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<title>Notizbuch B3</title>
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<persName>Theodor Fontane</persName>
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<resp key="scr">Schreiber</resp>
<name>
<persName>Friedrich Fontane</persName>
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<editor xml:id="GR">
<persName>Gabriele Radecke</persName>
<idno type="GND" xml:base="http://d-nb.info/gnd/">123987385</idno>
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<respStmt>
<resp key="oth">Editorische Assistenz</resp>
<name>
<persName>Judith Michaelis</persName>
</name>
<name>
<persName>Rahel Rami</persName>
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<respStmt>
<resp key="trc">Transkription</resp>
<name>
<persName>Gabriele Radecke</persName>
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<respStmt>
<resp key="mrk">Codierung</resp>
<name>
<persName>Gabriele Radecke</persName>
<idno type="GND" xml:base="http://d-nb.info/gnd/">123987385</idno>
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<name>
<persName>Judith Michaelis</persName>
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<respStmt>
<resp key="cwt">Kommentierung</resp>
<name>
<persName>Gabriele Radecke</persName>
<idno type="GND" xml:base="http://d-nb.info/gnd/">123987385</idno>
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<respStmt>
<resp key="oth">Metadaten</resp>
<name>
<persName>Martin de la Iglesia</persName>
<idno type="GND" xml:base="http://d-nb.info/gnd/">1017477760</idno>
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</respStmt>
<respStmt>
<resp key="oth">IT, Visualisierung und Portalentwicklung</resp>
<name>
<persName>Mathias Göbel</persName>
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<listBibl>
<listBibl>
<head>Druckgeschichte einzelner Notizbuchaufzeichnungen</head>
<bibl><abbr>E</abbr> (<abbr>TD</abbr>): <rs ref="lit:GBA_Erz_Werk_5">GBA–Erz. Werk, Bd. 5</rs>, S. 173. (<ref target="#xpath(//surface[@n='55v'])">Blatt 55v</ref>-<ref target="#xpath(//surface[@n='57r'])">57r</ref>: Ellernklipp; datiert auf Sommer 1879.)</bibl>
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<listBibl>
<head>Notizbuch-Gesamtpublikationen</head>
<listBibl>
<head>Fontane-Notizbuch-Portal</head>
<bibl>
<bibl>Theodor Fontane: Notizbücher. Digitale genetisch-kritische und kommentierte Edition. Hrsg. von Gabriele Radecke. https://fontane-nb.dariah.eu/index.html. 2015-2017, abgerufen am: [Datum des Abrufs]</bibl>
<availability>
<licence target="http://creativecommons.org/licenses/by-nc-nd/4.0/">Alle im Rahmen des Projektes erarbeiteten Inhalte der Edition sind unter der Lizenz „CC-BY-ND-NC-4.0 international“ zugänglich. Die Digitalisate der Notizbücher Theodor Fontanes stehen unter der Lizenz „CC0-1.0“ zur Verfügung.</licence>
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</listBibl>
<listBibl>
<head>Digitale Edition im TextGrid-Repositorium als Langzeitarchivierung</head>
<bibl>Theodor Fontane: Notizbücher. Digitale genetisch-kritische und kommentierte Edition. Hrsg. von Gabriele Radecke. https://textgridrep.de/browse.html?id=textgrid:129mw.0, abgerufen am: [Datum des Abrufs]</bibl>
</listBibl>
<listBibl>
<head>Publikationen im Verlag Walter de Gruyter</head>
<listBibl>
<listBibl>
<head>Print-Edition</head>
<bibl>Theodor Fontane: Notizbücher. Historisch-kritische und kommentierte Edition. Hrsg. von Gabriele Radecke. Berlin [in Vorbereitung]</bibl>
</listBibl>
<listBibl>
<head>E-Book-Edition</head>
<bibl>Theodor Fontane: Notizbücher. Historisch-kritische und kommentierte Edition. Hrsg. von Gabriele Radecke. Berlin [in Vorbereitung]</bibl>
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<name>
<persName>Theodor Fontane</persName>
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<resp key="edt">Herausgeberin</resp>
<name>
<persName>Dr. Gabriele Radecke</persName>
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<resp key="pdr">Gesamtleitung, Idee und Konzeption sowie editions- und literaturwissenschaftliche Leitung</resp>
<name>
<persName>Dr. Gabriele Radecke</persName>
<idno type="GND" xml:base="http://d-nb.info/gnd/">123987385</idno>
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<respStmt>
<resp key="oth">Informationswissenschaftliche und -technologische Leitung sowie Koordination in der SUB</resp>
<name>
<persName>Dr. Mirjam Blümm (seit April 2015)</persName>
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<name>
<persName>Prof. Dr. Heike Neuroth (Juni 2011–März 2015)</persName>
<idno type="GND" xml:base="http://d-nb.info/gnd/">118022547</idno>
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<respStmt>
<resp key="oth">Editorische Assistenz</resp>
<name>
<persName>Judith Michaelis (Juni 2011–Dezember 2015; Codierung)</persName>
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<name>
<persName>Rahel Rami (Juni 2012–Juni 2017; Codierung und Register)</persName>
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<name>
<persName>Hartmut Hombrecher (August 2015–Juni 2017; Codierung)</persName>
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<name>
<persName>Adrian Bruhns (Februar 2016–Januar 2018; Codierung und Register)</persName>
</name>
<name>
<persName>Juljana Battenberg (Juli 2016–September 2019; Register)</persName>
</name>
<name>
<persName>Lisa Kunze (Februar 2018–September 2019; Register)</persName>
</name>
<name>
<persName>Simon Sendler (Oktober 2018–September 2019; Codierung und IT)</persName>
</name>
<name>
<persName>Jan Stieglitz (2018; Register)</persName>
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<name>
<persName>Anne Karzel (2019; Codierung)</persName>
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<resp key="oth">Metadaten</resp>
<name>
<persName>Martin de la Iglesia</persName>
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<name>
<persName>Dr. Susanne Al-Eryani</persName>
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<respStmt>
<resp key="oth">IT, Visualisierung und Portalentwicklung</resp>
<name>
<persName>Mathias Göbel</persName>
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<name>
<persName>Michelle Weidling (Edierter Text und Buchausgabe)</persName>
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<persName>Ubbo Veentjer (Suche)</persName>
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<resp key="oth">GND</resp>
<name>
<persName>Stephan Heupst</persName>
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<resp key="csp">Beratung</resp>
<name>
<persName>Christoph Kudella</persName>
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<resp key="csp">Beratung (Metadaten)</resp>
<name>
<persName>Alexander Jahnke</persName>
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<name>
<persName>Uwe Sikora</persName>
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<name>
<persName>Christiane Fritze</persName>
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<resp key="csp">Beratung (TextGrid)</resp>
<name>
<persName>Stefan Funk</persName>
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<name>
<persName>Felix Lohmeier</persName>
<idno type="GND" xml:base="http://d-nb.info/gnd/">1059568683</idno>
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<name>
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<idno type="GND" xml:base="http://d-nb.info/gnd/">174452152</idno>
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<orgName>Theodor Fontane-Arbeitsstelle, Georg-August-Universität Göttingen, Seminar für Deutsche Philologie (Leitung: Dr. Gabriele Radecke)</orgName>
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<idno type="ISIL" xml:base="http://ld.zdb-services.de/resource/organisations/">DE-7</idno>
<name>
<orgName>Abteilung Forschung & Entwicklung (Leitung: Dr. Jan Brase)</orgName>
<idno type="GND" xml:base="http://d-nb.info/gnd/">1024250601</idno>
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<name>
<orgName>Gruppe Metadaten und Datenkonversion (Leitung: Alexander Jahnke)</orgName>
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<orgName>Digital Research Infrastructure for the Arts and Humanities (DARIAH-DE)</orgName>
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<orgName>TextGrid – Virtuelle Forschungsumgebung für die Geisteswissenschaften (TextGrid)</orgName>
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<name>
<orgName>Deutsche Forschungsgemeinschaft</orgName>
<idno type="GND" xml:base="http://d-nb.info/gnd/">2007744-0</idno>
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<resp key="pbl">Verlag</resp>
<name>
<orgName>Walter de Gruyter</orgName>
<idno type="GND" xml:base="http://d-nb.info/gnd/">10095502-2</idno>
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<resp key="pro">Herstellung der Scans: Leitung</resp>
<name>
<persName>Dr. Gabriele Radecke</persName>
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<name>
<persName>Dr. Jutta Weber</persName>
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<resp key="pro">Herstellung der Scans</resp>
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<resp key="pro">Herstellung der Scans: Finanzierung</resp>
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<resp key="fnd">Projektförderung (2011–2017)</resp>
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<idno type="GND" xml:base="http://d-nb.info/gnd/">2007744-0</idno>
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<name>
<idno type="DFG-Projektnummer">NE 1434/1-2 <idno type="DFG-AOBJ">610728</idno></idno>
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<idno type="Signatur">Nachl._Theodor_Fontane,Notizbücher_B03</idno>
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<note>Fontanes unvollständige Inhaltsübersicht, die er teils auf Notizbuchhersteller-Etiketten, teils auf an- bzw. aufgeklebten Blättern der vorderen äußeren Einbanddecken oder auf vorderen äußeren Einbanddecken notierte. Die Inhaltsübersicht zu Notizbuch B03 schrieb Fontane auf einem Notizbuchhersteller-Etikett.</note>
<item>1879</item>
</list>
<list type="Friedrich_Fontane">
<note>Friedrich Fontanes unvollständige Inhaltsübersicht, die er auf den Rückseiten von an- bzw. aufgeklebten Kalenderblättern der vorderen inneren Einbanddecken oder in Ausnahmefällen auf Notizbuchhersteller-Etiketten oder aufgeklebten Blättern der vorderen äußeren Einbanddecken festhielt. Die Inhaltsübersichten entstanden zwischen dem 2. März 1923 (vgl. Notizbuch E01; eigenhändige Datierung) und dem 9. Dezember 1927 (vgl. Notizbuch A15; Datum auf dem Kalenderblatt). Nur in wenigen Fällen hat Friedrich Fontane die Übersichten datiert. Die Inhaltsübersicht zu Notizbuch B03 entstand am oder nach dem 22. Juli 1925.</note>
<item>Theater (Faust – Zärtliche Verwandte – Ehe von heute – Uriel Acosta)</item>
</list>
<list type="Fontane_Blätter">
<note>Die in den „Fontane Blättern“ 1976 veröffentlichte Inhaltsübersicht, die lediglich Theodor und Friedrich Fontanes Inhaltsübersichten zusammenführt. Mit vielen Entzifferungsfehlern; vgl. Fontane Blätter 1976, S. 64–66.</note>
<item>1879. Theater. (Faust – Zärtliche Verwandte – Ehe von heute – Zärtliche Verwandte – Ehe von heute – Uriel Acosta.)</item>
</list>
<list type="editorial">
<note>Gabriele Radeckes autopsiertes Inhaltsverzeichnis, das im Rahmen der Notizbuch-Edition von 2017 ermittelt wurde.</note>
<item>[Briefkonzept: An Wilhelm Hertz] (Ausfertigung am 10. Oktober 1879, Berlin, <rs ref="lit:HBV">HBV</rs>, Nr. 79/88), <ref target="#xpath(//surface[@n='15v'])">Blatt 15v</ref></item>
<item>Ellernklipp (Entwurf zum 11. Kapitel) (Entstehung: zwischen dem 4. und 8.11.1879), <ref target="#xpath(//surface[@n='55v'])">Blatt 55v</ref>, <ref target="#xpath(//surface[@n='56r'])">56r</ref>, <ref target="#xpath(//surface[@n='56v'])">56v</ref> und <ref target="#xpath(//surface[@n='57r'])">57r</ref></item>
<item>[Theaterkritik: Notizen. Die zärtlichen Verwandten – von Roderich Benedix] (Theaterbesuch: 2.10.1879), <ref target="#xpath(//surface[@n='27r'])">Blatt 27r</ref>, <ref target="#xpath(//surface[@n='28r'])">28r</ref>, <ref target="#xpath(//surface[@n='29r'])">29r</ref> und <ref target="#xpath(//surface[@n='30r'])">30r</ref></item>
<item>[Theaterkritik: Notizen. Eine Ehe von heut – von Antonie Hackenthal] (Theaterbesuch: 4.11.1879), <ref target="#B03_38r_1">Blatt 38r</ref>, <ref target="#xpath(//surface[@n='38v'])">38v</ref>, <ref target="#xpath(//surface[@n='43r'])">43r</ref>, <ref target="#xpath(//surface[@n='44r'])">44r</ref>, <ref target="#xpath(//surface[@n='45r'])">45r</ref>, <ref target="#xpath(//surface[@n='46r'])">46r</ref>, <ref target="#xpath(//surface[@n='47r'])">47r</ref>, <ref target="#xpath(//surface[@n='48r'])">48r</ref>, <ref target="#xpath(//surface[@n='49r'])">49r</ref>, <ref target="#xpath(//surface[@n='50r'])">50r</ref>, <ref target="#xpath(//surface[@n='51r'])">51r</ref> und <ref target="#xpath(//surface[@n='52r'])">52r</ref></item>
<item>[Theaterkritik: Notizen. Faust I – von Johann Wolfgang Goethe] (Theaterbesuch: 27.09.1879), <ref target="#xpath(//surface[@n='15r'])">Blatt 15r</ref>, <ref target="#xpath(//surface[@n='16r'])">16r</ref>, <ref target="#xpath(//surface[@n='17r'])">17r</ref>, <ref target="#xpath(//surface[@n='18r'])">18r</ref>, <ref target="#xpath(//surface[@n='19r'])">19r</ref>, <ref target="#xpath(//surface[@n='20r'])">20r</ref>, <ref target="#xpath(//surface[@n='21r'])">21r</ref>, <ref target="#xpath(//surface[@n='22r'])">22r</ref>, <ref target="#xpath(//surface[@n='23r'])">23r</ref>, <ref target="#xpath(//surface[@n='24r'])">24r</ref>, <ref target="#xpath(//surface[@n='25r'])">25r</ref> und <ref target="#xpath(//surface[@n='26r'])">26r</ref></item>
<item>[Theaterkritik: Notizen. Medea – von Ernest Legouvé] (Theaterbesuch: 17.11.1879), <ref target="#B03_60v_1">Blatt 60v</ref>, <ref target="#xpath(//surface[@n='61r'])">61r</ref>, <ref target="#xpath(//surface[@n='61v'])">61v</ref>, <ref target="#xpath(//surface[@n='62r'])">62r</ref>, <ref target="#xpath(//surface[@n='62v'])">62v</ref> und <ref target="#xpath(//surface[@n='63r'])">63r</ref></item>
<item>[Theaterkritik: Notizen. Uriel Acosta – von Karl Gutzkow] (Theaterbesuch: 8.11.1879), <ref target="#xpath(//surface[@n='53r'])">Blatt 53r</ref>, <ref target="#xpath(//surface[@n='54r'])">54r</ref>, <ref target="#xpath(//surface[@n='54v'])">54v</ref> und <ref target="#xpath(//surface[@n='55r'])">55r</ref></item>
<item>[Theaterkritik: Notizen. Wilhelm Tell – von Friedrich Schiller] (Theaterbesuch: 11.11.1879), <ref target="#xpath(//surface[@n='57v'])">Blatt 57v</ref>, <ref target="#xpath(//surface[@n='58r'])">58r</ref>, <ref target="#xpath(//surface[@n='58v'])">58v</ref>, <ref target="#xpath(//surface[@n='59r'])">59r</ref>, <ref target="#xpath(//surface[@n='59v'])">59v</ref>, <ref target="#xpath(//surface[@n='60r'])">60r</ref> und <ref target="#B03_60v_2">60v</ref></item>
<item>[Nicht ermittelt] (Notizen) (Entstehung: XXX), <ref target="#B03_38r_4">Blatt 38r</ref></item>
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<ab><hi>Blattfragmente:</hi> Keine Reste von herausgerissenen Blättern</ab>
<ab><hi>Blattfragmente:</hi> 25; Reste von herausgeschnittenen Blättern, unbeschriftet (beschriftet: Blatt 35r und 42r). <ref target="#xpath(//surface[@n='1r'])">Blatt 1r</ref>-<ref target="#xpath(//surface[@n='14v'])">14v</ref>, <ref target="#xpath(//surface[@n='31r'])">31r</ref>-<ref target="#xpath(//surface[@n='37v'])">37v</ref> und <ref target="#xpath(//surface[@n='39r'])">39r</ref>-<ref target="#xpath(//surface[@n='42v'])">42v</ref></ab>
<ab><hi>Blattfragmente:</hi> Keine Reste von herausgerissenen und -geschnittenen Blättern</ab>
<ab><hi>Kalenderblatt:</hi> 1; angeklebt. <ref target="#xpath(//surface[@n='Ir'])">Blatt Ir</ref> und <ref target="#xpath(//surface[@n='Iv'])">Iv</ref></ab>
<ab><hi>Vakat-Seiten:</hi> 31. Blatt IIr/v, 16v-30v (nur Blattrückseiten), 43v-53v (nur Blattrückseiten) und 63v-64v</ab>
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<foliation>Die erste Foliierung der Einzelblätter in arabischen Ziffern hat <rs ref="#Archivar1">Archivar 1</rs> vermutlich in den 1960er Jahren mit Bleistift auf den Blattvorderseiten (recto-Seiten) vorgenommen. Die zweite Foliierung der Einzelblätter wurde im Rahmen der Notizbuch-Edition von <rs ref="#Archivar2">Archivar 2</rs> im November 2011 mit Bleistift auf den Blattvorderseiten (recto-Seiten) in arabischen Ziffern durchgeführt. Dabei wurde die alte Zählung mit eckigen Klammern markiert. Der auf dem <ref target="#xpath(//surface[@n='front_endpaper_IIr'])">Vorsatzblatt IIr</ref> geschriebenen Auktionsnummer von 1933, „508-3“, ging keine Foliierung voraus.</foliation>
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<ab><hi>Skizzen:</hi> Keine</ab>
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<ab><hi>Stempel:</hi> 1. Friedrich Fontane: <ref target="#xpath(//surface[@n='front_endpaper_IIr'])">Vorderes Vorsatzblatt IIr</ref></ab>
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<ab>Alle editorischen Zeichen sind im <ref target="content.html?id=gesamtdokumentation_verzeichnis_editorischer_zeichen.md">Verzeichnis editorischer Zeichen</ref> dokumentiert.</ab>
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<date type="editorial"><date notBefore-iso="1879-09-27" notAfter-iso="1879-11-17">Zwischen dem 27.09.1879 und dem 17.11.1879:</date> <date when-iso="1879-09-27">27.09.1879</date> (Faust I), <date when-iso="1879-10-02">2.10.1879</date> (Die zärtlichen Verwandten), <date when-iso="1879-10-10" cert="low">10.10.1879</date> (Briefkonzept), <date when-iso="1879-11-04">4.11.1879</date> (Eine Ehe von heut), <date when-iso="1879-11-08">8.11.1879</date> Uriel Acosta), <date when-iso="1879-11-11">11.11.1879</date> (Wilhelm Tell) und <date when-iso="1879-11-17">17.11.1879</date> (Medea)</date>
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<handNote xml:id="fremde_Hand1" script="posthumous">Fremde Hand 1: Bibliothekssignatur auf den Signaturen-Klebchen (alt) der Einbanddecken/des Buchrückens</handNote>
<handNote xml:id="fremde_Hand2" script="posthumous">Fremde Hand 2: Auktionsnummer, 1933</handNote>
<handNote xml:id="fremde_Hand3" script="posthumous">Fremde Hand 3: Häkchen auf dem Etikett</handNote>
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<handNote medium="blue_ink">Tinte (Blau)</handNote>
<handNote medium="pencil">Bleistift</handNote>
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<handNote medium="medium_pen">Feder mit mittlerer Breite</handNote>
<handNote medium="thin_pen">Feder mit feiner Breite</handNote>
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<handNote script="clean">Reinschriftliche Notizbuchaufzeichnungen mit sehr gleichmäßigen Schriftzügen, Unterstreichungen, Gliederungen und Einrückungen. Die meisten Reinschriften sind Abschriften früherer Aufzeichnungen oder belegen, dass konzeptionelle Überlegungen vorausgegangen waren.</handNote>
<handNote script="hasty">Sehr schwer zu entziffernde, mit Bleistift geschriebene Notizbuchaufzeichungen mit einem äußerst unruhigen Duktus und verzerrten Buchstaben. Sie sind darauf zurückzuführen, dass die Notizbuchaufzeichnungen ohne eine feste Schreibunterlage zumeist unterwegs entstanden sind. </handNote>
<handNote script="standard">Notizbuchaufzeichnungen mit regelmäßigem und nur vereinzelt vorkommendem unregelmäßigen Duktus</handNote>
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<line style="margin-left:2.8cm"><hi xml:id="B03_15r_b" prev="#B03_15r_a"><seg style="text-decoration:underline">Mein</seg></hi> eigentliches</line>
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<note type="editorial" target="#B03_14v_m">Fontanes Notizen zu Goethes „Faust I“ entstanden während der Theateraufführung am 27. September 1878. Die Kritik erschien am 30. September 1879 in der Vossischen Zeitung (Nr. 273); vgl. <bibl><ptr target="lit:Bibliographie_1"/><citedRange>Nr. 3693</citedRange></bibl>. </note>
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<line style="margin-left:0.0cm"><seg xml:id="B03_15v_k">Endlich hab <seg><rs type="direct" ref="psn:Fontane_Theodor">ich</rs></seg></seg> die letzten</line>
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<note type="editorial" target="#B03_15v_k">Fontane hat das Briefkonzept an Wilhelm Hertz am oder kurz vor dem 10. Oktober 1879, geschrieben; die Ausfertigung des Briefes ist auf Berlin, den 10. Oktober datiert. In dem Schreiben geht es um die dritte Auflage des zweiten „Wanderungen“-Bandes, „Oderland“. Vgl. <bibl><ptr target="lit:HBV"/><citedRange> Nr. 79/98</citedRange></bibl>, und <bibl><ptr target="lit:FHer"/><citedRange> Nr. 317</citedRange></bibl>.</note>
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<line><fw type="pageNum">[<handShift new="#Archivar1"/>3<handShift new="#Archivar2"/>]</fw></line>
<line><fw type="pageNum">17</fw></line></zone>
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<line style="margin-left:2.1cm" type="heading" subtype="sub"><hi><seg style="text-decoration:underline">Mit dem <seg><rs type="indirect" ref="wrk:Faust_I">Schüler</rs></seg></seg></hi></line>
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<line style="margin-left:1.8cm">und <seg><rs type="indirect" ref="psn:Kahle">er</rs></seg> ironiſirt</line>
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<line style="margin-left:2.2cm">treibt Hohn mit</line>
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<line style="margin-left:2.7cm"><seg xml:lang="la-Latn"><seg style="letter-spacing:0.2cm; font-size:large">sicut Deus“</seg></seg></line>
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<line><fw type="pageNum">18 [<handShift new="#Archivar1"/>4<handShift new="#Archivar2"/>]</fw></line>
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<line style="margin-left:2.2cm" rend="indent">Das <hi><seg style="text-decoration:underline">Flohlied</seg></hi></line>
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<line style="margin-left:2.2cm">wöhnlich; aber <handShift new="#Archivar2"/><fw type="pageNum">19</fw></line>
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<line><handShift new="#Archivar2"/><fw type="pageNum">21</fw></line>
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<line style="margin-left:3.2cm">„Was meint</line>
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<line style="margin-left:2.1cm">dann eine <handShift new="#Archivar2"/><fw type="pageNum">24</fw></line>
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<figure>
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<line style="margin-left:1.9cm">„Daß er nicht <handShift new="#Archivar2"/><fw type="pageNum">25</fw></line>
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<figure>
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<line style="margin-left:2.1cm"><retrace>D</retrace>as <hi><seg style="text-decoration:underline"><retrace>Ganze</retrace></seg></hi> <handShift new="#Archivar2"/><fw type="pageNum">26</fw></line>
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<line><fw type="pageNum">27 [<handShift new="#Archivar1"/>13<handShift new="#Archivar2"/>]</fw></line>
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<line style="margin-left:1.2cm" type="heading" rend="align(center)"><seg xml:id="B03_27r_m"><seg><rs type="direct" ref="wrk:Zaertlichen_Verwandte"><seg style="font-size:large"><hi><seg style="text-decoration:underline" rend="underline-style:double-s2">Die <choice><abbr>zärtl.</abbr><expan>zärtlichen</expan></choice> Verwandten</seg></hi></seg></rs></seg></seg></line>
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<note type="editorial" target="#B03_27r_m">Fontanes Notizen zu Roderich Benedix’ „Die zärtlichen Verwandten“ entstanden während der Theateraufführung am 2. Oktober 1878. Die Kritik erschien am 4. Oktober 1879 in der Vossischen Zeitung (Nr. 277); vgl. <bibl><ptr target="lit:Bibliographie_1"/><citedRange>Nr. 3623</citedRange></bibl>.</note>
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<line><fw type="pageNum">28 [<handShift new="#Archivar1"/>14<handShift new="#Archivar2"/>]</fw></line>
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<line style="margin-left:0.9cm">„O nein, es wird</line>
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<line style="margin-left:2.1cm"><seg><rs type="indirect" ref="wrk:Zaertlichen_Verwandte">Scene</rs></seg> mit der Hof-</line>
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<line><fw type="pageNum">[<handShift new="#Archivar1"/>15<handShift new="#Archivar2"/>]</fw></line>
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<line style="margin-left:2.4cm" rend="indent"><seg><rs type="direct" ref="psn:Breitbach">Breitbach</rs></seg> und <handShift new="#Archivar2"/><fw type="pageNum">29</fw></line>
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<line style="margin-left:1.6cm"><seg><rs type="indirect" ref="wrk:Zaertlichen_Verwandte">Schu<g ref="#mgem">mm</g>rich</rs></seg> – brillante</line>
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<line style="margin-left:3.9cm" rend="indent"><seg><rs type="indirect" ref="psn:Breitbach">Ihre</rs></seg> Haltung und</line>
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<line style="margin-left:2.7cm"><del instant="true"><seg style="text-decoration:line-through" rend="line-through-style:double">ihr</seg></del> ſeine <seg><rs type="indirect" ref="wrk:Zaertlichen_Verwandte">Scene</rs></seg></line>
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<line style="margin-left:2.7cm">das Statuariſche</line>
<line style="margin-left:2.4cm">alles gut, – aber</line>
<line style="margin-left:2.4cm">das Sprechen geht</line>
<line style="margin-left:2.6cm">durchaus nicht. Es</line>
<line style="margin-left:2.7cm">iſt alles <unclear>wie</unclear></line>
<line style="margin-left:3.0cm">zum Sterben.</line>
<line style="margin-left:3.0cm">Alles zu ſchwer.</line>
<line style="margin-left:3.1cm">„Stoßen Sie mich</line>
<line style="margin-left:2.5cm">nicht hinaus in</line>
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<line>am</line>
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<line style="margin-left:2.3cm"><seg xml:id="B03_38r_k"><hi>H<seg style="text-decoration:underline">uben</seg></hi><handShift script="Latf"/>: Hofjäger</seg> <handShift new="#Archivar2"/><fw type="pageNum">38</fw></line>
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<line style="margin-left:2.0cm">100,000 <g ref="#rth">Reichstaler</g> 1,200 <g ref="#rth">Reichstaler</g></line>
<line style="margin-left:2.2cm">Thaler</line>
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<line style="margin-left:4.1cm"><del instant="true"><seg style="text-decoration:line-through"><choice><abbr>N.Z</abbr></choice></seg></del> <seg><rs type="direct" ref="wrk:Medea"><hi><seg style="text-decoration:underline">Medea</seg>s</hi></rs></seg></line>
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<line style="margin-left:2.3cm">Theater⸗Direktor.</line>
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<figure>
<figDesc><ref target="http://vocab.getty.edu/aat/300200009">horizontale einfache Schlusslinie</ref></figDesc>
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<line style="margin-left:1.9cm"><seg xml:id="B03_38r_m"><seg><rs type="direct" ref="psn:Fontane_Theodor">Ich</rs></seg> hörte, lange vor</seg></line>
<line style="margin-left:2.2cm">Aufführung <seg><rs type="indirect" ref="wrk:Ehe_von_heut">des Stücks</rs></seg>,</line>
<line style="margin-left:1.7cm">„daß <seg><rs type="indirect" ref="wrk:Ehe_von_heut">es</rs></seg> ein nie da-</line>
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<line style="margin-left:2.5cm">abgelehnt werden</line>
<line style="margin-left:3.0cm">würde“ und wurde</line>
<line style="margin-left:2.8cm">dadurch an die frühre</line>
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<line style="margin-left:3.1cm">erinnert: „Er</line>
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<line style="margin-left:3.4cm">Juſtizminiſter oder</line>
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<note type="editorial" target="#B03_38r_m">Fontanes Notizen zu A. Hackenthals „Eine Ehe von heut“ entstanden während der Theateraufführung am 4. November 1879. Die Kritik erschien am 6. November 1879 in der Vossischen Zeitung (Nr. 310); vgl. <bibl><ptr target="lit:Bibliographie_1"/><citedRange>Nr. 3696</citedRange></bibl>.</note>
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<line style="margin-left:1.5cm">endigt als Winkel-</line>
<line style="margin-left:1.5cm">advokat.“ Alle die</line>
<line style="margin-left:1.6cm">ſo Prognoſticirten</line>
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<line style="margin-left:1.5cm">zial-Stadtrichter</line>
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<line style="margin-left:1.7cm"><seg><rs xml:id="B03_38v_n" prev="#B03_38v_m" type="direct" ref="wrk:Ehe_von_heut">von heute</rs></seg>“ ſein.</line>
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<line style="margin-left:1.9cm">zu halten, hält</line>
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<line style="margin-left:2.6cm">andre mehr.</line>
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<line><fw type="pageNum">43 [<handShift new="#Archivar1"/>18<handShift new="#Archivar2"/>]</fw></line></zone>
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<line style="margin-left:2.4cm" type="heading"><seg><rs type="direct" ref="wrk:Ehe_von_heut"><seg style="font-size:large"><hi>Ei<seg style="text-decoration:underline">ne Ehe von h</seg>eute</hi></seg></rs></seg></line>
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<line style="margin-left:2.1cm"><seg><rs type="indirect" ref="wrk:Ehe_von_heut">Ja<g ref="#mgem">mm</g>erſcene</rs></seg> zu</line>
<line style="margin-left:2.7cm">lang im Anfang</line>
<line style="margin-left:2.5cm">zwiſchen <seg><rs type="direct" ref="psn:Klein"><seg style="font-size:large; letter-spacing:0.2cm"><handShift script="Latn"/>Klein</seg></rs></seg></line>
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<line style="margin-left:2.6cm">und <seg style="font-size:large; letter-spacing:0.2cm"><seg><rs type="direct" ref="psn:Hellmuth-Braem"><handShift script="Latn"/>Bräm<handShift script="Latf"/></rs></seg>,</seg> und</line>
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<line style="margin-left:2.1cm"><seg><rs type="direct" ref="psn:Dehnicke"><seg style="font-size:large; letter-spacing:0.2cm">Dehnicke<handShift script="Latf"/></seg></rs></seg> brillant.</line>
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<line style="margin-left:2.6cm" rend="indent">Erſt nein,</line>
<line style="margin-left:2.2cm">dann ja,</line>
<line style="margin-left:2.0cm">dann wieder nein</line>
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<line style="margin-left:1.0cm"><seg><rs type="indirect" ref="wrk:Ehe_von_heut">Akt</rs></seg> und i<g ref="#mgem">mm</g>er droht</line>
<line style="margin-left:1.6cm"><seg><rs type="indirect" ref="psn:Dehnicke">er</rs></seg> mit todtſchießen.</line>
<line style="margin-left:1.7cm">Im Leben ko<g ref="#mgem">mm</g>t</line>
<line style="margin-left:1.5cm">alles vor (<seg><rs type="direct" ref="psn:Fontane_Theodor">ich</rs></seg> würde</line>
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<line><fw type="pageNum">44 [<handShift new="#Archivar1"/>19<handShift new="#Archivar2"/>]</fw></line>
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<line style="margin-left:1.7cm">diren) aber i<retrace>n</retrace></line>
<line style="margin-left:1.3cm">der Kunſt iſt es</line>
<line style="margin-left:1.4cm">degoutant und lang-</line>
<line style="margin-left:1.2cm">weilig. Dann</line>
<line style="margin-left:1.0cm">der Wurm-brief <mod type="subst"><del rend="overwritten">am</del><add place="superimposed">den</add></mod></line>
<line style="margin-left:1.1cm">Vater <seg><rs type="direct" ref="psn:Hellmuth-Braem">Bräm</rs></seg> diktirt.</line>
<line style="margin-left:1.2cm" type="heading" subtype="section"><seg style="font-size:large"><hi><seg style="text-decoration:underline" rend="underline-style:half-s-shaped(upper-left)"><seg><rs type="indirect" ref="wrk:Ehe_von_heut">Akt II</rs></seg></seg></hi>.</seg></line>
<line style="margin-left:1.8cm" rend="indent"><retrace>„D</retrace>ie Gruben ſind</line>
<line style="margin-left:1.5cm">explodirt“. <retrace>Fan</retrace>⸗</line>
<line style="margin-left:1.9cm">fare. Tuſch.</line>
<line style="margin-left:2.2cm">„Der Saturn</line>
<line style="margin-left:1.7cm">hat ſo viele</line>
<line style="margin-left:1.9cm">Knoten <add place="above" style="margin-left:-0.7cm" rend="caret:slash">nicht</add> zurück-</line>
<line style="margin-left:2.1cm">gelegt.“ <seg><rs xml:id="B03_44r_m" next="#B03_44r_n" type="direct" ref="psn:Kessler_Marie">Frl.</rs></seg></line>
<line style="margin-left:1.7cm"><seg><rs xml:id="B03_44r_n" prev="#B03_44r_m" type="direct" ref="psn:Kessler_Marie">Keßler</rs></seg> – <seg><rs type="direct" ref="wrk:Elvira_Figur">Elvira</rs></seg> <mod type="subst"><del rend="overwritten">.</del><add place="superimposed">und</add></mod></line>
<line style="margin-left:1.7cm"><seg><rs type="direct" ref="wrk:Lady_Milford">Lady Milfort</rs></seg>.</line>
<line style="margin-left:1.5cm"><add place="above" style="margin-left:-2.3cm" rend="caret:bow(1.9cm,pos-right)"><seg><rs type="indirect" ref="wrk:Emilia_Galotti">Orſina</rs></seg></add>„Auf die beliebte</line>
<line style="margin-left:1.9cm">Art zu enden“.</line>
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<line style="margin-left:1.5cm">Die ganze <seg><rs type="indirect" ref="wrk:Ehe_von_heut">Scene</rs></seg> mit</line>
<line style="margin-left:1.6cm">der erſten Geliebten</line>
<line style="margin-left:2.0cm">etwas gewagt.</line>
<milestone unit="paragraph"/>
<line style="margin-left:3.1cm" rend="indent">Die <seg><rs type="indirect" ref="wrk:Ehe_von_heut">Schlußſcene</rs></seg></line>
<line style="margin-left:2.4cm">iſt bedeutend, wie</line>
<line style="margin-left:2.5cm">die <seg><rs type="direct" ref="psn:Meyer_Clara">Meyer</rs></seg> ſagt:</line>
<line style="margin-left:2.3cm">„Und Du wußteſt</line>
<line style="margin-left:2.5cm">es <hi>ge<seg style="text-decoration:underline">ſtern</seg></hi> und</line>
<line style="margin-left:2.5cm">dachteſt nicht</line>
<line style="margin-left:2.6cm">an mich.“ Das</line>
<line style="margin-left:2.5cm">iſt nicht ohne</line>
<line style="margin-left:2.8cm">Bedeutung u. Talent.</line>
<line style="margin-left:1.3cm" type="heading" subtype="section"><seg style="font-size:large"><seg><rs type="indirect" ref="wrk:Ehe_von_heut"><hi><seg style="text-decoration:underline">Akt III</seg></hi></rs></seg>.</seg></line>
<line style="margin-left:2.3cm">Die <seg><rs type="direct" ref="psn:Meyer_Clara">Meyer</rs></seg> als</line>
<line style="margin-left:2.3cm">junge Frau; ſehr</line>
<line style="margin-left:2.4cm">elegant. <seg><rs type="direct" ref="psn:Klein"><seg style="font-size:large; letter-spacing:0.2cm"><handShift script="Latn"/>Klein</seg></rs></seg></line>
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<line style="margin-left:1.4cm">Die <seg><rs type="indirect" ref="wrk:Ehe_von_heut">Stelle</rs></seg>, wie <hi><seg style="text-decoration:underline">ſie</seg></hi></line>
<line style="margin-left:1.6cm"><hi>ih<seg style="text-decoration:underline">m</seg></hi> ihre Liebe</line>
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<line style="margin-left:2.5cm">iſt ſehr ſchwer.</line>
<line style="margin-left:2.0cm">Aber es iſt auch</line>
<line style="margin-left:2.2cm">zu viel Madde-</line>
<line style="margin-left:2.4cm">lei. Dabei jugendlich</line>
<line style="margin-left:2.3cm">unreif. Dann,</line>
<line style="margin-left:2.5cm">da er im Lande</line>
<line style="margin-left:2.3cm">war, ſo muß er</line>
<line style="margin-left:2.5cm">wiſſen, daß derglei-</line>
<line style="margin-left:2.5cm">chen alle Tage</line>
<line style="margin-left:2.6cm">vorko<g ref="#mgem">mm</g>t: er</line>
<line style="margin-left:2.7cm">thut aber als</line>
<line style="margin-left:2.4cm">wär es funkel-</line>
<line style="margin-left:2.5cm">nagelneu.</line>
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<line style="margin-left:1.1cm">„Vergieb Du Heili-</line>
<line style="margin-left:1.5cm">ge, Du Reine.“</line>
<line style="margin-left:1.2cm">Dann ko<g ref="#mgem">mm</g>t „keuſche</line>
<line style="margin-left:1.6cm">Stirn.“</line>
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<line style="margin-left:2.0cm" rend="indent">„Flankenlos und rein,</line>
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<line style="margin-left:2.2cm">Tage Dich wieder</line>
<line style="margin-left:2.4cm">ſehn.“ Alles</line>
<line style="margin-left:2.6cm">Heulerei.</line>
<line style="margin-left:1.2cm" type="heading" subtype="section"><seg style="font-size:large"><seg><rs type="indirect" ref="wrk:Ehe_von_heut"><hi><seg style="text-decoration:underline">Akt IV</seg></hi></rs></seg>.</seg></line>
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<line style="margin-left:2.5cm">es mit. An ihrer</line>
<line style="margin-left:2.5cm">Toilette merkt</line>
<line style="margin-left:2.5cm">man es wohl, daß</line>
<line style="margin-left:2.6cm"><seg><rs type="indirect" ref="psn:Meyer_Clara">ſie</rs></seg> trauert.</line>
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<line style="margin-left:2.8cm">„Aendre Deinen</line>
<line style="margin-left:2.0cm">Lebenswandel“</line>
<line style="margin-left:1.7cm">dies iſt zu du<g ref="#mgem">mm</g></line>
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<line><fw type="pageNum">48 [<handShift new="#Archivar1"/>23<handShift new="#Archivar2"/>]</fw></line>
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<line style="margin-left:1.3cm">und naiv für eine</line>
<line style="margin-left:1.1cm">moderne Schweſter.</line>
<line style="margin-left:1.0cm">„Er ahnt nicht ein-</line>
<line style="margin-left:2.4cm">mal, wie ſehr</line>
<line style="margin-left:1.9cm">ich ihn liebe“. Gewiß</line>
<line style="margin-left:1.7cm">nicht. <retrace>N</retrace>ämlich der</line>
<line style="margin-left:1.8cm">Bruder <seg><rs type="indirect" ref="wrk:Ehe_von_heut">Kuno</rs></seg>.</line>
<milestone unit="paragraph"/>
<line style="margin-left:2.7cm" rend="indent">Die <seg><rs type="indirect" ref="wrk:Ehe_von_heut">Scene</rs></seg> zwiſchen</line>
<line style="margin-left:2.3cm"><seg><rs type="direct" ref="psn:Meyer_Clara"><hi><seg style="text-decoration:underline">Meyer</seg></hi></rs></seg> u. <seg><rs type="direct" ref="psn:Kessler_Marie"><hi><seg style="text-decoration:underline">Keßle</seg>r</hi></rs></seg></line>
<line style="margin-left:2.2cm">urſchwach.</line>
<milestone unit="paragraph"/>
<line style="margin-left:3.5cm" rend="indent">Die <retrace>Q</retrace>uälerei</line>
<line style="margin-left:1.9cm">des Ganzen erinnert</line>
<line style="margin-left:1.1cm">an „<seg><rs type="direct" ref="wrk:Erbfoerster">Erbförſter</rs></seg>“.</line>
<line style="margin-left:1.1cm">„Einmal ſein</line>
<line style="margin-left:1.3cm">Weib geweſen,</line>
<line style="margin-left:1.7cm">heißt entweiht</line>
<line style="margin-left:1.7cm">ſein für i<g ref="#mgem">mm</g>er“.</line>
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<line><fw type="pageNum">[<handShift new="#Archivar1"/>24<handShift new="#Archivar2"/>]</fw></line>
<line><fw type="pageNum">49</fw></line>
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<line style="margin-left:1.4cm" rend="indent"><seg><rs type="indirect" ref="wrk:Ehe_von_heut">Die Scene</rs></seg> zwiſchen</line>
<line style="margin-left:0.9cm">den beiden jungen</line>
<line style="margin-left:1.2cm">Ehegatten iſt</line>
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<line style="margin-left:1.7cm"><hi xml:id="B03_49r_a" next="#B03_49r_b">w<seg style="text-decoration:underline">eiblich⸗</seg>jugend-</hi></line>
<line style="margin-left:1.7cm"><hi xml:id="B03_49r_b" prev="#B03_49r_a"><seg style="text-decoration:underline">lich</seg></hi> die Behandlung</line>
<line style="margin-left:1.9cm">der <retrace>S</retrace>ache.</line>
<milestone unit="paragraph"/>
<line style="margin-left:3.0cm" rend="indent"><seg><rs type="indirect" ref="wrk:Ehe_von_heut">Große Scene</rs></seg>.</line>
<line style="margin-left:1.2cm">Ungeheurer Bei-</line>
<line style="margin-left:1.6cm">fall. <seg><rs type="indirect" ref="psn:Meyer_Clara">Sie</rs></seg> ſpielt</line>
<line style="margin-left:1.6cm">es brillant und</line>
<line style="margin-left:1.7cm">es iſt Muſik</line>
<line style="margin-left:1.6cm">drin. Aber dieſe</line>
<line style="margin-left:1.7cm">Mimik bedeutet</line>
<line style="margin-left:1.6cm">nichts.</line>
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<line style="margin-left:1.7cm" type="heading" subtype="section"><seg style="font-size:large"><hi><seg style="text-decoration:underline"><seg><rs type="indirect" ref="wrk:Ehe_von_heut">Akt V</rs></seg></seg></hi></seg> <handShift new="#Archivar2"/><fw type="pageNum">50</fw></line>
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<line style="margin-left:2.7cm" rend="indent"><seg><rs type="direct" ref="psn:Klein"><seg style="font-size:large; letter-spacing:0.2cm">Klein<handShift script="Latf"/></seg></rs></seg> und <seg><rs type="direct" ref="psn:Goritz"><seg style="font-size:large; letter-spacing:0.2cm"><handShift script="Latn"/>Goritz<handShift script="Latf"/></seg></rs>.</seg></line>
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<line style="margin-left:2.1cm">Die <add place="below" style="margin-left:-0.6cm" rend="caret:looped_arc(pos-left)">kaufmänniſche</add> Empfindlichkeit</line>
<line style="margin-left:1.8cm">unverſtändlich für</line>
<line style="margin-left:2.0cm"><seg><rs type="direct" ref="psn:Fontane_Theodor">mich</rs></seg>. – <seg><rs type="indirect" ref="wrk:Ehe_von_heut">Es</rs></seg> fängt</line>
<line style="margin-left:2.0cm">an lächerlich zu</line>
<line style="margin-left:1.8cm">werden.</line>
<milestone unit="paragraph"/>
<line style="margin-left:1.9cm">„Da meine</line>
<line style="margin-left:1.9cm">Börſe <del instant="true"><seg style="text-decoration:line-through" rend="line-through-style:double">iſt</seg></del> i<g ref="#mgem">mm</g>er</line>
<line style="margin-left:1.9cm">leer iſt, geh ich auf</line>
<line style="margin-left:2.1cm">die Börſe.“ Au.</line>
<line style="margin-left:1.8cm">Dieſer Witz iſt</line>
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<line><fw type="pageNum">51 [<handShift new="#Archivar1"/>26<handShift new="#Archivar2"/>]</fw></line>
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<line style="margin-left:1.8cm" rend="indent">So iſt dieſe ganze</line>
<line style="margin-left:0.5cm"><retrace>F</retrace>orm von Litera-</line>
<line style="margin-left:1.2cm">tur. <seg><rs type="indirect" ref="wrk:Ehe_von_heut">Es</rs></seg> ſchlägt</line>
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<line style="margin-left:2.6cm" rend="indent">„Und wenn</line>
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<line style="margin-left:2.4cm">Gebete erhört.“</line>
<line style="margin-left:2.8cm">Auch der liebe</line>
<line style="margin-left:1.8cm">Gott wird noch</line>
<line style="margin-left:2.3cm">inko<g ref="#mgem">mm</g>odirt.</line>
<line style="margin-left:2.0cm">„In <unclear>Brauers-</unclear></line>
<line style="margin-left:1.7cm">feld ſi<mod type="subst"><del rend="overwritten">eht</del><add place="superimposed">nd</add></mod> die</line>
<line style="margin-left:1.8cm">Gruben ex-</line>
<line style="margin-left:2.3cm">plodirt.“</line>
<line style="margin-left:2.7cm">„Morgen werden</line>
<line style="margin-left:2.3cm">ſie über mich</line>
<line style="margin-left:6.0cm">lac<retrace>h</retrace>en.</line>
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<line style="margin-left:1.9cm">Der Erfolg <handShift new="#Archivar2"/><fw type="pageNum">52</fw></line>
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<line style="margin-left:2.0cm" type="heading"><seg xml:id="B03_53r_m"><seg><rs type="direct" ref="wrk:Uriel_Acosta"><hi><seg style="text-decoration:underline; font-size:large" rend="underline-style:half-s-shaped(upper-left)">Uriel Acoſta</seg></hi></rs></seg></seg> <handShift new="#Archivar2"/><fw type="pageNum">53</fw></line>
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<line style="margin-left:1.8cm"><hi><seg type="heading" subtype="section" style="text-decoration:underline; font-size:large"><seg><rs type="indirect" ref="wrk:Uriel_Acosta">Akt I</rs></seg></seg></hi> „Mein</line>
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<line style="margin-left:1.7cm">ſagt <seg><rs type="indirect" ref="wrk:Uriel_Acosta">Judith</rs></seg>, <del><seg style="text-decoration:line-through">und</seg></del></line>
<line style="margin-left:1.9cm">mein Verlobter</line>
<line style="margin-left:2.3cm">klingts einem</line>
<line style="margin-left:2.3cm">matten Echo</line>
<line style="margin-left:2.4cm">nach. Darauf</line>
<line style="margin-left:2.6cm">hin ſchreit er</line>
<line style="margin-left:2.3cm">das Wort „Lehrer“.</line>
<line style="margin-left:1.8cm">Dies kann aber</line>
<line style="margin-left:2.2cm">nicht vorko<g ref="#mgem">mm</g>en.</line>
<line style="margin-left:2.4cm">Sie kann es</line>
<line style="margin-left:2.6cm">herzlich verlegen</line>
<line style="margin-left:2.7cm">ſagen, <unclear>innerlich</unclear></line>
<line style="margin-left:2.7cm">accentuirt, aber</line>
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<note type="editorial" target="#B03_53r_m">Fontanes Notizen zu Karl Gutzkows „Uriel Acosta“ entstanden während der Theateraufführung am 8. November 1879. Die Kritik erschien am 11. November 1879 in der Vossischen Zeitung (Nr. 315); vgl. <bibl><ptr target="lit:Bibliographie_1"/><citedRange>Nr. 3697</citedRange></bibl>.</note>
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<line style="margin-left:1.7cm">leiſtet <seg><rs xml:id="B03_53v_m" next="#B03_53v_n" type="direct" ref="psn:Urban">Herr Ur-</rs></seg> <handShift new="#Archivar2"/><fw type="pageNum">54</fw></line>
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<line style="margin-left:1.8cm"><seg><rs xml:id="B03_53v_n" prev="#B03_53v_m" type="direct" ref="psn:Urban">ban</rs></seg> und ko<g ref="#mgem">mm</g>t an</line>
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<line style="margin-left:1.7cm"><seg type="heading" subtype="section"><rs type="indirect" ref="wrk:Uriel_Acosta"><hi><seg style="text-decoration:underline">Akt II</seg></hi></rs></seg>. Die große</line>
<line style="margin-left:1.3cm"><seg><rs type="indirect" ref="wrk:Uriel_Acosta">Scene</rs></seg> kam zu</line>
<line style="margin-left:1.4cm">keiner vollen Wirkung.</line>
<line style="margin-left:1.6cm">Er hat mehr Weiche,</line>
<line style="margin-left:2.2cm">Gefühl, Sentiment</line>
<line style="margin-left:1.5cm">als Leidenſchaft. X---x-</line>
<line style="margin-left:1.7cm">x---x giebt ihm</line>
<line style="margin-left:1.4cm">d---x, muthig; das</line>
<line style="margin-left:1.7cm">iſt wichtiger. <retrace>D</retrace>as</line>
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<line style="margin-left:2.0cm">liche, Lyriſche, <retrace>glückt</retrace></line>
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<line style="margin-left:0.3cm"><seg type="heading" subtype="section"><rs type="indirect" ref="wrk:Uriel_Acosta">Akt III</rs></seg>. Die Geſchichte</line>
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<line style="margin-left:1.5cm">Etwas Blaß⸗ja<g ref="#mgem">mm</g>er-</line>
<line style="margin-left:1.0cm">zwangartiges. Dann</line>
<line style="margin-left:0.9cm">reißt er ſich ’raus.</line>
<line style="margin-left:0.9cm">Der Gegenſatz iſt zu</line>
<line style="margin-left:2.5cm">groß.</line>
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<line style="margin-left:2.4cm"><seg type="heading" subtype="section"><rs type="indirect" ref="wrk:Uriel_Acosta"><hi><seg style="text-decoration:underline; font-size:large">Akt IV</seg></hi></rs></seg>. Als</line>
<line style="margin-left:1.9cm">er im Stuhl ſitzt</line>
<line style="margin-left:1.7cm">und nun ſagen ſoll:</line>
<line style="margin-left:1.1cm">„er glaube, daß es</line>
<line style="margin-left:2.2cm">einen Judengott</line>
<line style="margin-left:2.4cm">gäbe und nur ihm</line>
<line style="margin-left:2.8cm">erſchienen ſei, – das</line>
<line style="margin-left:2.6cm">alles glaub er.</line>
<line style="margin-left:2.4cm">Dieſe monologe</line>
<line style="margin-left:2.7cm">Stelle gab er gut.</line>
<line style="margin-left:1.2cm">Die ganze Stelle,</line>
<line style="margin-left:2.2cm">wie <seg><rs type="indirect" ref="wrk:Uriel_Acosta">Acher</rs></seg>, da</line>
<line style="margin-left:2.3cm">er <hi>ant<seg style="text-decoration:underline">wortet</seg></hi>, iſt</line>
<line style="margin-left:1.2cm">gut <retrace>(</retrace>auch in der</line>
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<line style="margin-left:0.1cm">„Und nur den Dämon haſt</line>
<line style="margin-left:1.2cm">Du losgelaſſen“. <seg xml:id="B03_54v_k">| Ja, ja |</seg> Gut</line>
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<note type="editorial" target="#B03_54v_k">Die beiden vertikalen Linien markieren die Trennung zwischen Fontanes Theater-Notizen („Ja, ja“) und seiner emphatischen Bemerkung („Gut“).</note>
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<line style="margin-left:1.1cm">Dichtung) und er <handShift new="#Archivar2"/><fw type="pageNum">55</fw></line>
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<line style="margin-left:1.4cm">ſpricht es gut.</line>
<milestone unit="paragraph"/>
<line style="margin-left:2.4cm" rend="indent">Sein ſtu<g ref="#mgem">mm</g>es</line>
<line style="margin-left:1.5cm">Spiel das Außer-</line>
<line style="margin-left:1.9cm">ſichſein als er</line>
<line style="margin-left:2.0cm">den Widerruf</line>
<line style="margin-left:2.1cm">zuerſt lieſt, war</line>
<line style="margin-left:2.3cm">ſchwach, über-</line>
<line style="margin-left:2.3cm">trieben.</line>
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<line style="margin-left:2.9cm" rend="indent">Dann Erinnerung an</line>
<line style="margin-left:1.9cm"><seg><rs type="indirect" ref="wrk:Uriel_Acosta">Galilei</rs></seg> und „<mod type="subst"><del rend="overwritten">daß</del><add place="superimposed">Sie</add></mod></line>
<line style="margin-left:1.6cm">bewegt ſich doch</line>
<line style="margin-left:2.3cm">gut.</line>
<milestone unit="paragraph"/>
<line style="margin-left:2.8cm" rend="indent">„Die Mutter</line>
<line style="margin-left:1.8cm">todt“ ſchwach.</line>
<milestone unit="paragraph"/>
<line style="margin-left:3.2cm" rend="indent">Das Vorleſen</line>
<line style="margin-left:2.1cm">des Widerrufs ganz</line>
<line style="margin-left:2.2cm">gut.</line>
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<line style="margin-left:2.8cm" rend="indent">Sein Wieder-</line>
<line style="margin-left:2.3cm">zurückſteigen</line>
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<line style="margin-left:0.0cm">war ſchwach. | auf die Treppe gut.</line>
<line style="margin-left:1.7cm">Der Widerruf ſeines Widerrufs</line>
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<line style="margin-left:1.6cm" rend="indent"><seg xml:id="B03_55v_k">Der Weg</seg>, als <seg><rs type="indirect" ref="wrk:Bocholt_Figur">er</rs></seg> <seg><rs type="indirect" ref="wrk:Hilde_Figur">ſie</rs></seg> ge-</line>
<line style="margin-left:0.0cm">ſehen hat (die <unclear>Rouleaux</unclear> runter)</line>
<line style="margin-left:0.0cm">hinten rum. Alles offen;</line>
<line style="margin-left:0.7cm">in die Stube. Nun lauſcht <seg><rs type="indirect" ref="wrk:Baltzer_Bocholt_Figur">er</rs></seg>.</line>
<milestone unit="paragraph"/>
<line style="margin-left:1.9cm" rend="indent"><hi>Ge<seg style="text-decoration:underline">ſpräch</seg></hi>. 1. „Ich möchte Dich</line>
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<line style="margin-left:2.1cm">ganz und gar“. „<del instant="true"><seg style="text-decoration:line-through" rend="line-through-style:retrace">Was</seg></del> Ich weiß</line>
<line style="margin-left:2.1cm">wohl was.“ „Was“ fragte <seg><rs type="indirect" ref="wrk:Hilde_Figur">ſie</rs></seg>.</line>
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<note type="editorial" target="#B03_55v_k">Der Entwurf zu „Ellernklipp“ entstand zwischen den beiden Theateraufführungen „Uriel Acosta“ (8.11.1879) und „Wilhelm Tell“ (11.11.1879)</note>
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<line><fw type="pageNum">[<handShift new="#Archivar1"/>31<handShift new="#Archivar2"/>]</fw></line>
<line><fw type="pageNum">56</fw></line>
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<line style="margin-left:0.3cm">2. Sieh, <seg><rs type="direct" ref="wrk:Hilde_Figur">Hilde</rs></seg>, der Weg iſt ſo</line>
<line style="margin-left:0.0cm">nah,oben; weißt Du noch</line>
<line style="margin-left:0.2cm">letzten So<g ref="#ngem">nn</g>abend. Ich ko<g ref="#mgem">mm</g>e.</line>
<milestone unit="paragraph"/>
<line style="margin-left:1.5cm">3. Um Gott nein; nein. Ich</line>
<line style="margin-left:0.7cm">hätte den Tod, ſo fürcht ich mich,</line>
<line style="margin-left:0.6cm">„Vor mir.“ „Nein, vor <seg><rs type="indirect" ref="wrk:Baltzer_Bocholt_Figur">ihm</rs></seg>“.</line>
<line style="margin-left:1.0cm">Ueberall iſt <seg><rs type="indirect" ref="wrk:Baltzer_Bocholt_Figur">er</rs></seg>, überall ſeh ich</line>
<line style="margin-left:0.7cm"><seg><rs type="indirect" ref="wrk:Baltzer_Bocholt_Figur">ihn</rs></seg>. Nur vorm Auge Gottes.</line>
<line style="margin-left:0.7cm">Davor verberg ich auch oft</line>
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<line style="margin-left:0.0cm">in meiner Seele. Und ich ſeh es</line>
<line style="margin-left:0.0cm">wie ichs jetzt ſehe. Und</line>
<line style="margin-left:0.0cm">auch in <seg><rs type="indirect" ref="wrk:Baltzer_Bocholt_Figur">ſeiner</rs></seg> Strenge iſt es</line>
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<line style="margin-left:1.2cm">glüht darin. Nein, nein. <retrace>U</retrace>m</line>
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<line><fw type="pageNum">57</fw></line>
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<line style="margin-left:0.0cm">Gottes willen nicht hier. Hier</line>
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<line style="margin-left:1.4cm"><seg type="heading" subtype="section" xml:id="B03_57v_m"><seg><rs type="indirect" ref="wrk:Wilhelm_Tell"><hi><seg style="text-decoration:underline">Akt II</seg></hi>. <hi>R<seg style="text-decoration:underline">ütli-S</seg>cene</hi>.</rs></seg></seg></line>
<line style="margin-left:1.0cm">Fällt allemal ab.</line>
<line style="margin-left:0.3cm">Die Sti<g ref="#mgem">mm</g>en ſind zu</line>
<line style="margin-left:1.1cm">unglücklich von</line>
<line style="margin-left:0.9cm">Landmann <seg><rs type="indirect" ref="wrk:Wilhelm_Tell">Reding</rs></seg></line>
<line style="margin-left:1.3cm">an bis zu <seg><rs type="direct" ref="psn:Link">Link</rs></seg></line>
<line style="margin-left:1.2cm">und <seg><rs type="direct" ref="psn:Krause">Krauſe</rs></seg> und <seg><rs type="direct" ref="psn:Dehnicke">Dehnicke</rs></seg></line>
<line style="margin-left:1.0cm">herunter. <seg><rs type="direct" ref="psn:Fontane_Theodor">Ich</rs></seg> vertrage</line>
<line style="margin-left:0.9cm">keine Gutturaltöne,</line>
<line style="margin-left:1.1cm">aber es wirkt ſo</line>
<line style="margin-left:0.8cm">ſchrecklich unächt. Es</line>
<line style="margin-left:1.2cm">iſt alles mehr „ein-</line>
<line style="margin-left:1.6cm">ſame Pappel“, als</line>
<line style="margin-left:1.8cm">Rütli. Und die</line>
<line style="margin-left:1.6cm">Mondregenbogen</line>
<line style="margin-left:1.8cm">und die zwei gekreuz-</line>
<line style="margin-left:1.8cm">ten Schwerter ko<g ref="#ngem">nn</g>ten</line>
<line style="margin-left:1.5cm">es nicht retten.</line>
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<note type="editorial" target="#B03_57v_m">Fontanes Notizen zu Schillers „Wilhelm Tell“ entstanden während der Theateraufführung am 11. November 1879. Die Kritik erschien am 13. November 1879 in der Vossischen Zeitung (Nr. 317); vgl. <bibl><ptr target="lit:Bibliographie_1"/><citedRange>Nr. 3698</citedRange></bibl>.</note>
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<line><handShift new="#Archivar2"/><fw type="pageNum">58</fw></line>
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<line style="margin-left:1.2cm">halb Räubergeſchichte</line>
<line style="margin-left:2.5cm">halb</line>
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<line><seg xml:id="B03_58r_s">Von</seg></line>
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<line><seg xml:id="B03_58r_t">den</seg></line>
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<line><anchor xml:id="B03_58r_m" next="#B03_58r_2"/><metamark function="caret" rend="slash"/><anchor xml:id="B03_58r_n" prev="#B03_58r_m"/> <seg xml:id="B03_58r_u">weihnachts-</seg></line>
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<line style="margin-left:1.0cm">mannähnlichen Land-</line>
<line style="margin-left:1.0cm">ammann <seg><rs type="indirect" ref="wrk:Wilhelm_Tell">Reding</rs></seg></line>
<line style="margin-left:2.0cm"><seg><rs type="direct" ref="psn:Hellmuth-Braem">Hellmuth⸗Bräm</rs></seg></line>
<line style="margin-left:1.2cm">im Ganzen gut in</line>
<line style="margin-left:1.4cm">der <seg><rs type="indirect" ref="wrk:Wilhelm_Tell">Rütli-Scene</rs></seg>. Er</line>
<line style="margin-left:1.4cm">ſprach eindringlich, die</line>
<line style="margin-left:1.6cm">ſchönen Verſe kamen</line>
<line style="margin-left:1.4cm">zur Wirkung. „Wir</line>
<line style="margin-left:1.7cm">ſtehn für unſre</line>
<line style="margin-left:1.8cm"><hi>W<seg style="text-decoration:underline" rend="underline-style:double">eibe</seg>r</hi>, unſre Kinder“.</line>
<line style="margin-left:1.3cm"><seg><rs type="indirect" ref="psn:Hellmuth-Braem">Er</rs></seg> betonte die Stelle</line>
<line style="margin-left:1.8cm">ſo, als gedenke <seg><rs type="indirect" ref="psn:Hellmuth-Braem">er</rs></seg></line>
<line style="margin-left:1.7cm">diesmal für die</line>
<line style="margin-left:1.9cm">Weiber einzuſtehn</line>
<line style="margin-left:2.0cm">und höchſtens einmal</line>
<line style="margin-left:2.3cm">für die Kinder,</line>
<line style="margin-left:1.6cm">was <seg><rs type="direct" ref="psn:Fontane_Theodor">ich</rs></seg> mehr <add place="above" style="margin-left:-0.4cm"><seg type="multiphrase" corresp="#B03_58r_m">chevaleresk</seg></add> <seg type="multiphrase" corresp="#B03_58r_m">galant</seg></line>
<line style="margin-left:2.3cm">als richtig finde.</line>
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<note target="#B03_58r_s #B03_58r_t #B03_58r_u" type="transcription">Die vergrößerten Wortabstände in der Transkriptionsansicht haben keine semantische Funktion, sondern wurden aufgrund einer verbesserten Darstellung der interlinearen Hinzufügung mit Einweisungszeichen slash in Kauf genommen.</note>
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<line style="margin-left:1.4cm"><seg type="heading" subtype="section"><rs type="indirect" ref="wrk:Wilhelm_Tell"><hi><seg style="text-decoration:underline">Akt III</seg></hi></rs></seg> „Doch</line>
<line style="margin-left:1.2cm">werd’ ich mich dem</line>
<line style="margin-left:1.0cm">Lande nicht ent-</line>
<line style="margin-left:1.6cm">ziehn.“ „Ein</line>
<line style="margin-left:1.5cm">jeder wird beſti<g ref="#mgem">mm</g>t</line>
<line style="margin-left:1.6cm">nach Vermögen.“</line>
<line style="margin-left:1.3cm">All dies ein bis-</line>
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<line style="margin-left:1.9cm">als ein hübſcher,</line>
<line style="margin-left:1.4cm">ſtra<g ref="#mgem">mm</g>er junger</line>
<line style="margin-left:1.9cm">Mann.</line>
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<line style="margin-left:3.1cm" rend="indent">Die <seg><rs type="indirect" ref="wrk:Wilhelm_Tell">Scene</rs></seg></line>
<line style="margin-left:2.1cm">wie ihm der</line>
<line style="margin-left:1.6cm">Landvogt begegnet</line>
<line style="margin-left:1.8cm">iſt, eiſern, am</line>
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<line style="margin-left:2.3cm">zu proſaiſch zu-</line>
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<line><fw type="pageNum">59 [<handShift new="#Archivar1"/>34<handShift new="#Archivar2"/>]</fw></line>
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<line style="margin-left:1.4cm">gleich. Als etwas</line>
<line style="margin-left:1.1cm">ganz Niederes, Alltäg-</line>
<line style="margin-left:1.2cm">liches wäre. Hier</line>
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<line style="margin-left:1.2cm">daß die <seg><rs type="indirect" ref="wrk:Wilhelm_Tell">Scene</rs></seg> im-</line>
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<line style="margin-left:0.6cm">„Bald werden</line>
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<line style="margin-left:1.7cm"><seg type="heading" subtype="section"><rs type="indirect" ref="wrk:Medea"><hi><seg style="text-decoration:underline; font-size:large">Akt I</seg></hi></rs></seg>. <seg style="font-size:large; letter-spacing:0.2cm"><handShift script="Latn"/><seg><rs type="indirect" ref="wrk:Medea">Creonte</rs></seg></seg></line>
<handShift script="Latf"/>
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<line style="margin-left:2.7cm">und <seg style="font-size:large; letter-spacing:0.2cm"><handShift script="Latn"/><seg><rs type="indirect" ref="wrk:Medea">Giasone</rs></seg><handShift script="Latf"/>,</seg></line>
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<line style="margin-left:2.1cm"><seg style="font-size:large"><seg><rs type="indirect" ref="wrk:Medea"><hi>S<seg style="text-decoration:underline">cene <retrace>2</retrace></seg>.</hi></rs></seg> <seg style="letter-spacing:0.2cm"><handShift script="Latn"/><seg><rs type="indirect" ref="wrk:Medea">Creusa</rs></seg></seg></seg></line>
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<line style="margin-left:2.1cm">und die Begleiterin</line>
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<line style="margin-left:2.5cm">ſpricht oben. Zauber</line>
<line style="margin-left:2.4cm">der Erſcheinung und Sti<g ref="#mgem">mm</g>e.</line>
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<note type="editorial" target="#B03_60v_m">Fontanes Notizen zu Ernest Legouvés „Medea“ entstanden während der Theateraufführung am 17. November 1879. Die Kritik erschien am 19. November 1879 in der Vossischen Zeitung (Nr. 323); vgl. <bibl><ptr target="lit:Bibliographie_1"/><citedRange>Nr. 3699</citedRange></bibl>.</note>
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<line><fw type="pageNum">[<handShift new="#Archivar1"/>36<handShift new="#Archivar2"/>]</fw></line>
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<line style="margin-left:0.7cm">Die Klagetöne zuerſt</line>
<line style="margin-left:1.3cm">und das kurze Zwiſchen-</line>
<line style="margin-left:1.4cm">reden der Kinder. <handShift script="Latn"/><seg><rs type="indirect" ref="wrk:Medea">Creusa</rs></seg></line>
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<line style="margin-left:1.4cm">und das älteſte Kind,</line>
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<line style="margin-left:1.8cm">erſcheint <handShift script="Latn"/><seg><rs type="indirect" ref="wrk:Medea">Creusa</rs></seg><handShift script="Latf"/> als</line>
<line style="margin-left:1.5cm">ſie <seg><rs type="indirect" ref="wrk:Medea">Medea</rs></seg> ſieht.</line>
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<line style="margin-left:2.4cm" rend="indent">Großartig am Schluß</line>
<line style="margin-left:1.2cm">als ſie dahinter ko<g ref="#mgem">mm</g>t,</line>
<line style="margin-left:1.6cm">daß <seg><rs type="indirect" ref="wrk:Medea">Jaſon</rs></seg> <seg><rs type="indirect" ref="wrk:Medea">Creuſa</rs></seg></line>
<line style="margin-left:1.5cm">liebt und umgekehrt,</line>
<line style="margin-left:1.5cm">als <handShift script="Latn"/><seg><rs type="indirect" ref="wrk:Medea">Orfeo</rs></seg><handShift script="Latf"/> es ihr</line>
<line style="margin-left:1.8cm">ſagt und ſie es ſieht</line>
<line style="margin-left:1.3cm" type="heading" subtype="section"><seg style="font-size:large"><hi><seg style="text-decoration:underline"> <seg><rs type="indirect" ref="wrk:Medea">Akt II</rs></seg></seg></hi>.</seg></line>
<line style="margin-left:2.8cm" rend="indent"><seg><rs type="indirect" ref="wrk:Medea">Creonte</rs></seg>, <seg><rs type="indirect" ref="wrk:Medea">Creuſa</rs></seg>,</line>
<line style="margin-left:2.0cm"><seg><rs type="indirect" ref="wrk:Medea">Giaſone</rs></seg>, <seg><rs type="indirect" ref="wrk:Medea">Orfeo</rs></seg>.</line>
<line style="margin-left:2.4cm">Dann wird <seg><rs type="indirect" ref="wrk:Medea">Medea</rs></seg></line>
<line style="margin-left:1.8cm">angemeldet und ſie</line>
<line style="margin-left:1.9cm">ko<g ref="#mgem">mm</g>t und nähert ſich</line>
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<line style="margin-left:1.2cm">ihm freundlich, zärtlich,</line>
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<line style="margin-left:1.6cm">und läßt ſie ab-</line>
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<line style="margin-left:2.7cm" rend="indent">Ihr ſtu<g ref="#mgem">mm</g>es, halb</line>
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<line style="margin-left:1.9cm">i<g ref="#mgem">mm</g>er ſuperiores Spiel</line>
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<line style="margin-left:1.7cm">brillant <metamark function="etc.">...</metamark> Das höhniſche</line>
<line style="margin-left:1.8cm">Leiſeſprechen brillant</line>
<line style="margin-left:1.9cm">(hier Beifall) vor-</line>
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<line style="margin-left:1.2cm">lich ihr Vater oder</line>
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<line style="margin-left:1.9cm">natürlich – ſicher giebt.</line>
<line style="margin-left:2.0cm">Von den <seg><rs type="indirect" ref="wrk:Medea">Glanzſtellen</rs></seg></line>
<line style="margin-left:1.8cm">geht manches verloren, es</line>
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<line style="margin-left:1.1cm">Und dieſe <seg><rs type="indirect" ref="wrk:Medea">Stellen</rs></seg> z. B.</line>
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<line style="margin-left:1.4cm">ſie wieder zurück, und</line>
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<zone ulx="0.2" uly="3.2" lrx="0.5" lry="3.7">
<line style="margin-left:0.0cm">3.</line>
<handShift new="#Fontane" medium="pencil" script="Latf standard"/>
</zone>
</surface>
</surface>
</sourceDoc>
</TEI>
