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        <title>Notizbuch B9</title>
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          <persName>Theodor Fontane</persName>
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          <name>
            <persName>Friedrich Fontane</persName>
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          <persName>Gabriele Radecke</persName>
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        <respStmt>
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          <name>
            <persName>Judith Michaelis</persName>
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          <name>
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          <name>
            <persName>Gabriele Radecke</persName>
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          <name>
            <persName>Gabriele Radecke</persName>
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          <name>
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          <name>
            <persName>Gabriele Radecke</persName>
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          <resp key="oth">Metadaten</resp>
          <name>
            <persName>Martin de la Iglesia</persName>
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        <respStmt>
          <resp key="oth">IT, Visualisierung und Portalentwicklung</resp>
          <name>
            <persName>Mathias Göbel</persName>
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          <listBibl>
            <listBibl>
              <head>Druckgeschichte einzelner Notizbuchaufzeichnungen</head>
              <bibl>Bislang keine Teildrucke bekannt.</bibl>
            </listBibl>
            <listBibl>
              <head>Notizbuch-Gesamtpublikationen</head>
              <listBibl>
                <head>Fontane-Notizbuch-Portal</head>
                <bibl>
                  <bibl>Theodor Fontane: Notizbücher. Digitale genetisch-kritische und kommentierte Edition. Hrsg. von Gabriele Radecke. https://fontane-nb.dariah.eu/index.html. 2015-2017, abgerufen am: [Datum des Abrufs]</bibl>
                  <availability>
                    <licence target="http://creativecommons.org/licenses/by-nc-nd/4.0/">Alle im Rahmen des Projektes erarbeiteten Inhalte der Edition sind unter der Lizenz „CC-BY-ND-NC-4.0 international“ zugänglich. Die Digitalisate der Notizbücher Theodor Fontanes stehen unter der Lizenz „CC0-1.0“ zur Verfügung.</licence>
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              <listBibl>
                <head>Digitale Edition im TextGrid-Repositorium als Langzeitarchivierung</head>
                <bibl>Theodor Fontane: Notizbücher. Digitale genetisch-kritische und kommentierte Edition. Hrsg. von Gabriele Radecke. https://textgridrep.de/browse.html?id=textgrid:129mw.0, abgerufen am: [Datum des Abrufs]</bibl>
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              <listBibl>
                <head>Publikationen im Verlag Walter de Gruyter</head>
                <listBibl>
                  <listBibl>
                    <head>Print-Edition</head>
                    <bibl>Theodor Fontane: Notizbücher. Historisch-kritische und kommentierte Edition. Hrsg. von Gabriele Radecke. Berlin [in Vorbereitung]</bibl>
                  </listBibl>
                  <listBibl>
                    <head>E-Book-Edition</head>
                    <bibl>Theodor Fontane: Notizbücher. Historisch-kritische und kommentierte Edition. Hrsg. von Gabriele Radecke. Berlin [in Vorbereitung]</bibl>
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          <name>
            <persName>Theodor Fontane</persName>
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          <resp key="edt">Herausgeberin</resp>
          <name>
            <persName>Dr. Gabriele Radecke</persName>
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          <resp key="pdr">Gesamtleitung, Idee und Konzeption sowie editions- und literaturwissenschaftliche Leitung</resp>
          <name>
            <persName>Dr. Gabriele Radecke</persName>
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          <resp key="oth">Informationswissenschaftliche und -technologische Leitung sowie Koordination in der SUB</resp>
          <name>
            <persName>Dr. Mirjam Blümm (seit April 2015)</persName>
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          <name>
            <persName>Prof. Dr. Heike Neuroth (Juni 2011–März 2015)</persName>
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          <name>
            <persName>Judith Michaelis (Juni 2011–Dezember 2015; Codierung)</persName>
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          <name>
            <persName>Rahel Rami (Juni 2012–Juni 2017; Codierung und Register)</persName>
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          <name>
            <persName>Hartmut Hombrecher (August 2015–Juni 2017; Codierung)</persName>
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          <name>
            <persName>Adrian Bruhns (Februar 2016–Januar 2018; Codierung und Register)</persName>
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          <name>
            <persName>Juljana Battenberg (Juli 2016–September 2019; Register)</persName>
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          <name>
            <persName>Lisa Kunze (Februar 2018–September 2019; Register)</persName>
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          <name>
            <persName>Simon Sendler (Oktober 2018–September 2019; Codierung und IT)</persName>
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          <name>
            <persName>Jan Stieglitz (2018; Register)</persName>
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          <name>
            <persName>Anne Karzel (2019; Codierung)</persName>
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          <name>
            <persName>Martin de la Iglesia</persName>
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            <persName>Dr. Susanne Al-Eryani</persName>
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          <resp key="oth">IT, Visualisierung und Portalentwicklung</resp>
          <name>
            <persName>Mathias Göbel</persName>
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          <name>
            <persName>Michelle Weidling (Edierter Text und Buchausgabe)</persName>
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          <name>
            <persName>Ubbo Veentjer (Suche)</persName>
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          <resp key="oth">GND</resp>
          <name>
            <persName>Stephan Heupst</persName>
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          <name>
            <persName>Christoph Kudella</persName>
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          <name>
            <persName>Alexander Jahnke</persName>
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          <name>
            <persName>Stefan Funk</persName>
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            <persName>Felix Lohmeier</persName>
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            <orgName>Theodor Fontane-Arbeitsstelle, Georg-August-Universität Göttingen, Seminar für Deutsche Philologie (Leitung: Dr. Gabriele Radecke)</orgName>
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          <resp key="pro">Herstellung der Scans: Leitung</resp>
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                <note>Fontanes unvollständige Inhaltsübersicht, die er teils auf Notizbuchhersteller-Etiketten, teils auf an- bzw. aufgeklebten Blättern der vorderen äußeren Einbanddecken oder auf vorderen äußeren Einbanddecken notierte.</note>
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              <list type="Friedrich_Fontane">
                <note>Friedrich Fontanes unvollständige Inhaltsübersicht, die er auf den Rückseiten von an- bzw. aufgeklebten Kalenderblättern der vorderen inneren Einbanddecken oder in Ausnahmefällen auf Notizbuchhersteller-Etiketten oder aufgeklebten Blättern der vorderen äußeren Einbanddecken festhielt. Die Inhaltsübersichten entstanden zwischen dem 2. März 1923 (vgl. Notizbuch E01; eigenhändige Datierung) und dem 9. Dezember 1927 (vgl. Notizbuch A15; Datum auf dem Kalenderblatt). Nur in wenigen Fällen hat Friedrich Fontane die Übersichten datiert. Die Inhaltsübersicht zu Notizbuch B09 entstand am oder nach dem 10. August 1924.</note>
                <item>Theater (1881) (Idealisten – Narziss – Donna Diana – Graf Essex) Kunstausstellung</item>
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              <list type="Fontane_Blätter">
                <note>Die in den „Fontane Blättern“ 1976 veröffentlichte Inhaltsübersicht, die lediglich Theodor und Friedrich Fontanes Inhaltsübersichten zusammenführt. Mit vielen Entzifferungsfehlern; vgl. Fontane Blätter 1976, S. 64–66.</note>
                <item>Theater. 1881. (Idealisten. – Narziss. – Donna Diana. – Graf Essex.) Kunstausstellung.</item>
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              <list type="editorial">
                <note>Gabriele Radeckes autopsiertes Inhaltsverzeichnis, das im Rahmen der Notizbuch-Edition von 2017 ermittelt wurde.</note>
                <item>[Kunstkritik: Notizen. „Vierzehnte Sonderausstellung der Königlichen Nationalgalerie“: „438. Klosterhof“] (Blechen-Biographie) (Ausstellungsbesuch: 23.12.1881), <ref target="#xpath(//surface[@n='57r'])">Blatt 57r</ref>, <ref target="#xpath(//surface[@n='57v'])">57v</ref>, <ref target="#xpath(//surface[@n='58r'])">58r</ref>, <ref target="#xpath(//surface[@n='58v'])">58v</ref>, <ref target="#xpath(//surface[@n='59r'])">59r</ref>, <ref target="#xpath(//surface[@n='59v'])">59v</ref>, <ref target="#xpath(//surface[@n='60r'])">60r</ref>, <ref target="#xpath(//surface[@n='60v'])">60v</ref> und <ref target="#xpath(//surface[@n='61r'])">61r</ref></item>
                <item>[Theaterkritik: Notizen. Die Idealisten – von Gustav zu Putlitz] (Theaterbesuch: 8.11.1881), <ref target="#xpath(//surface[@n='1r'])">Blatt 1r</ref>, <ref target="#xpath(//surface[@n='2r'])">2r</ref>, <ref target="#xpath(//surface[@n='3r'])">3r</ref>, <ref target="#xpath(//surface[@n='22r'])">22r</ref> und <ref target="#xpath(//surface[@n='23r'])">23r</ref></item>
                <item>[Theaterkritik: Notizen. Donna Diana – von Augustín Moreto y Cabaña] (Theaterbesuch: 13.12.1881), <ref target="#xpath(//surface[@n='30r'])">Blatt 30r</ref>, <ref target="#xpath(//surface[@n='31r'])">31r</ref>, <ref target="#xpath(//surface[@n='32r'])">32r</ref>, <ref target="#xpath(//surface[@n='33r'])">33r</ref>, <ref target="#xpath(//surface[@n='34r'])">34r</ref>, <ref target="#xpath(//surface[@n='35r'])">35r</ref>, <ref target="#xpath(//surface[@n='36r'])">36r</ref>, <ref target="#xpath(//surface[@n='37r'])">37r</ref> und <ref target="#xpath(//surface[@n='38r'])">38r</ref></item>
                <item>[Theaterkritik: Notizen. Graf Essex – von Heinrich Laube] (Theaterbesuch: 16.12.1881), <ref target="#xpath(//surface[@n='39r'])">Blatt 39r</ref>, <ref target="#xpath(//surface[@n='40r'])">40r</ref>, <ref target="#xpath(//surface[@n='41r'])">41r</ref>, <ref target="#xpath(//surface[@n='42r'])">42r</ref>, <ref target="#xpath(//surface[@n='43r'])">43r</ref>, <ref target="#xpath(//surface[@n='44r'])">44r</ref> und <ref target="#xpath(//surface[@n='45r'])">45r</ref></item>
                <item>[Theaterkritik: Notizen. Narziß – von Albert Emil Brachvogel] (Theaterbesuch: 9.12.1881), <ref target="#xpath(//surface[@n='24r'])">Blatt 24r</ref>, <ref target="#xpath(//surface[@n='25r'])">25r</ref>, <ref target="#xpath(//surface[@n='26r'])">26r</ref>, <ref target="#xpath(//surface[@n='27r'])">27r</ref>, <ref target="#xpath(//surface[@n='28r'])">28r</ref> und <ref target="#xpath(//surface[@n='29r'])">29r</ref></item>
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                  <ab><hi>Blattfragmente:</hi> Keine Reste von herausgerissenen Blättern</ab>
                  <ab><hi>Blattfragmente:</hi> 29; Reste von herausgeschnittenen Blättern, unbeschriftet (beschriftet: Blatt 6v, 9v, 11v, 12r, 17v, 20v, 21r, 49r/v und 50r). <ref target="#xpath(//surface[@n='4r'])">Blatt 4r</ref>-<ref target="#xpath(//surface[@n='21v'])">21v</ref> und <ref target="#xpath(//surface[@n='46r'])">46r</ref>-<ref target="#xpath(//surface[@n='56v'])">56v</ref></ab>
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                <foliation>Die erste Foliierung der Einzelblätter in arabischen Ziffern hat <rs ref="#Archivar1">Archivar 1</rs> vermutlich in den 1960er Jahren mit Bleistift auf den Blattvorderseiten (recto-Seiten) vorgenommen. Die zweite Foliierung der Einzelblätter wurde im Rahmen der Notizbuch-Edition von <rs ref="#Archivar2">Archivar 2</rs> im November 2011 mit Bleistift auf den Blattvorderseiten (recto-Seiten) in arabischen Ziffern durchgeführt. Dabei wurde die alte Zählung mit eckigen Klammern markiert. Der auf <ref target="#xpath(//surface[@n='1r'])">Blatt 1r</ref> geschriebenen Auktionsnummer von 1933, „508-9“, ging keine Foliierung voraus.</foliation>
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        <handNote xml:id="Archivar2" script="posthumous">Archivar 2: Gabriele Radecke, im November 2011</handNote>
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    <note type="editorial" target="#B09_1r_m">Fontanes Notizen zu Gustav zu Putlitz’ „Die Idealisten“ entstanden während der Theateraufführung am 8. November 1881 im Königlichen Schauspielhaus (Berlin). Die Kritik erschien am 10. November 1881 in der „Vossischen Zeitung“ (Nr. 525); vgl. <bibl><ptr target="lit:Bibliographie_1"/><citedRange>Nr. 3822</citedRange></bibl>. Vgl. auch Fontanes Tagebucheintrag vom 8. November 1881: „Am Abend in Putlitz’ ‚Idealisten‘. Ein sehr schwaches Stück, in Hoffnung auf Tantième zusammengeschmaddert: deutsches Haus, deutsche Familie, deutsche Idealität, 1870, Gravelotte, „Deutschland Deutschland über alles“ und zwei lederne Liebespaare, c’est tout. Und solch ein Mann glaubt ganz ernsthaft, er vertrete die bessere, sittlichere Seite deutscher Kunst. Dann bin ich für Unsittlichkeit u. Schweinerei.“ <bibl><ptr target="lit:GBA_Tagebuecher_2"/><citedRange> S. 133</citedRange></bibl>.</note>
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    <note type="editorial" target="#B09_24r_k">Fontanes Notizen zu Albert Emil Brachvogels „Narziß“ entstanden während der Theateraufführung am 9. Dezember 1881. Die Kritik erschien am 11. Dezember 1881 in der „Vossischen Zeitung“ (Nr. 579); vgl. <bibl><ptr target="lit:Bibliographie_1"/><citedRange>Nr. 3828</citedRange></bibl>.  Vgl. auch Fontanes Tagebucheintrag vom 9. Dezember 1881: „Ins Theater: Narziß; Fr. Olga Lorenz vom Stadttheater in Riga Frau v. Pompadour als Gastrolle. Ziemlich schwach.“ <bibl><ptr target="lit:GBA_Tagebuecher_2"/><citedRange> S. 142</citedRange></bibl>.</note>
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        <line style="margin-left:1.3cm" type="heading" subtype="section"><seg><rs type="indirect" ref="wrk:Donna_Diana"><hi><seg style="text-decoration:underline; font-size:large">Akt II</seg></hi></rs></seg></line>
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    <note type="editorial" target="#B09_30r_m">Fontanes Notizen zu Augustín Moreto y Cabañas „Donna Diana“ entstanden während der Theateraufführung am 13. Dezember 1881. Die Kritik erschien am 15. Dezember 1881 in der „Vossischen Zeitung“ (Nr. 585); vgl. <bibl><ptr target="lit:Bibliographie_1"/><citedRange>Nr. 3829</citedRange></bibl>. In seinem Tagebuch hält Fontane nur lapidar fest: „Ins Theater: Donna Diana; Frl. Olga Lorenz in der Titelrolle.“ <bibl><ptr target="lit:GBA_Tagebuecher_2"/><citedRange> S. 133</citedRange></bibl>.</note>
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    <note type="editorial" target="#B09_39r_m">Fontanes Notizen zu Heinrich Laubes „Graf Essex“ entstanden während der Theateraufführung am 16. Dezember 1881. Die Kritik erschien am 18. Dezember 1881 in der „Vossischen Zeitung“ (Nr. 591); vgl. <bibl><ptr target="lit:Bibliographie_1"/><citedRange>Nr. 3830</citedRange></bibl>. Vgl. auch Fontanes Tagebucheintrag vom 16.12.1881: „Ins Theater. Frl. Olga Lorenz als Lady Rutland in Laubes ‚Graf Essex‘. In dieser Rolle besser als in den beiden frühren.“ <bibl><ptr target="lit:GBA_Tagebuecher_2"/><citedRange> S. 143</citedRange></bibl>.</note>
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            <line style="margin-left:1.3cm"><seg xml:id="B09_57r_m"><rs type="direct" ref="wrk:Blechen_Klosterhof"><hi><seg style="text-decoration:underline">438.</seg></hi> Kloſterhof</rs></seg>. Sehr <handShift new="#Archivar2"/><fw type="pageNum">57</fw></line>
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            <line style="margin-left:1.9cm">ſchön.</line>
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            <line style="margin-left:2.2cm"><seg><rs type="direct" ref="wrk:Blechen_Italienerin" xml:id="B09_57r_g" prev="#B09_57r_f">Bäume ins Freie</rs></seg>;</line>
            <line style="margin-left:2.2cm">blaue Töne. Mädchen</line>
            <line style="margin-left:2.2cm">mit Mandoline.</line>
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            <line style="margin-left:3.3cm"><seg><rs type="direct" ref="wrk:Blechen_RV_869" xml:id="B09_57r_b" prev="#B09_57r_a">d’Eſte</rs></seg>. Das</line>
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            <line style="margin-left:3.0cm">einem mehr entgegen.</line>
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          <zone type="item">
            <line style="margin-left:1.1cm"><hi><seg style="text-decoration:underline">450</seg></hi>. Von <seg><rs type="direct" ref="psn:Gaetke">H. Gaetke</rs></seg>.</line>
            <line style="margin-left:3.2cm"><seg><rs type="direct" ref="wrk:Getreidefeld">Kornfeld</rs></seg>.</line>
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          <zone type="item">
            <line style="margin-left:1.2cm"><hi><seg style="text-decoration:underline"><rs type="direct" ref="wrk:Blechen_Gitarre">454.</rs> <rs type="direct" ref="wrk:Blechen_RV_1120">55.</rs> <rs type="direct" ref="wrk:Blechen_Waldweg_Italienerin">56</rs></seg></hi>. Ganz kleine</line>
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            <line style="margin-left:3.6cm">ſehr ſchön.</line>
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    <note type="editorial" target="#B09_57r_m">Fontanes Notizen zu einzelnen Kunstwerken entstanden vermutlich am 23. Dezember 1881 während seines ersten Besuchs der „Vierzehnten Sonderausstellung“. In der Königlichen Nationalgalerie wurden Werke von Marie von Parmentier, Karl Blechen, Adolf Schrödter und August Bromeis gezeigt. Fontane interessierte sich vor allem für die Gemälde von Blechen, da er an einer Biographie über den Maler arbeitete, die jedoch unvollendet blieb. Vgl. <bibl><ptr target="lit:GBA_Tagebuecher_2"/><citedRange> S. 144</citedRange></bibl>, und <bibl><ptr target="lit:Chronik_3"/><citedRange> S. 2423</citedRange></bibl>. Zur Rekonstruktion der Notizbucheinträge vgl. <bibl><ptr target="lit:Radecke_2015"/><citedRange> S. 46</citedRange></bibl>, zu Fontanes Blechen-Biographie und seinem Besuch der Kunstausstellung vgl. <bibl><ptr target="lit:Streiter-Buscher_2010"/><citedRange>S. 142-144</citedRange></bibl>. Weitere Informationen folgen mit der nächsten Notizbuch-Publikation.</note>
    <note type="editorial" target="#B09_57r_e">Bei Schuster ist für dieses Werk die Ausstellungskatalognummer 443 angegeben, korrekt ist jedoch 449; vgl. <bibl><ptr target="lit:Schuster_1990"/><citedRange> Nr. 52</citedRange></bibl>, sowie <bibl><ptr target="lit:Nationalgalerie_1881"/><citedRange> Nr. 449</citedRange></bibl>.</note>
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          <line style="margin-left:1.2cm"><seg><rs type="direct" ref="wrk:Blechen_Anacapri" xml:id="B09_57v_d" next="#B09_57v_e"><hi>4<seg style="text-decoration:underline">53</seg></hi>. Sehr ſchöne</rs></seg></line>
          <line style="margin-left:3.7cm"><seg><rs type="direct" ref="wrk:Blechen_Anacapri" xml:id="B09_57v_e" prev="#B09_57v_d">Skizze</rs></seg>.</line>
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          <line style="margin-left:1.4cm"><seg><rs type="direct" ref="wrk:Blechen_Kiefernwald" xml:id="B09_57v_f" next="#B09_57v_g"><hi><seg style="text-decoration:underline">444</seg></hi>. Märkiſcher</rs></seg></line>
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          <line style="margin-left:3.1cm">Rand deſſelben,</line>
          <line style="margin-left:3.2cm">wo ſich auch <retrace>Lau</retrace>b⸗</line>
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          <line style="margin-left:0.8cm"><seg><rs type="direct" ref="wrk:Blechen_Bauer"><hi>4<seg style="text-decoration:underline">43.</seg></hi> Hübſches Genrebild</rs></seg>.</line>
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    <note type="editorial" target="#B09_57v_a">Heide Streiter-Buscher deutet diese Anmerkung als Hinweis darauf, dass Fontane Blechens Urheberschaft an diesem Werk anzweifelt; vgl. <bibl><ptr target="lit:Streiter-Buscher_2010"/><citedRange>S. 139</citedRange></bibl>.</note>
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            <line style="margin-left:0.8cm"><seg><rs type="direct" ref="wrk:Blechen_15_Theater" xml:id="B09_58r_a" prev="#B09_57v_i">Dekorationen</rs></seg>. Alles <handShift new="#Archivar2"/><fw type="pageNum">58</fw></line>
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            <line style="margin-left:1.4cm">Interieurs, gothiſche Hallen,</line>
            <line style="margin-left:1.4cm"><mod type="subst"><del rend="overwritten">und</del><add place="superimposed">G</add></mod>änge, Schiffe.</line>
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            <line style="margin-left:1.1cm"><seg><rs type="direct" ref="wrk:Blechen_RV_634" xml:id="B09_58r_b" next="#B09_58r_c"><hi>7<seg style="text-decoration:underline">49.</seg></hi> Drei Schornſtein-</rs></seg></line>
            <line style="margin-left:2.5cm"><seg><rs type="direct" ref="wrk:Blechen_RV_634" xml:id="B09_58r_c" prev="#B09_58r_b">feger</rs></seg>. Einer ſitzt</line>
            <line style="margin-left:2.6cm">auf einem Stein oder</line>
            <line style="margin-left:2.4cm">Holz, die beiden</line>
            <line style="margin-left:2.4cm">andern links und</line>
            <line style="margin-left:2.9cm">rechts. Figürlich <add place="above" style="margin-left:-0.3cm" rend="caret:backslash">und</add> komiſch</line>
            <line style="margin-left:2.9cm">wie der <mod type="subst"><del rend="overwritten">A</del><add place="superimposed">a</add></mod>lte</line>
            <line style="margin-left:2.5cm"><seg><rs type="direct" ref="wrk:Blechen_Bauer">Bauer</rs></seg>, der zum Fenſter</line>
            <line style="margin-left:2.5cm">hinaus bricht <unclear>oder der-</unclear></line>
            <line style="margin-left:2.6cm"><unclear>gleichen</unclear>.</line>
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          <line style="margin-left:2.5cm"><seg><rs type="direct" ref="wrk:Blechen_See" xml:id="B09_58v_e" prev="#B09_58v_d" next="#B09_58v_f">bewegtes Meer mit</rs></seg></line>
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        <line style="margin-left:1.8cm" type="item"><seg><rs type="direct" ref="wrk:Blechen_RV_634"><hi><seg style="text-decoration:underline">749.</seg></hi> Drei Schornſteinfeger</rs></seg>.</line>
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          <line style="margin-left:1.7cm">gelbes, ſandfarbenes</line>
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          <line style="margin-left:1.8cm">darauf, rechts Wald-</line>
          <line style="margin-left:1.8cm">landſchaft tief</line>
          <line style="margin-left:1.7cm"><add place="above" style="margin-left:0.0cm" rend="caret:bow(2.0cm,pos-right)">dunkel</add> grünblau mit</line>
          <line style="margin-left:2.6cm">Hirſchen u. Rehen auf</line>
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          <line style="margin-left:1.9cm">ſehr ſchön, aber der</line>
          <line style="margin-left:1.9cm">gelbe <retrace>Farb</retrace>ton links</line>
          <line style="margin-left:1.9cm">wirkt häßlich.</line>
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          <line style="margin-left:2.7cm"><seg><rs type="direct" ref="wrk:Blechen_RV_1712" xml:id="B09_59r_b" prev="#B09_59r_a">zwei <choice><abbr>kl:</abbr><expan>kleinen</expan></choice> Springbru<g ref="#ngem">nn</g>en</rs></seg>.</line>
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          <line style="margin-left:4.7cm"><seg><rs type="direct" ref="wrk:Blechen_RV_184" xml:id="B09_59r_d" prev="#B09_59r_c">Grabe betend</rs></seg>; die</line>
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        <zone type="item">
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          <lb break="keepHyphen"/>
          <line style="margin-left:3.0cm"><seg><rs type="direct" ref="wrk:Blechen_Kirchenruine" xml:id="B09_59v_b" prev="#B09_59v_a" next="#B09_59v_c">Skizze. Giebel</rs></seg></line>
          <line style="margin-left:2.8cm"><seg><rs type="direct" ref="wrk:Blechen_Kirchenruine" xml:id="B09_59v_c" prev="#B09_59v_b" next="#B09_59v_d">einer zerfallenen</rs></seg></line>
          <line style="margin-left:3.2cm"><seg><rs type="direct" ref="wrk:Blechen_Kirchenruine" xml:id="B09_59v_d" prev="#B09_59v_c">gothiſchen Kirche</rs></seg>;</line>
          <line style="margin-left:3.3cm">ſehr ſchön, alles</line>
          <line style="margin-left:3.2cm">ganz genialiſch</line>
          <line style="margin-left:3.3cm">blos <del instant="true"><seg style="text-decoration:line-through">fa</seg></del> angelegt</line>
          <line style="margin-left:3.1cm"><add place="above" style="margin-left:-0.2cm" rend="caret:slash">faſt</add> wie mit ’nem</line>
          <line style="margin-left:2.9cm">Finger hingeſchmiert.</line>
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        <zone type="item">
          <line style="margin-left:1.3cm"><hi><seg style="text-decoration:underline"><rs type="indirect" ref="wrk:Blechen_RV_1225 wrk:Blechen_RV_1226 wrk:Blechen_RV_1227 wrk:Blechen_RV_1228">329–43</rs></seg></hi>. Skizzen aller</line>
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          <line style="margin-left:2.4cm">ſcheinlich (Aquarell) Skizzen</line>
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          <line style="margin-left:2.3cm">rieurs in Pompeji.</line>
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        <zone type="item" uly="0.8" lry="4.2">
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          <handShift new="#Fontane"/>
          <line style="margin-left:1.4cm">runter <seg><rs type="direct" ref="wrk:Blechen_RV_1605" xml:id="B09_60r_a" next="#B09_60r_b">ein auf der</rs></seg></line>
          <line style="margin-left:1.5cm"><seg><rs type="direct" ref="wrk:Blechen_RV_1605" xml:id="B09_60r_b" prev="#B09_60r_a" next="#B09_60r_c">Kirchenſchwelle ſitzender</rs></seg></line>
          <line style="margin-left:1.5cm"><seg><rs type="direct" ref="wrk:Blechen_RV_1605" xml:id="B09_60r_c" prev="#B09_60r_b">Betteljunge</rs></seg>.</line>
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        <zone ulx="4.1" uly="4.6" lrx="6.0" lry="4.7"><figure>
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        <zone uly="4.9">
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        <zone ulx="4.0" uly="6.3" lrx="6.1" lry="6.4"><figure>
            <figDesc><ref target="http://vocab.getty.edu/aat/300200009">Absatzlinie; horizontale Schleife von links oben nach rechts unten</ref></figDesc>
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          <milestone unit="paragraph"/>
        </zone>
        <zone uly="6.9" lry="16.1">
          <zone type="item">
            <line style="margin-left:1.7cm"><seg><rs type="direct" ref="wrk:Blechen_18_Theater" xml:id="B09_60r_d" next="#B09_60r_e"><hi>2<seg style="text-decoration:underline">43 bis 60</seg></hi>. Farben-</rs></seg></line>
            <line style="margin-left:1.4cm"><seg><rs type="direct" ref="wrk:Blechen_18_Theater" xml:id="B09_60r_e" prev="#B09_60r_d" next="#B09_60r_f">ſkizzen wahrſcheinlich zu</rs></seg></line>
            <line style="margin-left:1.3cm"><seg><rs type="direct" ref="wrk:Blechen_18_Theater" xml:id="B09_60r_f" prev="#B09_60r_e">Theater-Dekorationen</rs></seg>.</line>
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          <line style="margin-left:0.4cm" type="item"><seg><rs type="direct" ref="wrk:Blechen_RV_1331"><hi>3<seg style="text-decoration:underline">23</seg></hi>. <hi>G<seg style="text-decoration:underline">olf von Spezzia.</seg></hi></rs></seg></line>
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            <line style="margin-left:2.0cm"><hi><seg style="text-decoration:underline">268–89.</seg></hi> <retrace>F</retrace>arben-</line>
            <line style="margin-left:3.8cm">skizzen.</line>
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          <zone type="item">
            <line style="margin-left:1.6cm"><hi><seg style="text-decoration:underline" xml:id="B09_60r_g">304.</seg></hi> <seg><rs type="indirect" ref="wrk:Blechen_RV_2118">Lebensgroßes Portrait</rs></seg></line>
            <line style="margin-left:4.6cm">Knieſtück.</line>
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          <line style="margin-left:1.1cm" type="item"><seg><rs type="indirect" ref="wrk:Blechen_Waldgebirgsschlucht"><hi>4<seg style="text-decoration:underline">59.</seg></hi> Große Landſchaft</rs></seg>.</line>
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    <note type="editorial" target="#B09_60r_g">Laut Ausstellungskatalog ist Nr. 304 die kleine Skizze und Nr. 459 das lebensgroße Porträt; vgl. <bibl><ptr target="lit:Nationalgalerie_1881"/></bibl>.</note>
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        <line style="margin-left:3.0cm" type="heading" subtype="section"><hi><seg style="text-decoration:underline"><seg style="font-size:large">Große</seg> <add place="above" style="margin-left:-1.7cm" rend="caret:curved_V(1.0cm,1.4cm)"><del><seg style="text-decoration:line-through" rend="line-through-style:retrace">und größere</seg></del></add> <seg style="font-size:large">Bilder</seg></seg></hi></line>
        <line style="margin-left:1.3cm"><seg><rs type="direct" ref="wrk:Blechen_RV_1119">172.</rs> <rs type="direct" ref="wrk:Blechen_RV_165">73.</rs></seg> <seg><rs type="direct" ref="wrk:Blechen_RV_886">74.</rs></seg> <del><seg style="text-decoration:line-through" rend="line-through-style:triple_oblique(45deg)">75.</seg></del> <seg><rs type="direct" ref="wrk:Blechen_RV_869">76.</rs></seg></line>
        <line style="margin-left:1.2cm"><seg><rs type="direct" ref="wrk:Blechen_RV_1737 wrk:Blechen_RV_1738">178. 79.</rs> <rs type="direct" ref="wrk:Blechen_RV_995">80.</rs> <rs type="direct" ref="wrk:Blechen_RV_1901">81.</rs> <rs type="direct" ref="wrk:Blechen_RV_1117">82.</rs></seg></line>
        <line style="margin-left:0.9cm"><seg><rs type="direct" ref="wrk:Blechen_RV_1458">83.</rs> <rs type="direct" ref="wrk:Blechen_RV_1473">738.</rs></seg></line>
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      <zone ulx="3.7" uly="5.3" lrx="4.2" lry="5.4"><figure>
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        <milestone unit="paragraph"/>
      </zone>
      <zone uly="5.8" lry="8.7">
        <line style="margin-left:1.8cm" rend="indent"><seg><rs type="direct" ref="wrk:Blechen_Monte_Soracte">109.</rs> <rs type="direct" ref="wrk:Blechen_RV_1045">120.</rs> <rs type="direct" ref="wrk:Blechen_RV_603">121.</rs> <rs type="direct" ref="wrk:Blechen_Schneeberge">22.</rs></seg></line>
        <line style="margin-left:1.2cm"><seg><rs type="direct" ref="wrk:Blechen_RV_1303">132.</rs> <rs type="direct" ref="wrk:Blechen_RV_1291">133.</rs> <rs type="direct" ref="wrk:Blechen_Castel_Gandolfo_bei_Albano">134.</rs> <rs type="direct" ref="wrk:Blechen_RV_1935">146.</rs></seg></line>
        <line style="margin-left:1.1cm"><seg><rs type="direct" ref="wrk:Blechen_RV_578">147.</rs> <rs type="direct" ref="wrk:Blechen_RV_164">148.</rs> <rs type="direct" ref="wrk:Blechen_RV_1331">323.</rs> <rs type="direct" ref="wrk:Blechen_RV_166">388.</rs></seg></line>
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      <zone type="highlighted" style="border-bottom-style:solid; border-left-style:solid; border-top-style:solid" ulx="0.8" uly="8.7" lrx="10.4" lry="12.6">
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          <line style="margin-left:0.8cm" rend="indent"><seg><rs type="direct" ref="wrk:Blechen_RV_2117" xml:id="B09_60v_b" next="#B09_60v_c"><seg xml:id="B09_60v_d">761.</seg> Blei oder Kreide-</rs></seg></line>
          <line style="margin-left:0.0cm"><seg><rs type="direct" ref="wrk:Blechen_RV_2117" xml:id="B09_60v_c" prev="#B09_60v_b">kopf</rs></seg>, handgroß, Karl</line>
          <line style="margin-left:0.7cm">Blechen. <seg xml:id="B09_60v_e"><rs type="indirect" ref="wrk:Blechen_RV_2118">304.</rs></seg> <seg><rs type="direct" ref="wrk:Blechen_Schwester">746</rs></seg></line>
        </zone>
      </zone>
      <addSpan place="interlinear" spanTo="#B09_60v_a"/>
      <zone xml:id="B09_60v_2" prev="#B09_60v_1" next="#B09_60v_3" ulx="1.1" uly="11.8" lrx="7.7" lry="12.3">
        <line><seg><rs type="direct" ref="wrk:Blechen_RV_2116">350. Oelbild <choice><abbr>kl.</abbr><expan>kleines</expan></choice> Knieſtück</rs></seg>.</line>
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      <anchor xml:id="B09_60v_a"/>
      <zone xml:id="B09_60v_3" prev="#B09_60v_2" uly="12.9">
        <line style="margin-left:2.8cm" type="heading" subtype="section"><hi>Mi<seg style="text-decoration:underline">ttelgr<retrace>o</retrace>ße Bilder</seg></hi></line>
        <line style="margin-left:1.7cm"><seg><rs type="direct" ref="wrk:Blechen_RV_1624">175.</rs> <rs type="direct" ref="wrk:Blechen_Castel_Gandolfo">177.</rs> <rs type="direct" ref="wrk:Blechen_RV_71">108.</rs> <rs type="direct" ref="wrk:Blechen_RV_167">110.</rs> <rs type="direct" ref="wrk:Blechen_RV_1045">120.</rs></seg></line>
        <line style="margin-left:1.6cm"><seg><rs type="direct" ref="wrk:Blechen_Schneeberge">122.</rs> <rs type="direct" ref="wrk:Blechen_RV_1303">132.</rs> <rs type="direct" ref="wrk:Blechen_Castel_Gandolfo_bei_Albano">134.</rs> <rs type="direct" ref="wrk:Blechen_Terni">156.</rs> <rs type="direct" ref="wrk:Blechen_RV_620">154.</rs></seg></line>
        <line style="margin-left:1.7cm"><seg><rs type="direct" ref="wrk:Blechen_RV_1600"><retrace>4</retrace>59.</rs> <rs type="direct" ref="wrk:Blechen_RV_1296">349.</rs> <rs type="direct" ref="wrk:Blechen_RV_1942">423.</rs></seg></line></zone>
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    <note type="editorial" target="#B09_60v_d">Diese Nummer ist nicht im Ausstellungskatalog enthalten; vgl. <bibl><ptr target="lit:Nationalgalerie_1881"/></bibl>. Möglicherweise ist das ein Hinweis darauf, dass Fontane die Ausstellung mit dem Katalog besichtigte und die fehlende Nummer deshalb mit dem Titel des Gemäldes in seinem Notizbuch nachgetragen hat. Warum sich Fontane lediglich die Nummern, nicht aber die dazugehörigen Titel der Gemälde notierte, liegt auf der Hand: Er benötigte die Nummern für weitere Besuche der Ausstellung, die dann auch im Januar 1882 folgten, um sich dann gezielt die entsprechenden Blechen-Gemälde noch einmal im Original anzusehen. Und tatsächlich sind weitere Notizen zur „Vierzehnten Sonderausstellung“ in Notizbuch B8 belegt. Sie sind im Januar 1882 angefertigt worden; vgl. Notizbuch B8, Blatt 7rff. , und <bibl><ptr target="lit:Radecke_2015"/><citedRange> S. 46</citedRange></bibl>.</note>
    <note type="editorial" target="#B09_60v_e">Mit Nummer 304 ist möglicherweise das lebensgroße unvollendete Porträt der Henriette Blechen gemeint, das im Ausstellungskatalog die Nummer 459 trägt, da Fontane von einem Fehler im Katalog ausgeht; vgl. <ref target="#B09_60r_g">60r</ref> sowie <bibl><ptr target="lit:Nationalgalerie_1881"/></bibl>.</note>
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      <zone ulx="2.9" uly="2.8" lrx="9.8" lry="2.9"><figure>
          <figDesc><ref target="http://vocab.getty.edu/aat/300200009">horizontale einfache Absatzlinie</ref></figDesc>
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      <zone uly="3.5" lry="7.5">
        <line style="margin-left:1.2cm"><seg><rs type="direct" ref="wrk:Blechen_Schwester"><hi><seg style="text-decoration:underline">7</seg></hi>46.</rs> <rs type="direct" ref="wrk:Blechen_Ruine_747">47.</rs> <rs type="direct" ref="wrk:Blechen_See">48.</rs> | <rs type="indirect" ref="wrk:Blechen_Klosterhof wrk:Blechen_Italienerin wrk:Blechen_Bauer wrk:Blechen_Kiefernwald wrk:Getreidefeld wrk:Blechen_RV_1460 wrk:Blechen_Anacapri wrk:Blechen_Gitarre wrk:Blechen_RV_1120 wrk:Blechen_Waldweg_Italienerin" xml:id="B09_61r_a" next="#B09_61r_b">Von 437</rs></seg></line>
        <line style="margin-left:1.5cm"><seg><rs type="indirect" ref="wrk:Blechen_Klosterhof wrk:Blechen_Italienerin wrk:Blechen_Bauer wrk:Blechen_Kiefernwald wrk:Getreidefeld wrk:Blechen_RV_1460 wrk:Blechen_Anacapri wrk:Blechen_Gitarre wrk:Blechen_RV_1120 wrk:Blechen_Waldweg_Italienerin" xml:id="B09_61r_b" prev="#B09_61r_a">bis 456.</rs></seg> | <seg><rs type="indirect" ref="wrk:Blechen_Spezia wrk:Blechen_RV_1296 wrk:Blechen_RV_1730 wrk:Blechen_RV_2116 wrk:Blechen_Fischer wrk:Blechen_Badende_Maedchen wrk:Blechen_RV_1583">Von 347 bis 364</rs></seg> |</line>
        <line style="margin-left:1.2cm"><seg><rs type="indirect" ref="wrk:Blechen_RV_184 wrk:Blechen_RV_1297 wrk:Blechen_RV_1712">Von 389 bis 394.</rs></seg> | <add place="above" style="margin-left:-0.2cm" rend="caret:half-bow(1.0cm,pos-right)"><seg><rs type="direct" ref="wrk:Blechen_Capri">458.</rs></seg></add> <seg><rs type="direct" ref="wrk:Blechen_RV_1600" xml:id="B09_61r_d">459.</rs></seg> |</line>
        <line style="margin-left:0.8cm"><seg><rs type="indirect" ref="wrk:Blechen_Jakobs_Traum wrk:Blechen_Weg_Potsdam wrk:Blechen_Felstal wrk:Blechen_Kreuz wrk:Blechen_Pifferaro_328">324 bis 28.</rs></seg> | <seg><rs type="indirect" ref="wrk:Blechen_Treppe wrk:Blechen_RV_65 wrk:Blechen_RV_2097 wrk:Blechen_RV_837">168 bis 171.</rs></seg> |</line>
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      <zone ulx="4.7" uly="8.1" lrx="6.0" lry="8.2"><figure>
          <figDesc><ref target="http://vocab.getty.edu/aat/300200009">horizontale einfache Absatzlinie</ref></figDesc>
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        <milestone unit="paragraph"/>
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      <zone uly="8.5" lry="16.1">
        <line style="margin-left:2.1cm" type="heading" subtype="section"><seg><rs type="indirect" ref="plc:Nationalgalerie_Gebaeude_Berlin">Großer Saal</rs></seg>.</line>
        <line style="margin-left:1.0cm"><seg><rs type="direct" ref="wrk:Blechen_RV_2184">155.</rs> <rs type="direct" ref="wrk:Blechen_Felsabhang">744.</rs> <rs type="direct" ref="wrk:Blechen_Knabe_Hund">745.</rs> <rs type="direct" ref="wrk:Blechen_RV_2108">162.</rs> <rs type="direct" ref="wrk:Blechen_RV_236">163.</rs></seg></line>
        <line style="margin-left:1.1cm"><seg><rs type="direct" ref="wrk:Blechen_Wald">164.</rs> <rs type="direct" ref="wrk:Blechen_RV_1638">157.</rs> <rs type="direct" ref="wrk:Blechen_RV_1459">165.</rs> <rs type="direct" ref="wrk:Blechen_RV_2104">153.</rs></seg></line>
        <line style="margin-left:0.9cm"><seg><rs type="direct" ref="wrk:Blechen_RV_237">166.</rs> <rs type="direct" ref="wrk:Blechen_Pifferaro_167">167.</rs> <rs type="direct" ref="wrk:Blechen_Alpenlandschaft">741.</rs> <rs type="direct" ref="wrk:Blechen_Waldlandschaft">742.</rs></seg></line>
        <line style="margin-left:1.0cm"><seg xml:id="B09_61r_e">759</seg>. <seg><rs type="direct" ref="wrk:Blechen_RV_1474"><mod type="subst"><del rend="overwritten">3</del><add place="superimposed">7</add></mod>39.</rs> | <rs type="indirect" ref="wrk:Blechen_Baumstudien wrk:Blechen_RV_1335 wrk:Blechen_Villa_Borghese wrk:Blechen_RV_626">111 bis 119.</rs></seg> |</line>
        <line style="margin-left:1.3cm"><seg><rs type="indirect" ref="wrk:Blechen_RV_1637 wrk:Blechen_Campagna wrk:Blechen_RV_1647 wrk:Blechen_RV_1659 wrk:Blechen_RV_1284 wrk:Blechen_RV_1803 wrk:Blechen_RV_890 wrk:Blechen_RV_1891 wrk:Blechen_Albanergebirge">123 bis 131.</rs></seg> | <seg><rs type="indirect" ref="wrk:Blechen_RV_1643 wrk:Blechen_Diana wrk:Blechen_Landschaftsskizze wrk:Blechen_RV_1664 wrk:Blechen_Buessende wrk:Blechen_Betender wrk:Blechen_RV_576 wrk:Blechen_RV_1909 wrk:Blechen_Kuehe wrk:Blechen_Landschaftsskizze_2 wrk:Blechen_Kleine_Maerkische_Landschaft">135 bis 145.</rs></seg> |</line>
        <line style="margin-left:1.4cm"><seg><rs type="direct" ref="wrk:Blechen_Ruine">149.</rs> <rs type="direct" ref="wrk:Blechen_RV_1870">150.</rs> <rs type="direct" ref="wrk:Blechen_RV_2119"><hi><seg style="text-decoration:underline">151</seg></hi>.</rs> <rs type="direct" ref="wrk:Blechen_RV_1709">152.</rs> <rs type="direct" ref="wrk:Blechen_RV_62">158.</rs> <rs type="direct" ref="wrk:Blechen_RV_1584">159.</rs></seg></line>
        <line style="margin-left:1.1cm"><seg><rs type="direct" ref="wrk:Blechen_Badende">160.</rs> <rs type="direct" ref="wrk:Blechen_RV_624">161.</rs></seg></line>
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      <zone rotate="90" ulx="0.8" uly="9.7">
        <line><seg><rs type="direct" ref="wrk:Blechen_RV_2119">151</rs></seg> <choice><abbr>kl.</abbr><expan>kleine</expan></choice> <seg xml:id="B09_61r_c">Skizze zu <rs type="direct" ref="wrk:Blechen_RV_2120">304</rs></seg>.</line></zone>
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    <note type="editorial" target="#B09_61r_d">Vermutlich die Katalognummer 459b, nicht 459; vgl. <bibl><ptr target="lit:Nationalgalerie_1881"/></bibl>.</note>
    <note type="editorial" target="#B09_61r_e">Diese Nummer ist nicht im Ausstellungskatalog enthalten; vgl. <bibl><ptr target="lit:Nationalgalerie_1881"/></bibl>.</note>
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