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<title>Notizbuch B7</title>
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<persName>Theodor Fontane</persName>
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<persName>Friedrich Fontane</persName>
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<persName>Gabriele Radecke</persName>
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<resp key="oth">Editorische Assistenz</resp>
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<persName>Judith Michaelis</persName>
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<name>
<persName>Rahel Rami</persName>
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<respStmt>
<resp key="trc">Transkription</resp>
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<persName>Gabriele Radecke</persName>
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<resp key="mrk">Codierung</resp>
<name>
<persName>Gabriele Radecke</persName>
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<name>
<persName>Judith Michaelis</persName>
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<persName>Rahel Rami</persName>
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<resp key="cwt">Kommentierung</resp>
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<persName>Gabriele Radecke</persName>
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<respStmt>
<resp key="oth">Metadaten</resp>
<name>
<persName>Martin de la Iglesia</persName>
<idno type="GND" xml:base="http://d-nb.info/gnd/">1017477760</idno>
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<respStmt>
<resp key="oth">IT, Visualisierung und Portalentwicklung</resp>
<name>
<persName>Mathias Göbel</persName>
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<listBibl>
<listBibl>
<head>Druckgeschichte einzelner Notizbuchaufzeichnungen</head>
<bibl>Bislang keine Teildrucke bekannt.</bibl>
</listBibl>
<listBibl>
<head>Notizbuch-Gesamtpublikationen</head>
<listBibl>
<head>Fontane-Notizbuch-Portal</head>
<bibl>
<bibl>Theodor Fontane: Notizbücher. Digitale genetisch-kritische und kommentierte Edition. Hrsg. von Gabriele Radecke. https://fontane-nb.dariah.eu/index.html. 2015-2017, abgerufen am: [Datum des Abrufs]</bibl>
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<licence target="http://creativecommons.org/licenses/by-nc-nd/4.0/">Alle im Rahmen des Projektes erarbeiteten Inhalte der Edition sind unter der Lizenz „CC-BY-ND-NC-4.0 international“ zugänglich. Die Digitalisate der Notizbücher Theodor Fontanes stehen unter der Lizenz „CC0-1.0“ zur Verfügung.</licence>
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<listBibl>
<head>Digitale Edition im TextGrid-Repositorium als Langzeitarchivierung</head>
<bibl>Theodor Fontane: Notizbücher. Digitale genetisch-kritische und kommentierte Edition. Hrsg. von Gabriele Radecke. https://textgridrep.de/browse.html?id=textgrid:129mw.0, abgerufen am: [Datum des Abrufs]</bibl>
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<listBibl>
<head>Publikationen im Verlag Walter de Gruyter</head>
<listBibl>
<listBibl>
<head>Print-Edition</head>
<bibl>Theodor Fontane: Notizbücher. Historisch-kritische und kommentierte Edition. Hrsg. von Gabriele Radecke. Berlin [in Vorbereitung]</bibl>
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<listBibl>
<head>E-Book-Edition</head>
<bibl>Theodor Fontane: Notizbücher. Historisch-kritische und kommentierte Edition. Hrsg. von Gabriele Radecke. Berlin [in Vorbereitung]</bibl>
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<persName>Theodor Fontane</persName>
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<persName>Dr. Gabriele Radecke</persName>
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<resp key="pdr">Gesamtleitung, Idee und Konzeption sowie editions- und literaturwissenschaftliche Leitung</resp>
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<persName>Dr. Gabriele Radecke</persName>
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<resp key="oth">Informationswissenschaftliche und -technologische Leitung sowie Koordination in der SUB</resp>
<name>
<persName>Dr. Mirjam Blümm (seit April 2015)</persName>
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<name>
<persName>Prof. Dr. Heike Neuroth (Juni 2011–März 2015)</persName>
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<respStmt>
<resp key="oth">Editorische Assistenz</resp>
<name>
<persName>Judith Michaelis (Juni 2011–Dezember 2015; Codierung)</persName>
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<name>
<persName>Rahel Rami (Juni 2012–Juni 2017; Codierung und Register)</persName>
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<name>
<persName>Hartmut Hombrecher (August 2015–Juni 2017; Codierung)</persName>
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<name>
<persName>Adrian Bruhns (Februar 2016–Januar 2018; Codierung und Register)</persName>
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<name>
<persName>Juljana Battenberg (Juli 2016–September 2019; Register)</persName>
</name>
<name>
<persName>Lisa Kunze (Februar 2018–September 2019; Register)</persName>
</name>
<name>
<persName>Simon Sendler (Oktober 2018–September 2019; Codierung und IT)</persName>
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<name>
<persName>Jan Stieglitz (2018; Register)</persName>
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<name>
<persName>Anne Karzel (2019; Codierung)</persName>
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<resp key="oth">Metadaten</resp>
<name>
<persName>Martin de la Iglesia</persName>
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<name>
<persName>Dr. Susanne Al-Eryani</persName>
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<respStmt>
<resp key="oth">IT, Visualisierung und Portalentwicklung</resp>
<name>
<persName>Mathias Göbel</persName>
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<name>
<persName>Michelle Weidling (Edierter Text und Buchausgabe)</persName>
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<persName>Ubbo Veentjer (Suche)</persName>
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<resp key="oth">GND</resp>
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<persName>Alexander Jahnke</persName>
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<orgName>Theodor Fontane-Arbeitsstelle, Georg-August-Universität Göttingen, Seminar für Deutsche Philologie (Leitung: Dr. Gabriele Radecke)</orgName>
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<name>
<orgName>Gruppe Metadaten und Datenkonversion (Leitung: Alexander Jahnke)</orgName>
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<name>
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<resp key="pro">Herstellung der Scans: Leitung</resp>
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<persName>Dr. Gabriele Radecke</persName>
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<name>
<persName>Dr. Jutta Weber</persName>
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<idno type="DFG-Projektnummer">NE 1434/1-2 <idno type="DFG-AOBJ">610728</idno></idno>
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<note>Fontanes unvollständige Inhaltsübersicht, die er teils auf Notizbuchhersteller-Etiketten, teils auf an- bzw. aufgeklebten Blättern der vorderen äußeren Einbanddecken oder auf vorderen äußeren Einbanddecken notierte.</note>
<item/>
</list>
<list type="Friedrich_Fontane">
<note>Friedrich Fontanes unvollständige Inhaltsübersicht, die er auf den Rückseiten von an- bzw. aufgeklebten Kalenderblättern der vorderen inneren Einbanddecken oder in Ausnahmefällen auf Notizbuchhersteller-Etiketten oder aufgeklebten Blättern der vorderen äußeren Einbanddecken festhielt. Die Inhaltsübersichten entstanden zwischen dem 2. März 1923 (vgl. Notizbuch E01; eigenhändige Datierung) und dem 9. Dezember 1927 (vgl. Notizbuch A15; Datum auf dem Kalenderblatt). Nur in wenigen Fällen hat Friedrich Fontane die Übersichten datiert. Die Inhaltsübersicht zu Notizbuch B07 entstand am oder nach dem 18. Juni 1925.</note>
<item>Theater 1881. (Magdalene – Meeres- u. d. Liebe Wellen – Ein Kind des Glückes – Leibarzt – auch am Schluss noch Theater ?)</item>
</list>
<list type="Fontane_Blätter">
<note>Die in den „Fontane Blättern“ 1976 veröffentlichte Inhaltsübersicht, die lediglich Theodor und Friedrich Fontanes Inhaltsübersichten zusammenführt. Mit vielen Entzifferungsfehlern; vgl. Fontane Blätter 1976, S. 64–66.</note>
<item>Theater. 1881. (Magdalene – Meeres und der Liebe Wellen. – Ein Kind des Glückes. – Leibarzt – auch am Schluss nach Theater ?)</item>
</list>
<list type="editorial">
<note>Gabriele Radeckes autopsiertes Inhaltsverzeichnis, das im Rahmen der Notizbuch-Edition von 2017 ermittelt wurde.</note>
<item>„Befiehl dem Herrn“ (Exzerpt aus Psalm 37) (Entstehung: vor dem 14.05.1881), <ref target="#B07_1r_1">Blatt 1r</ref></item>
<item>„Denn der Tod ist“ (Exzerpt aus dem Brief des Apostels Paulus an die Gemeinde in Rom) (Entstehung: vor dem 14.05.1881), <ref target="#xpath(//surface[@n='2r'])">Blatt 2r</ref></item>
<item>Haussegen (Exzerpt: XXX) (Entstehung: vor dem 14.05.1881), <ref target="#B07_1r_2">Blatt 1r</ref></item>
<item>[Theaterkritik: Notizen. Der Hausarzt – von Gustav von Moser] (Theaterbesuch: 1.06.1881), <ref target="#xpath(//surface[@n='18v'])">Blatt 18v</ref> und <ref target="#xpath(//surface[@n='19v'])">19v</ref></item>
<item>[Theaterkritik: Notizen. Des Meeres und der Liebe Wellen – von Franz Grillparzer] (Theaterbesuch: 12.10.1881), <ref target="#xpath(//surface[@n='10v'])">Blatt 10v</ref>, <ref target="#xpath(//surface[@n='11v'])">11v</ref>, <ref target="#xpath(//surface[@n='12v'])">12v</ref>, <ref target="#xpath(//surface[@n='13r'])">13r</ref>, <ref target="#xpath(//surface[@n='13v'])">13v</ref>, <ref target="#xpath(//surface[@n='14v'])">14v</ref>, <ref target="#xpath(//surface[@n='15v'])">15v</ref>, <ref target="#xpath(//surface[@n='16v'])">16v</ref>, <ref target="#xpath(//surface[@n='17v'])">17v</ref>, <ref target="#xpath(//surface[@n='20v'])">20v</ref>, <ref target="#xpath(//surface[@n='21v'])">21v</ref>, <ref target="#xpath(//surface[@n='22v'])">22v</ref>, <ref target="#xpath(//surface[@n='23v'])">23v</ref>, <ref target="#xpath(//surface[@n='27v'])">27v</ref>, <ref target="#xpath(//surface[@n='28v'])">28v</ref>, <ref target="#xpath(//surface[@n='29v'])">29v</ref> und <ref target="#xpath(//surface[@n='30v'])">30v</ref></item>
<item>[Theaterkritik: Notizen. Die Geier-Wally – von Wilhelmine von Hillern] (Theaterbesuch: 8.10.1881), <ref target="#xpath(//surface[@n='27r'])">Blatt 27r</ref>, <ref target="#xpath(//surface[@n='28r'])">28r</ref>, <ref target="#xpath(//surface[@n='29r'])">29r</ref>, <ref target="#xpath(//surface[@n='30r'])">30r</ref>, <ref target="#xpath(//surface[@n='31r'])">31r</ref>, <ref target="#xpath(//surface[@n='32r'])">32r</ref>, <ref target="#xpath(//surface[@n='33r'])">33r</ref>, <ref target="#xpath(//surface[@n='34r'])">34r</ref>, <ref target="#xpath(//surface[@n='35r'])">35r</ref>, <ref target="#xpath(//surface[@n='36r'])">36r</ref>, <ref target="#xpath(//surface[@n='37r'])">37r</ref>, <ref target="#xpath(//surface[@n='38r'])">38r</ref>, <ref target="#xpath(//surface[@n='39r'])">39r</ref>, <ref target="#xpath(//surface[@n='40r'])">40r</ref> und <ref target="#xpath(//surface[@n='41r'])">41r</ref></item>
<item>[Theaterkritik: Notizen. Ein Kind des Glücks – von Charlotte Birch-Pfeiffer] (Theaterbesuch: 11.06.1881), <ref target="#xpath(//surface[@n='21r'])">Blatt 21r</ref>, <ref target="#xpath(//surface[@n='22r'])">22r</ref> und <ref target="#xpath(//surface[@n='23r'])">23r</ref></item>
<item>[Theaterkritik: Notizen. Gold und Eisen – von Hugo Lubliner/Hugo Bürger] (Theaterbesuch: 20.09.1881) , <ref target="#xpath(//surface[@n='58v'])">Blatt 58v</ref>, <ref target="#xpath(//surface[@n='57v'])">57v</ref>, <ref target="#xpath(//surface[@n='56v'])">56v</ref>, <ref target="#xpath(//surface[@n='55v'])">55v</ref>, <ref target="#xpath(//surface[@n='54v'])">54v</ref>, <ref target="#xpath(//surface[@n='53v'])">53v</ref>, <ref target="#xpath(//surface[@n='52v'])">52v</ref>, <ref target="#xpath(//surface[@n='51v'])">51v</ref>, <ref target="#xpath(//surface[@n='50v'])">50v</ref>, <ref target="#xpath(//surface[@n='49v'])">49v</ref>, <ref target="#xpath(//surface[@n='48v'])">48v</ref>, <ref target="#xpath(//surface[@n='47v'])">47v</ref>, <ref target="#xpath(//surface[@n='46v'])">46v</ref>, <ref target="#xpath(//surface[@n='45v'])">45v</ref>, <ref target="#xpath(//surface[@n='44v'])">44v</ref>, <ref target="#xpath(//surface[@n='43v'])">43v</ref>, <ref target="#xpath(//surface[@n='42v'])">42v</ref> und <ref target="#xpath(//surface[@n='41v'])">41v</ref></item>
<item>[Theaterkritik: Notizen. Kriemhild – von Adolf Wilbrandt] (Theaterbesuch: 6.01.1882), <ref target="#xpath(//surface[@n='54r'])">Blatt 54r</ref></item>
<item>[Theaterkritik: Notizen. Magdalena – von A. Weimar/d.i. Auguste Götze] (Theaterbesuch: 14.05.1881), <ref target="#xpath(//surface[@n='10r'])">Blatt 10r</ref>, <ref target="#xpath(//surface[@n='11r'])">11r</ref>, <ref target="#xpath(//surface[@n='12r'])">12r</ref>, <ref target="#xpath(//surface[@n='14r'])">14r</ref>, <ref target="#xpath(//surface[@n='15r'])">15r</ref>, <ref target="#xpath(//surface[@n='16r'])">16r</ref>, <ref target="#xpath(//surface[@n='17r'])">17r</ref>, <ref target="#xpath(//surface[@n='18r'])">18r</ref>, <ref target="#xpath(//surface[@n='19r'])">19r</ref> und <ref target="#xpath(//surface[@n='20r'])">20r</ref></item>
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<ab><hi>Blattfragmente:</hi> Keine Reste von herausgerissenen Blättern</ab>
<ab><hi>Blattfragmente:</hi> 15. Reste von herausgeschnittenen Blättern, unbeschriftet. <ref target="#xpath(//surface[@n='3r'])">Blatt 3r</ref>-<ref target="#xpath(//surface[@n='9v'])">9v</ref>, <ref target="#xpath(//surface[@n='24r'])">24r</ref>-<ref target="#xpath(//surface[@n='25v'])">25v</ref> und <ref target="#xpath(//surface[@n='59r'])">59r</ref>-<ref target="#xpath(//surface[@n='64v'])">64v</ref></ab>
<ab><hi>Blattfragmente:</hi> Keine Reste von herausgerissenen und -geschnittenen Blättern</ab>
<ab><hi>Kalenderblatt:</hi> 1; angeklebt. <ref target="#xpath(//surface[@n='Ir'])">Blatt Ir</ref> und <ref target="#xpath(//surface[@n='Iv'])">Iv</ref></ab>
<ab><hi>Vakat-Seiten:</hi> 30. Blatt 1v, 2v, 26r/v, 31v-40v (Blattrückseiten), 42r-53r (Blattvorderseiten) und 55r-58r (Blattvorderseiten)</ab>
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<foliation>Die erste Foliierung der Einzelblätter in arabischen Ziffern hat <rs ref="#Archivar1">Archivar 1</rs> vermutlich in den 1960er Jahren mit Bleistift auf den Blattvorderseiten (recto-Seiten) vorgenommen. Die zweite Foliierung der Einzelblätter wurde im Rahmen der Notizbuch-Edition von <rs ref="#Archivar2">Archivar 2</rs> im November 2011 mit Bleistift auf den Blattvorderseiten (recto-Seiten) in arabischen Ziffern durchgeführt. Dabei wurde die alte Zählung mit eckigen Klammern markiert. Der auf der <ref target="#xpath(//surface[@n='inner_front_cover'])">vorderen inneren Einbanddecke</ref> geschriebenen Auktionsnummer von 1933, „508-7“, ging keine Foliierung voraus.</foliation>
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<ab><hi>Besonderheiten:</hi> Zwei Schreibrichtungen</ab>
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<ab><hi>Druckschriften:</hi> Unspezifizierte Druckschrift. 1 Kalenderblatt: <ref target="#xpath(//surface[@n='Iv'])">Blatt Iv</ref></ab>
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<ab><hi>Skizzen:</hi> Keine</ab>
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<ab><hi>Stempel:</hi> 1. Friedrich Fontane: <ref target="#xpath(//surface[@n='1r'])">Blatt 1r</ref></ab>
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<ab>Alle Abkürzungen in den Notizbüchern sind im <ref target="content.html?id=gesamtdokumentation_verzeichnis_der_abkuerzungen.md">Verzeichnis der Abkürzungen</ref> dokumentiert.</ab>
<ab>Alle editorischen Abkürzungen sind im <ref target="content.html?id=gesamtdokumentation_verzeichnis_editorischer_abkuerzungen.md">Verzeichnis editorischer Abkürzungen</ref> dokumentiert.</ab>
<ab>Alle editorischen Zeichen sind im <ref target="content.html?id=gesamtdokumentation_verzeichnis_editorischer_zeichen.md">Verzeichnis editorischer Zeichen</ref> dokumentiert.</ab>
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<rendition xml:id="arabic_numerals"><ref target="tr7.htm">Arabische Ziffern</ref></rendition>
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<rendition xml:id="roman"><ref target="tr111.htm">Antiqua</ref></rendition>
<rendition xml:id="script"><ref target="tr48.htm">Schreibschriften</ref></rendition>
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<ab>Literatur- und Siglenverzeichnis</ab>
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<ab>Register der musikalischen Werke, literarischen und anderen Texte, der Werke von Bildenden Künstlern und Werke Fontanes sowie der Periodika</ab>
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<date type="Friedrich_Fontane" when-iso="1881">1881</date>
<date type="editorial"><date notBefore-iso="1881-05-14" notAfter-iso="1882-01-06">Zwischen dem 14.05.1881 und dem 6.01.1882</date>: <date notAfter-iso="1881-05-14">14.05.1881</date> (Haussegen; „Befiehl dem Herrn“; „Denn der Tod ist“, <date when-iso="1881-05-14">14.05.1881</date> (Magdalena), <date when-iso="1881-06-01">1.06.1881</date> (Der Hausarzt), <date when-iso="1881-06-11">11.06.1881</date> (Ein Kind des Glücks), <date when-iso="1881-09-20">20.09.1881</date> (Gold und Eisen), <date when-iso="1881-10-08">8.10.1881</date> (Die Geier-Wally), <date when-iso="1881-10-12">12.10.1881</date> (Des Meeres und der Liebe Wellen) und <date when-iso="1882-01-06">6.01.1882</date> (Kriemhild)</date>
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<term>Bibel</term>
<term>Exzerpt (Psalm)</term>
<term>Exzerpt (Römerbrief)</term>
<term>Notizen (Theaterkritik)</term>
<term>Psalmen</term>
<term>Römerbrief</term>
<term>Theaterkritik</term>
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<handNote xml:id="Fontane" script="contemporary">Theodor Fontane</handNote>
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<handNote xml:id="Archivar1" script="posthumous">Archivar 1: Unbekannter Archivar, in den 1960er Jahren</handNote>
<handNote xml:id="Archivar2" script="posthumous">Archivar 2: Gabriele Radecke, im November 2011</handNote>
<handNote xml:id="fremde_Hand1" script="posthumous">Fremde Hand 1: Bibliothekssignatur auf den Signaturen-Klebchen (alt) der Einbanddecken/des Buchrückens</handNote>
<handNote xml:id="fremde_Hand2" script="posthumous">Fremde Hand 2: Auktionsnummer, 1933</handNote>
<handNote xml:id="fremde_Hand5" script="posthumous">Fremde Hand 5: Archivar/Bibliothekar</handNote>
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<handNote xml:id="Stempel1" script="stamp">Friedrich Fontane (FONTANE.), von Friedrich Fontanes Hand</handNote>
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<handNote xml:id="Druck_p" script="posthumous">Postumer Druck</handNote>
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<handNote medium="black_ink">Tinte (Schwarz)</handNote>
<handNote medium="blue_ink">Tinte (Blau)</handNote>
<handNote medium="pencil">Bleistift</handNote>
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<handNotes n="8">
<handNote medium="medium_pen">Feder mit mittlerer Breite</handNote>
<handNote medium="medium_thin_pen">Feder mit feiner Breite</handNote>
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<handNotes n="9">
<handNote script="clean">Reinschriftliche Notizbuchaufzeichnungen mit sehr gleichmäßigen Schriftzügen, Unterstreichungen, Gliederungen und Einrückungen. Die meisten Reinschriften sind Abschriften früherer Aufzeichnungen oder belegen, dass konzeptionelle Überlegungen vorausgegangen waren.</handNote>
<handNote script="hasty">Sehr schwer zu entziffernde, mit Bleistift geschriebene Notizbuchaufzeichungen mit einem äußerst unruhigen Duktus und verzerrten Buchstaben. Sie sind darauf zurückzuführen, dass die Notizbuchaufzeichnungen ohne eine feste Schreibunterlage zumeist unterwegs entstanden sind. </handNote>
<handNote script="standard">Notizbuchaufzeichnungen mit regelmäßigem und nur vereinzelt vorkommendem unregelmäßigen Duktus</handNote>
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<ab>Notizbuch B7 (benutzt zwischen Mai 1881 und dem 6. Januar 1882) enthält unterschiedliche Notizen: vier Exzerpte aus Psalmen, dem Paulusbrief und einer unbekannten Quelle sowie (Unterwegs-)Notizen zu sieben Theateraufführungen.</ab>
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<change status="published" when-iso="2018-09-20" who="#GR">Version 0.1 vom 20.09.2018 <note>Notizbuch B2: Digitalisate, Transkription, TEI/XML-Ansicht (Ausschnitt und Gesamtansicht), Inhaltsverzeichnis, Überblickskommentar, Stellenkommentar, Register.</note></change>
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<line><fw type="pageNum">I</fw></line>
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<line style="margin-left:1.7cm">Theater <handShift medium="black_ink"/><add><seg><date type="synchronous" when-iso="1881">1881</date></seg>.</add></line>
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<line>49 Bl. = 68 (?) <choice><abbr>S.</abbr><expan>Seiten</expan></choice></line>
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<note type="editorial" target="#B07_Ir_m">Richtig: „Der Hausarzt“. Friedrich Fontane verwechselt hier offenbar die beiden, von Fontane besprochenen Stücke, die in einer Saison kurz nacheinander gespielt wurden: Leopold Günters „Der Leibarzt“ (Aufführung am 19. April 1881) und Gustav von Mosers „Der Hausarzt“ (Aufführung am 1. Juni 1881).</note>
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<figDesc><ref target="http://vocab.getty.edu/aat/300200009">oberer Teil einer horizontalen doppelten Abgrenzungslinie</ref></figDesc>
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<line style="display:flex; justify-content:space-between"><seg style="font-weight:bold">1925</seg> <seg style="font-size:large" rendition="#roman">Juni</seg> <seg rendition="#roman">30 Tage</seg></line>
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<line><seg style="font-size:xx-large; font-weight:bold">18</seg></line>
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<line style="margin-left:2.3cm">Was iſt es</line>
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<note type="editorial" target="#B07_10r_m">Fontanes Notizen zu A. Weimars „Magdalena“ entstanden während der Theateraufführung am 14. Mai 1881. Die Kritik erschien am 17. Mai 1881 in der Vossischen Zeitung (Nr. 225); vgl. <bibl><ptr target="lit:Bibliographie_1"/><citedRange>Nr. 3802</citedRange></bibl>.</note>
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<line style="margin-left:0.7cm"><seg><rs xml:id="B07_10v_o" next="#B07_10v_k" type="direct" ref="wrk:Meeres_Liebe_Wellen"><seg xml:id="B07_10v_m" next="#B07_10v_n"><seg style="font-size:x-large"><hi>Me<seg style="text-decoration:underline">eres und der Lie</seg>be</hi></seg></seg></rs></seg></line>
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<line style="margin-left:0.0cm">zwiſchen <seg><rs type="direct" ref="psn:Berndal"><seg style="letter-spacing:0.2cm; font-size:x-large"><handShift script="Latn"/>Berndal</seg></rs></seg><handShift script="Latf"/> und</line>
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<note type="editorial" target="#B07_10v_m">Fontanes Notizen zu Franz Grillparzers „Des Meeres und der Liebe Wellen“ entstanden während der Theateraufführung am 12. Oktober 1881. Die Kritik erschien am 14. Oktober 1881 in der Vossischen Zeitung (Nr. 479); vgl. <bibl><ptr target="lit:Bibliographie_1"/><citedRange>Nr. 3819</citedRange></bibl>.</note>
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<line style="margin-left:1.0cm"><seg><rs type="indirect" ref="psn:Meyer_Clara">ihres</rs></seg> Lebens, <seg><rs type="indirect" ref="psn:Meyer_Clara">ihre</rs></seg> Tempel-</line>
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<line><fw type="pageNum">[<handShift new="#Archivar1"/>5<handShift new="#Archivar2"/>]</fw></line>
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<line style="margin-left:2.5cm" type="heading" subtype="sub" rend="align(center)"><hi><seg style="text-decoration:underline; letter-spacing:0.2cm; font-size:x-large" rend="underline-style:half-s-shaped(upper-left)">Keibel.</seg></hi> <handShift new="#Archivar2"/><fw type="pageNum">12</fw></line>
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<line style="margin-left:1.7cm"><unclear>Schräglinie</unclear>.</line>
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<line><fw type="pageNum">[<handShift new="#Archivar1"/>6<handShift new="#Archivar2"/>]</fw></line>
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<line style="margin-left:1.1cm" type="heading" subtype="section" rend="indent"><seg style="font-size:large"><seg><rs type="indirect" ref="wrk:Meeres_Liebe_Wellen">Akt III</rs></seg>.</seg></line>
<line style="margin-left:1.0cm">Die ſchwache Parthie</line>
<line style="margin-left:0.8cm">iſt der <seg><rs type="indirect" ref="wrk:Meeres_Liebe_Wellen">2. Akt</rs></seg> <retrace>ſ</retrace>owohl</line>
<line style="margin-left:0.0cm"><hi>pſy<seg style="text-decoration:underline">chologiſch</seg></hi>⸗inhaltlich</line>
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<line style="margin-left:1.0cm">die doch nur prieſterlich</line>
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<line style="margin-left:1.8cm">aber ſie ſpielt <handShift new="#Archivar2"/><fw type="pageNum">15</fw></line>
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<line style="margin-left:1.4cm">es ganz aller-</line>
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<line style="margin-left:1.6cm">Hofdame am</line>
<line style="margin-left:1.5cm"><choice><abbr>Großherzogl.</abbr><expan>Großherzoglichen</expan></choice> Hofe</line>
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<figDesc><ref target="http://vocab.getty.edu/aat/300200009">horizontale einfache Absatzlinie</ref></figDesc>
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<line style="margin-left:0.7cm">wenig glücklich <mod type="subst"><del rend="overwritten">und</del><add place="superimposed">als</add></mod></line>
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<line style="margin-left:2.0cm">nein, es war <handShift new="#Archivar2"/><fw type="pageNum">17</fw></line>
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<line style="margin-left:2.5cm" rend="indent">Es war</line>
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<line style="margin-left:0.7cm">„Beſeh ich mir den Ort;</line>
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<line style="margin-left:1.9cm" rend="indent">Was heißt <handShift new="#Archivar2"/><fw type="pageNum">18</fw></line>
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<line style="margin-left:3.1cm" type="heading" subtype="sub"><seg xml:id="B07_18v_m"><seg><rs type="indirect" ref="wrk:Hausarzt">Erſte Strophe</rs></seg>.</seg></line>
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<line style="margin-left:1.6cm" type="verse">Was am beſten Dir gefiel</line>
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<line style="margin-left:0.0cm">An dem Schluß</line>
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<note type="editorial" target="#B07_18v_m">Fontanes Notizen zu Gustav von Mosers „Der Leibarzt“ entstanden während der Theateraufführung am 1. Juni 1881. Die Nachtkritik erschien am 2. Juni 1881 in der Vossischen Zeitung (Nr. 251); vgl. <bibl><ptr target="lit:Bibliographie_1"/><citedRange>Nr. 3805</citedRange></bibl>, die Kritik am 3. Juni 1881 in der Vossischen Zeitung (Nr. 253); vgl. <bibl><ptr target="lit:Bibliographie_1"/><citedRange>Nr. 3806</citedRange></bibl>.</note>
<note type="editorial" target="#B07_18v_l">Am 19. April 1881, also nur wenige Wochen zuvor, wurde Leopold Günthers „Der Leibarzt“ gespielt; Fontane hatte das Stück am 21. April 2881 in der Vossischen Zeitung (Nr. 183) besprochen; vgl. <bibl><ptr target="lit:Bibliographie_1"/><citedRange>Nr. 3794</citedRange></bibl>. Das erklärt auch, warum Friedrich Fontane im Inhaltsverzeichnis das falsche Stück („Der Leibarzt“ statt „Der Hausarzt“) notierte.</note>
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<line><fw type="pageNum">[<handShift new="#Archivar1"/>12<handShift new="#Archivar2"/>]</fw></line>
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<line style="margin-left:1.6cm">Verſchrobenheit. <handShift new="#Archivar2"/><fw type="pageNum">19</fw></line>
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<line style="margin-left:0.0cm"><add place="above" corresp="#B07_19v_1">Aber ach es hilft nicht viel</add> <handShift medium="pencil"/>Di<anchor xml:id="B07_19v_1"/>eſer hinkt und der iſt</line>
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<line style="margin-left:1.8cm" type="verse"><mod type="subst"><del>d<seg style="text-decoration:line-through" rend="line-through-medium:brown_ink">a<anchor xml:id="B07_19v_2"/>ß ſie</seg></del><add place="above" corresp="#B07_19v_2"><handShift medium="brown_ink"/><seg type="multiphrase" xml:id="B07_19v_m" corresp="#B07_19v_n">Und daß</seg> <seg type="multiphrase" xml:id="B07_19v_n" corresp="#B07_19v_m">Um den alles</seg></add></mod><handShift medium="pencil"/> beide ſich begraben</line>
<line style="margin-left:1.9cm" type="verse">Dieſes iſt das beſte Ziel.</line>
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<note type="editorial" target="#B07_19v_k">Der handschriftliche Befund ist hier noch unklar und noch nicht endgültig in der Codierung festgelegt; ggf. hat Fontane diese Zeile durchgestrichen.</note>
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<line style="margin-left:1.3cm">daß von einem <handShift new="#Archivar2"/><fw type="pageNum">20</fw></line>
<handShift new="#Fontane"/>
<line style="margin-left:1.3cm">Berliner Publi-</line>
<line style="margin-left:1.4cm">kum ſo was</line>
<line style="margin-left:1.6cm">Gewöhnliches,</line>
<line style="margin-left:1.2cm">und zugleich Ge-</line>
<line style="margin-left:1.3cm">ſchraubtes hinge-</line>
<line style="margin-left:1.5cm">no<g ref="#mgem">mm</g>en wird.</line>
<line style="margin-left:1.4cm">Aber auf Senti-</line>
<line style="margin-left:1.6cm">mentalität wird</line>
<line style="margin-left:1.7cm">i<g ref="#mgem">mm</g>er ’rein-</line>
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<line style="margin-left:0.0cm">weil es häßlich und</line>
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<line style="margin-left:1.8cm" rend="indent">Die <seg><rs type="indirect" ref="wrk:Meeres_Liebe_Wellen">Liebesſcene</rs></seg> brillant</line>
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<line style="margin-left:2.7cm" rend="indent">Der <seg><rs type="indirect" ref="wrk:Meeres_Liebe_Wellen">3. Akt</rs></seg> iſt ſchön</line>
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<line style="margin-left:1.3cm">Es iſt auch ein Unterſchied:</line>
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<line style="margin-left:1.5cm"><seg><rs type="direct" ref="psn:Oberlaender"><hi>O<seg style="text-decoration:underline">berländ</seg>er</hi></rs></seg> gut (fran-</line>
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<line style="margin-left:1.9cm"><seg><rs type="direct" ref="psn:Mueller_Eugen"><hi><seg style="text-decoration:underline" rend="underline-style:half-s-shaped(upper-left)">Müller</seg></hi></rs></seg> das</line>
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<line style="margin-left:1.0cm"><seg><rs type="indirect" ref="wrk:Kind_des_Gluecks"><hi>S<seg style="text-decoration:underline" rend="underline-style:half-s-shaped(upper-left)">cene 2.</seg></hi></rs></seg> Die Pensions-</line>
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<note type="editorial" target="#B07_21r_m">Fontanes Notizen zu Charlotte Birch-Pfeiffers „Ein Kind des Glücks“ entstanden während der Theateraufführung am 11. Juni 1881. Die Kritik erschien am 14. Juni 1881 in der Vossischen Zeitung (Nr. 269); vgl. <bibl><ptr target="lit:Bibliographie_1"/><citedRange>Nr. 3807</citedRange></bibl>.</note>
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<line style="margin-left:0.0cm">hier in Einſamkeit und Stille,</line>
<line style="margin-left:0.7cm">ſtehen ſie Menſch zu</line>
<line style="margin-left:0.6cm">Menſch, am Tage im</line>
<line style="margin-left:0.9cm">Hain ſtehen ſie <hi><seg style="text-decoration:underline" rend="underline-style:half-s-shaped(upper-left)">Prieſterin</seg></hi></line>
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<line style="margin-left:2.9cm" type="heading" subtype="section"><seg style="font-size:large"><hi><seg style="text-decoration:underline"><seg><rs type="indirect" ref="wrk:Meeres_Liebe_Wellen">Akt IV</rs></seg></seg>.</hi></seg></line>
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<line><fw type="pageNum">22 [<handShift new="#Archivar1"/>15<handShift new="#Archivar2"/>]</fw></line>
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<line style="margin-left:1.6cm" type="heading" subtype="section"><seg><rs type="indirect" ref="wrk:Kind_des_Gluecks"><seg style="font-size:large"><hi><seg style="text-decoration:underline">Akt I</seg>I</hi></seg></rs></seg></line>
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<line style="margin-left:1.8cm">dem <mod type="subst"><del rend="overwritten">Denkſtein</del><add place="superimposed">Grabe</add></mod></line>
<line style="margin-left:1.9cm">ihres Hauſes.“</line>
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<line style="margin-left:2.7cm" rend="indent">„<retrace>Was</retrace> ſoll das</line>
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<line style="margin-left:1.6cm">ſagt die <handShift script="Latn"/><seg><rs type="direct" ref="psn:Stollberg"><retrace>S</retrace>tollberg</rs></seg><handShift script="Latf"/>.</line>
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<line style="margin-left:3.3cm" rend="indent">Sie hat daſſelbe</line>
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<line style="margin-left:3.0cm" rend="indent">Sie ſagen ſich</line>
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<line style="margin-left:0.0cm">iſt die Schilderung <mod type="subst"><del rend="overwritten">der</del><add place="superimposed"><hi><seg style="text-decoration:underline"><seg><rs type="direct" ref="psn:Krause">Krauſes</rs></seg></seg></hi></add></mod></line>
<line style="margin-left:0.0cm">von der <hi>N<seg style="text-decoration:underline">acht</seg></hi>, wies</line>
<line style="margin-left:0.3cm">ſtill und lauſchig war und</line>
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<line style="margin-left:0.0cm">bewegt – wundervoll. Es</line>
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<line style="margin-left:1.3cm">geſprochen werden, aber</line>
<line style="margin-left:1.7cm">das Pathos iſt nicht das</line>
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<line style="margin-left:1.7cm">brutale, und <handShift new="#Archivar2"/><fw type="pageNum">23</fw></line>
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<line style="margin-left:1.5cm">Sachen. Außer-</line>
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<line style="margin-left:1.5cm">doch hier in</line>
<line style="margin-left:1.5cm">der großen <seg><rs type="indirect" ref="wrk:Kind_des_Gluecks">Scene</rs></seg></line>
<line style="margin-left:1.3cm">furchtbar geſchraubt.</line>
<line style="margin-left:1.8cm">Wenn <seg><rs type="direct" ref="psn:Fontane_Theodor">ich</rs></seg> <hi xml:id="B07_23r_a" next="#B07_23r_b">v<seg style="text-decoration:underline">er-</seg></hi></line>
<line style="margin-left:1.5cm"><hi xml:id="B07_23r_b" prev="#B07_23r_a">ſt<seg style="text-decoration:underline">oßen</seg></hi> werden</line>
<line style="margin-left:1.6cm">ſoll, ſag <seg><rs type="direct" ref="psn:Fontane_Theodor">ich</rs></seg> es</line>
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<line style="margin-left:0.0cm">richtige, zu <unclear>keuſch</unclear>; es</line>
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<line style="margin-left:2.6cm" rend="indent">Die <seg><rs type="indirect" ref="wrk:Meeres_Liebe_Wellen">Scene</rs></seg> bei <seg><rs type="indirect" ref="wrk:Meeres_Liebe_Wellen">Hero’s</rs></seg></line>
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<line style="margin-left:0.0cm"><seg><rs type="indirect" ref="wrk:Meeres_Liebe_Wellen">Leda</rs></seg> ſpricht und ſpricht als</line>
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<line style="margin-left:0.9cm">iſt wundervoll und das</line>
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<line><fw type="pageNum">26</fw></line>
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<line style="margin-left:1.6cm"><seg xml:id="B07_27r_k"><unclear>eingreifen</unclear>.</seg> <handShift new="#Archivar2"/><fw type="pageNum">27</fw></line>
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<line style="margin-left:2.6cm" rend="indent">Das iſt</line>
<line style="margin-left:1.4cm">ein Einſetzen</line>
<line style="margin-left:1.6cm">wie <seg><rs type="direct" ref="wrk:Macbeth"><hi><seg style="font-size:large"><seg style="text-decoration:underline" rend="underline-style:half-s-shaped(upper-left)">Macbeth</seg></seg></hi></rs></seg></line>
<line style="margin-left:1.1cm">wie <seg style="letter-spacing:0.2cm; font-size:large"><seg><rs type="direct" ref="wrk:Koenig_Lear"><handShift script="Latn"/><hi>L<seg style="text-decoration:underline" rend="underline-style:half-s-shaped(upper-left)">ear</seg></hi></rs></seg><handShift script="Latf"/>,</seg></line>
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<line style="margin-left:2.1cm" rend="indent">Die <seg><rs type="direct" ref="psn:Stollberg"><seg style="letter-spacing:0.2cm; font-size:large"><handShift script="Latn"/><hi><seg style="text-decoration:underline" rend="underline-style:half-s-shaped(upper-left)">Stollb</seg>erg</hi></seg></rs></seg></line>
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<line style="margin-left:3.1cm" rend="indent">Die <seg><rs type="direct" ref="psn:Schwartz_Johanna"><seg style="letter-spacing:0.2cm; font-size:large"><handShift script="Latn"/><hi>Sc<seg style="text-decoration:underline">hwart</seg>z</hi></seg></rs></seg></line>
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<note type="editorial" target="#B07_27r_k">Fontanes Notizen zu Wilhelmine von Hillerns „Die Geier-Wally“, deren Anfang nicht überliefert ist, entstanden während der Theateraufführung am 8. Oktober 1881. Die Kritik erschien am 11. Oktober 1881 in der Vossischen Zeitung (Nr. 473); vgl. <bibl><ptr target="lit:Bibliographie_1"/><citedRange>Nr. 3818</citedRange></bibl>.</note>
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<line style="margin-left:0.0cm">ko<g ref="#mgem">mm</g>t er von Tiefe</line>
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<line style="margin-left:1.6cm" type="heading" subtype="section"><hi><seg style="text-decoration:underline; font-size:large"><seg><rs type="indirect" ref="wrk:Geier-Wally">Akt II</rs></seg>.</seg></hi> <handShift new="#Archivar2"/><fw type="pageNum">32</fw></line>
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<line><fw type="pageNum">33 [<handShift new="#Archivar1"/>24<handShift new="#Archivar2"/>]</fw></line>
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<line><fw type="pageNum">[<handShift new="#Archivar1"/>27<handShift new="#Archivar2"/>]</fw></line>
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<line style="margin-left:1.6cm">„Wenn ich <handShift new="#Archivar2"/><fw type="pageNum">38</fw></line>
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<line style="margin-left:1.1cm"><seg><rs type="direct" ref="psn:Schwartz_Johanna"><seg style="letter-spacing:0.2cm; font-size:large">Schwartz</seg></rs></seg><handShift script="Latf"/> brillant <handShift new="#Archivar2"/><fw type="pageNum">39</fw></line>
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<line style="margin-left:1.6cm">ſie ihm <hi><seg style="text-decoration:underline">nicht</seg></hi> <handShift new="#Archivar2"/><fw type="pageNum">41</fw></line>
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<line style="margin-left:0.6cm">ſo complicirt,</line>
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<line style="margin-left:0.5cm">ſchuldig war, ſo</line>
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<line style="margin-left:0.9cm">Die große</line>
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<note type="editorial" target="#B07_54r_m">Fontanes Notizen zu Adolf Wilbrandts „Kriemhild“ entstanden während der Theateraufführung am 6. Januar 1872: „Am Abend ins Theater: Wilbrandts ‚Kriemhild‘, alles vortrefflich, brillant componirt, geistvoll im Dialog, reich an guten und wirkungsvollen Scenen, aber doch todt und beinah langweilig, namentlich der 2. Akt; der 3. Akt (au fond vielleicht noch schlimmer) macht wenigstens so viel äußerlichen Lärm, daß man zu keiner Langenweile kommen kann“; vgl. <bibl><ptr target="lit:GBA_Tagebuecher_2"/><citedRange>S. 248</citedRange></bibl>. Zu einer Ausfertigung und Publikation der Theaterkritik ist es jedoch aus gesundheitlichen Gründen nicht gekommen; vgl. <bibl><ptr target="lit:Chronik_3"/><citedRange>S. 2439</citedRange></bibl>.</note>
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<line>und Gemahlin.</line>
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<line style="margin-left:0.7cm">miſch,</line>
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<line style="margin-left:2.2cm"><seg><rs type="direct" ref="psn:Fontane_Theodor">Ich</rs></seg> habe <seg><rs type="indirect" ref="psn:Fontane_Theodor">mir</rs></seg></line>
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<line style="margin-left:1.7cm">reicher gedacht,</line>
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<line style="margin-left:0.9cm">ſie ſteigern,</line>
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<note type="editorial" target="#B07_56v_l #B07_56v_m">Anspielung auf Goethes „Faust“: „Ich grüße dich, du einzige Phiole!“ („Faust I“, Vers 690), sowie: „Schon in der innersten Phiole / Erglüht es wie lebendige Kohle.“ („Faust II“, Vers 6824.)</note>
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<line style="margin-left:0.8cm">daß ſie ſich</line>
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<line style="margin-left:1.5cm" rend="indent">Sie müſſen</line>
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<note type="editorial" target="#B07_58v_m">Fontanes Notizen zu Hugo Lubliners (Bürgers) „Gold und Eisen“ entstanden während der Theateraufführung am 20. September 1881. Die Kritik erschien am 22. September 1881 in der Vossischen Zeitung (Nr. 441); vgl. <bibl><ptr target="lit:Bibliographie_1"/><citedRange>Nr. 3817</citedRange></bibl>.</note>
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