichmäßigen Schriftzügen, Unterstreichungen, Gliederungen und Einrückungen. Die meisten Reinschriften sind Abschriften früherer Aufzeichnungen oder belegen, dass konzeptionelle Überlegungen vorausgegangen waren.</handNote>
        <handNote script="hasty">Sehr schwer zu entziffernde, mit Bleistift geschriebene Notizbuchaufzeichungen mit einem äußerst unruhigen Duktus und verzerrten Buchstaben. Sie sind darauf zurückzuführen, dass die Notizbuchaufzeichnungen ohne eine feste Schreibunterlage zumeist unterwegs entstanden sind. </handNote>
        <handNote script="standard">Notizbuchaufzeichnungen mit regelmäßigem und nur vereinzelt vorkommendem unregelmäßigen Duktus</handNote>
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      <textDesc>
        <channel/>
        <constitution/>
        <derivation>
        </derivation>
        <domain/>
        <factuality/>
        <interaction/>
        <preparedness/>
        <purpose/>
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      <abstract>
        <ab/>
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      <change status="published" when-iso="2019-07-12" who="#GR">Version 0.1 vom 12.07.2019
                <note>Notizbuch B15: Digitalisate, Transkription, TEI/XML-Ansicht (Ausschnitt und Gesamtansicht), Inhaltsverzeichnis, Überblickskommentar, Stellenkommentar, Register.</note>
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        <line style="margin-left:1.3cm">Muthmaßliche Wirkung</line>
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        <line style="margin-left:1.4cm">„es fängt mit mir</line>
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        <line style="margin-left:1.6cm">80, 100. 130 <g ref="#rth">Reichstaler</g></line>
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          <line style="margin-left:3.1cm" type="item"><seg><rs type="direct" ref="psn:Brackel_Ferdinande">Frl. <handShift script="Latn"/>v.<handShift script="Latf"/> Brakel</rs></seg>.</line>
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          <line style="margin-left:2.7cm" type="item"><seg><rs type="direct" ref="psn:Hillern_Wilhelmine">Frau <handShift script="Latn"/>v. Hillern</rs></seg><handShift script="Latf"/>.</line>
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          <line style="margin-left:2.8cm" type="item"><seg><rs type="direct" ref="psn:Raabe"><choice><abbr>Wilh.</abbr><expan>Wilhelm</expan></choice> Raabe</rs></seg>,</line>
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          <line style="margin-left:3.1cm" type="item"><seg><rs type="direct" ref="psn:Pantenius"><choice><abbr>Theod.</abbr><expan>Theodor</expan></choice> Pantenius</rs></seg>.</line>
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        <line style="margin-left:0.2cm"><seg><rs type="direct" ref="psn:Tu_Duc">Tudic</rs></seg> hat</line>
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        <line style="margin-left:0.6cm"><retrace>K</retrace>etzerei der Weſt-</line>
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            <line style="margin-left:0.0cm">11. Stephanus vor dem</line>
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          <line style="margin-left:2.2cm"><seg><rs type="indirect" ref="wrk:Mariannes_Mutter">Hedwig</rs></seg> als</line>
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          <line style="margin-left:1.8cm">muß wiſſen,</line>
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            <figDesc><ref target="http://vocab.getty.edu/aat/300200009">horizontale einfache Absatzlinie</ref></figDesc>
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          <line style="margin-left:1.7cm"><seg><rs type="indirect" ref="wrk:Mariannes_Mutter">Boroſow</rs></seg> ſagt:</line>
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            <figDesc><ref target="http://vocab.getty.edu/aat/300200009">horizontale einfache Absatzlinie</ref></figDesc>
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        <line style="margin-left:0.1cm">die Menſchen doch</line>
        <line style="margin-left:0.7cm">wieder in das hi<g ref="#mgem">mm</g>liſche</line>
        <line style="margin-left:0.8cm">Paradies ziehen wollte</line>
        <line style="margin-left:1.2cm">ſo brauchte er ſie</line>
        <line style="margin-left:1.5cm">nicht durch Zulaſſung der</line>
        <line style="margin-left:1.8cm">Schlange daraus vertreiben</line>
        <line style="margin-left:2.4cm">wozu Sündenfall,</line>
        <line style="margin-left:2.6cm">wenn alles</line>
        <line style="margin-left:2.6cm">auf Sünden-</line>
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        <line style="margin-left:2.6cm">Erhöhung</line>
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    <note type="editorial" target="#B15_4r_k">Während einer Abendgesellschaft am 25. Januar 1883 bei Paul Lindau, Von-der-Heydt-Straße 1, las dieser sein zu diesem Zeitpunkt noch unpubliziertes Schauspiel „Mariannens Mutter“ vor. Fontanes Notizen darüber entstanden vermutlich ebenso wie seine anderen Theater-Notizen noch während der Lesung; vgl. <bibl><ptr target="lit:Chronik_3"/><citedRange>S. 2545</citedRange></bibl>.</note>
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            <line style="margin-left:0.0cm">15. Portraits: <choice><abbr>G.</abbr><expan>Gustav</expan></choice> Schadow, <choice><abbr>W.</abbr><expan>Wilhelm</expan></choice></line>
            <line style="margin-left:1.1cm">Schadow, v. G---x, Julius</line>
            <line style="margin-left:0.6cm">Hübner, <retrace>ſe</retrace>ine Frau, Bende-</line>
            <line style="margin-left:0.7cm">mann, Stadtrath <handShift script="Latn"/>Friedlaender<handShift script="Latf"/>.</line>
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        <line style="margin-left:1.2cm">ſpricht zu un-</line>
        <line style="margin-left:1.6cm">ruſſiſch.</line>
        <line style="margin-left:2.0cm"><retrace>D</retrace>aſſelbe</line>
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        <line style="margin-left:1.8cm">iſt <seg><rs type="indirect" ref="psn:Fontane_Theodor">mir</rs></seg></line>
        <line style="margin-left:1.0cm">nich<retrace>t</retrace> <retrace>a</retrace>ngenehm</line>
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            <line style="margin-left:0.2cm">16. Amor vielgeſtaltig, mit</line>
            <line style="margin-left:2.5cm">zwölf Rundbildern,</line></zone>
          <line style="margin-left:0.3cm">17. Hiob u. ſeine Freunde. (Studie)</line>
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            <line style="margin-left:0.0cm">18. Zwei <unclear>Stubenköpfe</unclear>; ſehr</line>
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            <line style="margin-left:0.0cm">19. Chriſtus im Tempel. Skizze.</line>
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            <line style="margin-left:0.2cm">20. Der Karton zu <handShift script="Latn"/><choice><abbr>N<seg style="text-decoration:underline">o</seg></abbr><expan>Numero</expan></choice> 2<handShift script="Latf"/>. Wunder-</line>
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          <line style="margin-left:1.6cm">und erſcheint    <handShift new="#Archivar2"/><fw type="pageNum">6</fw></line>
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          <figDesc><ref target="http://vocab.getty.edu/aat/300200009">horizontale einfache Abgrenzungslinie</ref></figDesc>
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        <line style="margin-left:0.2cm">wie eine</line>
        <line style="margin-left:0.6cm">Verzierung,</line>
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        <line style="margin-left:0.8cm">ſenſationell,</line>
        <line style="margin-left:0.2cm">und <hi><seg style="text-decoration:underline">ohne</seg></hi> Gefühl.</line>
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          <line style="margin-left:0.0cm">Ebenſo <handShift script="Latn"/><seg style="letter-spacing:0.2cm; font-size:large"><hi><seg style="text-decoration:underline">Ber</seg>-</hi></seg></line>
          <line style="margin-left:0.5cm"><seg style="letter-spacing:0.2cm; font-size:large"><hi><seg style="text-decoration:underline">gers</seg></hi></seg><handShift script="Latf"/> Rebeccas</line>
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            <line style="margin-left:0.0cm">21. Karton. Laſſet die</line>
            <line style="margin-left:1.7cm">Kindlein zu mir ko<g ref="#mgem">mm</g>en.</line>
            <line style="margin-left:3.2cm">(Wundervoll;) namentlich</line>
            <line style="margin-left:2.3cm">Chriſtus ſelbſt, ernſt</line>
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            <line style="margin-left:0.7cm">22. Der alte Anton Bende-</line>
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        <line><fw type="pageNum">7</fw></line>
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        <line style="margin-left:0.0cm">hat ſie nicht</line>
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            <line style="margin-left:0.0cm">ein wundervoller Kinderkopf,</line>
            <line style="margin-left:0.5cm">den er zu dem 12 jährigen</line>
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        <line style="margin-left:1.1cm">der <seg><rs type="indirect" ref="wrk:Dom_Karlos">Königin</rs></seg> iſt</line>
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    <note type="editorial" target="#B15_9r_k">Fontanes Notizen zu Schillers „Dom Karlos“ entstanden während der Theateraufführung am 31. Januar 1883. Die Kritik erschien am 2. Februar 1883 in der Vossischen Zeitung (Nr. 55); vgl. <bibl><ptr target="lit:Bibliographie_1"/><citedRange>Nr. 3886</citedRange></bibl>.</note>
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        <line style="margin-left:2.4cm">Ganz ſpeziell</line>
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          <figDesc><ref target="http://vocab.getty.edu/aat/300200009">horizontale einfache Absatzlinie</ref></figDesc>
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        <line style="margin-left:1.4cm">der <seg><rs type="indirect" ref="wrk:Dom_Karlos">Scene</rs></seg> als</line>
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        <line style="margin-left:1.7cm">„gut, es ſei“</line>
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        <line style="margin-left:3.3cm" rend="indent"><seg><rs type="indirect" ref="psn:Nissen_Hermann">Er</rs></seg> beginnt</line>
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    <note type="editorial" target="#B15_11r_k">Fontanes Notizen zu Shakespeares „Hamlet“ entstanden während der Theateraufführung am 9. Februar 1883. Die Kritik erschien am 11. Februar 1883 in der Vossischen Zeitung (Nr. 71); vgl. <bibl><ptr target="lit:Bibliographie_1"/><citedRange>Nr. 3892</citedRange></bibl>.</note>
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        <line style="margin-left:0.0cm" type="heading" subtype="section"><seg style="letter-spacing:0.2cm; font-size:large"><seg xml:id="B15_11v_k"><hi><seg style="text-decoration:underline"><seg><rs type="indirect" ref="wrk:Goetz_Berlichingen">Akt I</rs></seg></seg></hi></seg>.</seg></line>
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    <note type="editorial" target="#B15_11v_k">Fontanes Notizen zu Goethes „Götz von Berlichingen“ entstanden während der Theateraufführung am 20. April 1884. Die Kritik erschien am 22. April 1884 in der Vossischen Zeitung (Nr. 187); vgl. <bibl><ptr target="lit:Bibliographie_1"/><citedRange>Nr. 33945</citedRange></bibl>.</note>
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        <line style="margin-left:1.0cm">nicht glaubhaft <handShift new="#Archivar2"/><fw type="pageNum">12</fw></line>
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        <line style="margin-left:0.5cm"><seg><rs type="indirect" ref="psn:Franz_Richard">Er</rs></seg> ſpielte mit einer merk-</line>
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        <line style="margin-left:1.2cm">Dabei aber nicht</line>
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        <line style="margin-left:2.2cm" rend="indent"><seg><rs type="indirect" ref="psn:Nissen_Hermann">Er</rs></seg> ſieht aus</line>
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        <line style="margin-left:0.0cm"><seg><rs type="indirect" ref="wrk:Goetz_Berlichingen">Wei<handShift script="Latf"/>ſ<handShift script="Latn"/>slingens</rs></seg><handShift script="Latf"/> Verrath hört,</line>
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        <line style="margin-left:1.6cm"><seg><rs type="indirect" ref="psn:Nissen_Hermann">er</rs></seg> ſprach dies <handShift new="#Archivar2"/><fw type="pageNum">14</fw></line>
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        <line style="margin-left:1.2cm">darin ausſprechen</line>
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        <line style="margin-left:0.6cm">war ſehr ſchwach. Aber die</line>
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        <line style="margin-left:1.2cm"><seg style="letter-spacing:0.2cm; font-size:large"><seg><rs type="indirect" ref="eve:Schlacht_Mars_la_Tour">Vionville</rs></seg></seg><handShift script="Latf"/> handelte.</line>
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        <line style="margin-left:0.3cm"><seg style="letter-spacing:0.2cm; font-size:large"><seg><rs type="direct" ref="psn:Storm">Storm</rs></seg>,</seg><handShift script="Latf"/> der</line>
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        <line style="margin-left:2.3cm">„Wär die</line>
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        <line style="margin-left:1.6cm">Poſe, Theater-</line>
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        <line style="margin-left:0.2cm"><seg xml:id="B15_15v_k"><hi><seg style="text-decoration:underline"><seg><rs type="direct" ref="psn:Franz_Richard">Franz</rs></seg></seg></hi><handShift script="Latf"/> Unnatur</seg> erſt der</line>
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        <line style="margin-left:0.4cm">unbedeutend, <seg><rs type="direct" ref="plc:Reichenberg">Reichenberg</rs></seg>.</line>
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      <zone rotate="270" ulx="6.7" uly="13.9" lrx="19.0" lry="14.0"><figure>
          <figDesc><ref target="http://vocab.getty.edu/aat/300200009">horizontale einfache Absatzlinie</ref></figDesc>
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    <note type="editorial" target="#B15_15v_k">Fontanes Notizen zu Julius Mosenthals „Deborah“ entstanden während der Theateraufführung am 22. April 1884. Die Kritik erschien am 24. April 1884 in der Vossischen Zeitung (Nr. 191); vgl. <bibl><ptr target="lit:Bibliographie_1"/><citedRange>Nr. 3946</citedRange></bibl>.</note>
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        <line><fw type="pageNum">16</fw></line>
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      <zone xml:id="B15_16r_2" next="#B15_17r_1" uly="2.3" lry="14.8">
        <line style="margin-left:1.1cm">Die Lebensregeln.</line>
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        <line style="margin-left:2.4cm" rend="indent"><seg><rs type="indirect" ref="psn:Hellmuth-Braem">Er</rs></seg> trägt es</line>
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        <line style="margin-left:1.4cm">nirtes ſondern</line>
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        <line style="margin-left:1.2cm"><seg><rs type="direct" ref="psn:Fontane_Theodor">ich</rs></seg> beſtreite) ſo <handShift new="#Archivar2"/><fw type="pageNum">17</fw></line>
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      <zone rotate="270" ulx="5.7" uly="13.6" lrx="17.9" lry="13.7"><figure>
          <figDesc><ref target="http://vocab.getty.edu/aat/300200009">horizontale einfache Absatzlinie</ref></figDesc>
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        <line style="margin-left:1.0cm"><seg><rs type="direct" ref="psn:Blanche_Ada"><choice><abbr>Fr.</abbr><expan><unclear>Fräulein</unclear></expan></choice> Blanche</rs></seg> ſehr ſchwach</line>
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          <figDesc><ref target="http://vocab.getty.edu/aat/300200009">horizontale einfache Absatzlinie</ref></figDesc>
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          <figDesc><ref target="http://vocab.getty.edu/aat/300200009">horizontale einfache Absatzlinie</ref></figDesc>
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            <figDesc><ref target="http://vocab.getty.edu/aat/300200009">oberer Teil einer horizontalen doppelten Absatzlinie</ref></figDesc>
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        <zone ulx="0.7" uly="7.4" lrx="9.0" lry="7.5"><figure>
            <figDesc><ref target="http://vocab.getty.edu/aat/300200009">unterer Teil einer horizontalen doppelten Absatzlinie</ref></figDesc>
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        <line style="margin-left:0.8cm">deklamirte die <handShift new="#Archivar2"/><fw type="pageNum">21</fw></line>
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        <line style="margin-left:1.8cm"><seg><rs type="direct" ref="psn:Stollberg"><hi>Fr<seg style="text-decoration:underline">l. Stolberg</seg></hi></rs></seg>.</line>
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        <line style="margin-left:2.0cm" rend="indent">Das geht aber</line>
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        <line style="margin-left:1.2cm">müthvolle</line>
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        <line style="margin-left:0.2cm">Zwiegeſpräch mit ihr, das</line>
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        <line style="margin-left:2.0cm" rend="indent"><seg style="letter-spacing:0.2cm; font-size:large"><seg xml:lang="en-Latn">Tobe or not</seg></seg></line>
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        <line style="margin-left:2.9cm" rend="indent">In der ganzen</line>
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        <line style="margin-left:6.5cm" rend="indent">„Laß Dich warnen“.</line>
        <line style="margin-left:0.8cm"><add place="above" style="margin-left:-1.3cm">Dann</add> <add place="above" style="margin-left:-0.3cm" rend="caret:slash">er</add><hi>Th<seg style="text-decoration:underline">ränen</seg></hi>, Oranien“ ſchwach</line>
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        <line style="margin-left:0.7cm">das Komiſche ſtreifend.</line>
        <line style="margin-left:0.7cm">„Weh, iſt es ein fremder</line>
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        <line style="margin-left:1.5cm">das Feuer, die</line>
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        <line style="margin-left:1.1cm">Es muß <hi>ſp<seg style="text-decoration:underline">ritzen</seg></hi>, –</line>
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        <line style="margin-left:0.0cm">ihr Leben theilte ſich in</line>
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        <line style="margin-left:0.2cm">frühe, darin ſie Leutnants</line>
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    <note type="editorial" target="#B15_26r_k">Dieser Entwurf zu Fontanes unvollendet gebliebenem Roman „Storch von Adebar“ fehlt in der Neuedition seiner Nachlass-Texte; vgl. <bibl><ptr target="lit:Fontane_Fragmente"/></bibl>.</note>
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        <line style="margin-left:0.1cm"><seg xml:id="B15_26v_1" next="#B15_26v_2">Aus alten und neuen Tagen</seg></line>
        <line style="margin-left:1.6cm"><seg xml:id="B15_26v_2" prev="#B15_26v_1">in Mark Brandenburg</seg>.</line>
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      <zone rotate="270" ulx="2.4" uly="8.8" lrx="5.2" lry="8.9"><figure>
          <figDesc><ref target="http://vocab.getty.edu/aat/300200009">horizontale einfache Absatzlinie</ref></figDesc>
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      <zone rotate="270" ulx="2.8" uly="12.7" lrx="15.4" lry="18.5">
        <line style="margin-left:2.1cm"><seg><rs xml:id="B15_26v_c" next="#B15_26v_d" type="direct" ref="wrk:Emil_Arnstedt_Faehnrich">Aus der Stagnations-</rs></seg></line>
        <line style="margin-left:0.0cm"><seg><rs xml:id="B15_26v_d" prev="#B15_26v_c" next="#B15_26v_e" type="direct" ref="wrk:Emil_Arnstedt_Faehnrich">und Warte-Zeit, <seg><date type="asynchronous" from-iso="1815" to-iso="1848" xml:id="B15_26v_m" next="#B15_26v_n">1<retrace>8</retrace>15 –</date></seg></rs></seg></line>
        <line style="margin-left:0.2cm"><seg><rs xml:id="B15_26v_e" prev="#B15_26v_d" type="direct" ref="wrk:Emil_Arnstedt_Faehnrich"><seg><date type="asynchronous" from-iso="1815" to-iso="1848" xml:id="B15_26v_n" prev="#B15_26v_m">48</date></seg></rs></seg>.</line>
        <line style="margin-left:2.8cm"><seg><rs type="direct" ref="psn:Arnstedt_Emil">Fähnrich v. Arnſtedt</rs></seg></line>
        <line style="margin-left:2.4cm">Tſcherkeſſen <choice><abbr>u</abbr><expan>und</expan></choice> <seg><rs xml:id="B15_26v_a" next="#B15_26v_b" type="direct" ref="org:Grenadier_Pferd_Regiment_III">3. <choice><abbr>Neumärk.</abbr><expan>Neumärkisches</expan></choice></rs></seg></line>
        <line style="margin-left:3.7cm"><seg><rs xml:id="B15_26v_b" prev="#B15_26v_a" type="direct" ref="org:Grenadier_Pferd_Regiment_III">Dragoner-Regiment</rs></seg></line>
        <line style="margin-left:1.2cm"><hi>Vo<seg style="text-decoration:underline">rrede</seg></hi> Selbſtverſtändlich die Anfänge </line>
        <line style="margin-left:0.9cm">x---x, aber es ſind keine „Wanderungen“</line>
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        <line style="margin-left:1.3cm">deſſen treten Geſcheh-</line>
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    <note type="editorial" target="#B15_26v_1">Fontanes Notizbuchaufzeichnungen bezeugen vermutlich einen frühesten Zeitpunkt der Entstehung des mehrbändigen Werkplans, der zunächst unter dem Titel „Aus alten und neuen Tagen. Einundzwanzig Kapitel aus Mark Brandenburg“, dann unter dem hier formulierten „Aus alten und neuen Tagen in Mark Brandenburg“ und zuletzt unter „Geschichte und Geschichten aus Mark Brandenburg. Eine Lesebuch für Schule u. Haus“ vorgesehen war. Die Notizbuchaufzeichnungen, die einem Kapitel gewidmet sind, gehören vermutlich in die frühe Entstehungszeit ab dem ersten März 1883, wie es Fontane in seinem verschollenen Tagebuch festhielt, das Hermann Fricke exzerpierte. Vgl. <bibl><ptr target="lit:Chronik_3"/><citedRange>S. 2551</citedRange>.</bibl>. Der Entwurf fehlt in <bibl><ptr target="lit:GBA_Wanderungen_7"/>S. 53f.</bibl>, wo alle weiteren überlieferten Manuskripte zu diesem „Parallelwerk“ der „Wanderungen“ abgedruck wurden. Zur Entstehung vgl. <bibl><ptr target="lit:GBA_Wanderungen_7"/><citedRange>S. 418-421</citedRange>.</bibl>   </note>
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        <line><fw type="pageNum">[<handShift new="#Archivar1"/>28<handShift new="#Archivar2"/>]</fw></line>
        <line><fw type="pageNum">27</fw></line>
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              <line style="margin-left:2.9cm"><del><seg xml:id="B15_27r_a" next="#B15_27r_b" style="text-decoration:line-through" rend="line-through-style:retrace">a.<handShift script="Latf"/> Aus der Keu</seg>le</del></line>
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              <line style="margin-left:4.1cm"><del><seg xml:id="B15_27r_b" prev="#B15_27r_a" style="text-decoration:line-through" rend="line-through-style:retrace">à<handShift script="Latf"/> Pfund 1,50 <choice><abbr>Pf.</abbr><expan>Pfennig</expan></choice></seg></del></line>
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              <line style="margin-left:2.8cm"><retrace>b</retrace>.<handShift script="Latf"/> Rippe<retrace>nſtück</retrace></line>
              <line style="margin-left:4.4cm">2 Mark 50 <choice><abbr>Pf.</abbr><expan>Pfennig</expan></choice></line></zone>
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          <line style="margin-left:3.6cm">etc.<handShift script="Latf"/> wohl erſt in</line>
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        <line style="margin-left:1.6cm" type="item">4. Ganz gedankenlos.</line>
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          <line style="margin-left:1.6cm">5. Farbe (vielleicht</line>
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          <line style="margin-left:3.4cm">gut; aber im</line>
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        <line style="margin-left:0.8cm"> <seg><rs type="indirect" ref="psn:Fontane_Theodor">mir</rs></seg>:</line>
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            <line style="margin-left:1.8cm">a.<handShift script="Latf"/> Der braune alte</line>
            <line style="margin-left:3.4cm">Satyr</line></zone>
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            <line style="margin-left:1.7cm">b.<handShift script="Latf"/> der junge ſchwarz-</line>
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            <line style="margin-left:3.2cm">(ſieht aus wie</line>
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            <line style="margin-left:1.7cm">c.<handShift script="Latf"/> die <add place="above" style="margin-left:-0.5cm" rend="caret:bow(1.6cm,pos-right)">blonde</add> Mutter (ſchön,</line>
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            <line style="margin-left:1.7cm">d.<handShift script="Latf"/> <mod type="subst"><del><seg style="text-decoration:line-through">die</seg></del><add place="above" style="margin-left:0.3cm">der</add></mod> Bachus. (Dieſer</line>
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        <line style="margin-left:3.2cm">vor allem.</line>
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        <line style="margin-left:1.4cm">4 Köpfen iſt magni-</line>
        <line style="margin-left:1.2cm">fique. Das grob und</line>
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        <zone rotate="0" ulx="8.1" uly="3.0">
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        <line style="margin-left:1.4cm" type="item">1. <seg><rs type="indirect" ref="wrk:Gaertnerei_Doerr_Schauplatz">Wohnhaus</rs></seg>.</line>
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          <line style="margin-left:1.5cm">3 <seg><rs type="indirect" ref="wrk:Gaertnerei_Doerr_Schauplatz">Treibhaus</rs></seg> (links)</line>
          <line style="margin-left:2.2cm">Dahinter Spargelbeete</line>
          <line style="margin-left:2.8cm">Wilder Blumengarten.</line>
          <line style="margin-left:2.8cm">Obſtbäume.</line></zone>
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        <line style="margin-left:0.3cm">Der Zaun war aus allen</line>
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        <line style="margin-left:0.2cm">und Querhölzern zuſa<g ref="#mgem">mm</g>engenagelt</line>
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        <line style="margin-left:1.9cm">belebte ſichs aber hier.</line>
        <line style="margin-left:2.1cm">Dann fuhren große</line>
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        <line style="margin-left:0.1cm">zugleich ein<anchor xml:id="B15_30v_m"/>e <seg type="multiphrase" xml:id="B15_30v_n" corresp="#B15_30v_o">Müll⸗</seg><add corresp="#B15_30v_m" place="above"><seg type="multiphrase" xml:id="B15_30v_o" corresp="#B15_30v_n">Schutt⸗</seg></add>Ablade-</line>
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        <line style="margin-left:0.5cm">ſeine Ablade-Stelle hier</line>
        <line style="margin-left:0.6cm">hatte und ſo ſah dieſe Stelle</line>
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        <line style="margin-left:1.1cm">bar hiſtoriſch vornehm und man</line>
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        <line style="margin-left:4.4cm">und Flügel.</line>
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        <line style="margin-left:1.9cm">Füße auf eine Gras-</line>
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            <figDesc>Ganze Seite mit Bleistift <ref target="http://vocab.getty.edu/aat/300200009">gestrichen; erledigt</ref></figDesc>
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        <line style="margin-left:2.0cm" rend="indent">Das <seg><rs type="indirect" ref="wrk:Gaertnerei_Doerr_Schauplatz">Wohnhaus</rs></seg><handShift new="#Archivar2"/><fw type="pageNum">32</fw></line>
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        <line style="margin-left:0.2cm">als</line>
        <line style="margin-left:0.0cm"><seg><rs type="indirect" ref="wrk:Egmont">Egmont</rs></seg>.</line>
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      <zone rotate="90" ulx="2.5" uly="2.8" lrx="10.1" lry="5.3">
        <line style="margin-left:0.0cm">Dieſelben Toiletten</line>
        <line style="margin-left:0.1cm">ko<g ref="#mgem">mm</g>en auch in</line>
        <line style="margin-left:0.3cm">Terracotta rothbraun</line>
        <line style="margin-left:0.4cm">vor. Dann iſt das</line>
        <line style="margin-left:0.8cm">Kleid auch quadrirt</line>
        <line style="margin-left:1.5cm">aber rothbraun und goldfarben.</line></zone>
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    <note type="editorial" target="#B15_45r_k"/>
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        <zone type="item">
          <line style="margin-left:1.3cm">3. Am entzückendſten</line>
          <line style="margin-left:2.2cm">ſind die Anzüge des 10 oder</line>
          <line style="margin-left:2.1cm">11 jährigen Jungens.</line></zone>
        <zone type="item">
          <line style="margin-left:1.4cm">4. Ein ſechsjähriger Junge.</line>
          <line style="margin-left:3.6cm">Der ganze Kerl</line>
          <line style="margin-left:2.3cm">ſteckt einfach von der</line>
          <line style="margin-left:2.4cm">Sohle bis zum Hals in</line>
          <line style="margin-left:2.4cm">einem blauen Tricot.</line>
          <line style="margin-left:2.5cm">Von der Hüfte an iſt</line>
          <line style="margin-left:2.3cm">aber ein zweites  Tricot</line>
          <line style="margin-left:2.4cm">aufgenäht (alſo von</line>
          <line style="margin-left:2.5cm">der Hüfte an Doppel-</line>
          <lb break="keepHyphen"/>
          <line style="margin-left:2.4cm">Tricot) und nur ein</line>
          <line style="margin-left:2.4cm">matroſen⸗<mod type="subst"><del rend="overwritten">artiger</del><add place="superimposed">kragen</add></mod>, auch</line>
          <line style="margin-left:2.4cm">blau mit breiter weißer</line>
          <line style="margin-left:2.5cm">Einlaſſung, iſt locker ge-</line>
          <line style="margin-left:2.5cm">blieben – dazu ſchwarzer</line>
          <line style="margin-left:2.5cm">blanker Hut und ſchwarz</line>
          <line style="margin-left:2.6cm">blanke Stulpenſtiefel.</line>
          <line style="margin-left:2.5cm">Keine Strümpfe. Das</line>
          <line style="margin-left:2.6cm">Unter⸗Tricot iſt <mod type="subst" xml:id="B15_45v_m" next="#B15_45v_n"><del><seg style="text-decoration:line-through">nur</seg></del><add place="above" style="margin-left:-0.5cm">eben</add></mod></line>
          <line style="margin-left:2.5cm"><mod type="subst" xml:id="B15_45v_n" prev="#B15_45v_m"><add place="above" style="margin-left:-0.4cm" rend="caret:slash">nichts als</add></mod> ein in die Höhe</line>
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            <line style="margin-left:1.3cm" type="item">5. <add><handShift script="Latn"/>a<handShift script="Latf"/></add> Schwarzes Kleid <handShift new="#Archivar2"/><fw type="pageNum">46</fw></line>
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              <line style="margin-left:2.0cm">b.<handShift script="Latf"/> Terra-cotta farbenes (eigentlich</line>
              <line style="margin-left:3.3cm">hell⸗kupferfarben) Spencer.</line></zone>
            <handShift script="Latn"/>
            <line style="margin-left:1.9cm" type="item">c.<handShift script="Latf"/> Hut: gelb und ſchwarz.</line>
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              <line style="margin-left:1.8cm">d.<handShift script="Latf"/> Schirm: roth innen, außen</line>
              <line style="margin-left:3.8cm">ſchwarz. (Sah brav aus)</line></zone></zone></zone></zone>
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        <line><handShift new="#Archivar2"/><fw type="pageNum">[<handShift new="#Archivar1"/>39<handShift new="#Archivar2"/>]</fw></line>
        <line><fw type="pageNum">47</fw></line>
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      <zone type="heading" rend="align(center)" uly="0.5" lry="1.4">
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        <line style="margin-left:2.0cm"><seg><rs xml:id="B15_47r_a" next="#B15_47r_b" type="direct" ref="wrk:Darstellende_Kuenstler">Darſtellende Künſtler</rs></seg></line>
        <line style="margin-left:2.4cm"><seg><rs xml:id="B15_47r_b" prev="#B15_47r_a" type="direct" ref="wrk:Darstellende_Kuenstler">und die Kritik</rs></seg>.</line>
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      <zone ulx="4.0" uly="1.5" lrx="5.1" lry="1.6"> <figure>
          <figDesc><ref target="http://vocab.getty.edu/aat/300200009">horizontale einfache Absatzlinie</ref></figDesc>
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      <zone xml:id="B15_47r_1" next="#B15_48r_1" uly="2.2" lry="14.5">
        <line style="margin-left:1.6cm"><seg xml:id="B15_47r_2" next="#B15_47r_3">Darſtellende Künſtler</seg></line>
        <line style="margin-left:1.6cm"><seg xml:id="B15_47r_3" prev="#B15_47r_2">und ihre Kritiker</seg>. Eigentlich</line>
        <line style="margin-left:1.6cm">müßte es heißen ſo x---x</line>
        <line style="margin-left:1.8cm">aber es hätte ſo x---x</line>
        <line style="margin-left:1.0cm">x---x, ſo X---x aus-</line>
        <line style="margin-left:1.8cm">geſehn und das wollte</line>
        <line style="margin-left:1.9cm"><seg><rs type="direct" ref="psn:Fontane_Theodor">ich</rs></seg> vermeiden. – Unmittel-</line>
        <line style="margin-left:1.1cm">bar Veranlaſſung <seg><rs xml:id="B15_47r_c" next="#B15_47r_d" type="direct" ref="wrk:Beer_Struensee">Stru-</rs></seg></line>
        <line style="margin-left:1.7cm"><seg><rs xml:id="B15_47r_d" prev="#B15_47r_c" type="direct" ref="wrk:Beer_Struensee">enſee</rs></seg>. Aber nicht</line>
        <line style="margin-left:1.7cm">alles, die Klagen</line>
        <line style="margin-left:1.5cm">kehren wieder mit</line>
        <line style="margin-left:1.8cm">der Regelmäßigkeit</line>
        <line style="margin-left:1.9cm">der Un----x-</line>
        <line style="margin-left:1.9cm">ſtören. Viele dieſer</line>
        <line style="margin-left:2.0cm">Klagen erledigen ſich</line>
        <line style="margin-left:2.0cm">ſofort, aber andre</line>
        <line style="margin-left:2.2cm">haben Bruſtton  und</line>
        <line style="margin-left:1.9cm">ſogar eine bedeutungs-</line>
        <line style="margin-left:2.3cm">reiche Berechtigung,</line>
        <line style="margin-left:2.0cm">wie wenn  der Kritik</line>
        <line style="margin-left:1.9cm">übt und nun ganz</line>
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    <note type="editorial" target="#B15_47r_2">Fontanes unvollendet gebliebener Aufsatz „Darstellende Künstler und ihre Kritiker“ entstand vermutlich kurz nach der in den Aufzeichnungen erwähnten „Struensee-Aufführung“ (2.11.1883; XXX).  Weitere Handschriften gehören zu den vermissten Beständen des TFA; vgl. lost art ID 276060; E: Neue Rundschau, Aus dem Nachlaß von Theodor Fontane, 35 (1924), Bd. 2, S. 939–952/ Plaudereien, </note>
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        <line style="margin-left:0.0cm"><seg xml:id="B15_47v_k">„Ich habe ſie geſucht</seg> wie</line>
        <line style="margin-left:1.3cm">ein Verdammter ſein</line>
        <line style="margin-left:1.5cm">verlorenes Eden, aber</line>
        <line style="margin-left:1.4cm">ſie kam nicht wieder</line>
        <line style="margin-left:1.2cm">und ich ſuche ſie noch. Und</line>
        <line style="margin-left:1.2cm">wenn ich ſie gefunden</line>
        <line style="margin-left:1.6cm">habe, dann will ich</line>
        <line style="margin-left:2.1cm">ſterben.“</line>
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        <line style="margin-left:2.9cm">Die <seg><rs type="indirect" ref="wrk:Narziss">Quinault</rs></seg> ſagt: „Das</line>
        <line style="margin-left:2.6cm">iſt ſehr traurig.“ Höchſtens</line>
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        <line style="margin-left:0.0cm">von mir wegläuft</line>
        <line style="margin-left:0.5cm">ſo iſt das ſehr fatal<del><seg type="cancel" style="text-decoration:line-through" xml:id="B15_47v_a" next="#B15_47v_b">,</seg></del></line>
        <line style="margin-left:0.5cm"><del><seg style="text-decoration:line-through">aber ich<seg type="cancel" xml:id="B15_47v_b" prev="#B15_47v_a"/></seg></del> und ich kann</line>
        <line style="margin-left:1.0cm">darüber ſterben,</line>
        <line style="margin-left:1.4cm">aber ich <hi>ſ<seg style="text-decoration:underline">uche</seg></hi></line>
        <line style="margin-left:2.7cm">ſie nicht.</line>
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    <note type="editorial" target="#B15_47v_k">Fontanes Notizen zu Albert Emil Brachvogels „Narziß“ entstanden während der Theateraufführung am 17. Mai 1884. Die Kritik erschien am 20. Mai 1884 in der Vossischen Zeitung (Nr. 233); vgl. <bibl><ptr target="lit:Bibliographie_1"/><citedRange>Nr. 3949</citedRange></bibl>.</note>
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        <line><fw type="pageNum">48 [<handShift new="#Archivar1"/>40<handShift new="#Archivar2"/>]</fw></line>
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      <zone xml:id="B15_48r_1" prev="#B15_47r_1" uly="0.8" lry="14.5">
        <line style="margin-left:1.2cm">Theaterkritik möchte</line>
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        <line style="margin-left:1.5cm">und das anders und</line>
        <line style="margin-left:1.6cm">beſſer ſein kö<g ref="#ngem">nn</g>te.</line>
        <line style="margin-left:1.6cm">Zugegeben alſo. Aber</line>
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        <line style="margin-left:1.6cm">ihrem Prozentſatz</line>
        <line style="margin-left:1.6cm">doch nur eine ver-</line>
        <line style="margin-left:1.6cm">ſchwindende, der</line>
        <line style="margin-left:1.8cm">Hauptgrund liegt wo</line>
        <line style="margin-left:1.6cm">anders und <seg><rs type="direct" ref="psn:Fontane_Theodor">ich</rs></seg> möchte</line>
        <line style="margin-left:1.7cm">darüber endlich mal</line>
        <line style="margin-left:1.6cm">ein Wort ſagen</line>
        <line style="margin-left:1.7cm">dürfen. Die</line>
        <line style="margin-left:1.8cm">Stellung die die Schau-</line>
        <line style="margin-left:1.8cm">ſpieler der Kritik</line>
        <line style="margin-left:1.7cm">gegenüber einnehmen,</line>
        <line style="margin-left:1.8cm">iſt – ein paar</line>
        <line style="margin-left:2.0cm">glänzende Ausnahmen</line>
        <line style="margin-left:2.2cm">zugegeben – grund-</line>
        <line style="margin-left:2.1cm">falſch. Sie verlangen</line>
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        <line style="margin-left:0.0cm">mehr als ſie verlangen dürfen,</line>
        <line style="margin-left:2.2cm">ſie verlangen eine exemplariſche</line>
        <line style="margin-left:5.1cm">Poſitive, die kein</line>
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      <zone rotate="90" ulx="1.1" uly="0.7" lrx="4.0" lry="1.7">
        <line style="margin-left:0.0cm">Menſch er-</line>
        <line style="margin-left:0.1cm">widert x---x</line>
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      <zone rotate="180" ulx="7.8" uly="0.6">
        <line>x---x x---x Bismarck </line>
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      <zone rotate="270" ulx="8.1" uly="5.4" lrx="12.9" lry="6.2">
        <line style="margin-left:0.0cm">Was iſt denn</line>
        <line style="margin-left:2.8cm">nun ein</line>
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        <line>Hofſchauſpieler.</line>
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        <line style="margin-left:0.1cm">Endlich li<mod type="subst"><del rend="overwritten">g</del><add place="superimposed">e</add></mod>gt er mal gut „in</line>
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