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        <title>Notizbuch B7</title>
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          <persName>Theodor Fontane</persName>
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            <persName>Friedrich Fontane</persName>
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          <persName>Gabriele Radecke</persName>
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          <name>
            <persName>Judith Michaelis</persName>
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          <name>
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          <name>
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          <name>
            <persName>Martin de la Iglesia</persName>
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        <respStmt>
          <resp key="oth">IT, Visualisierung und Portalentwicklung</resp>
          <name>
            <persName>Mathias Göbel</persName>
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          <listBibl>
            <listBibl>
              <head>Druckgeschichte einzelner Notizbuchaufzeichnungen</head>
              <bibl>Bislang keine Teildrucke bekannt.</bibl>
            </listBibl>
            <listBibl>
              <head>Notizbuch-Gesamtpublikationen</head>
              <listBibl>
                <head>Fontane-Notizbuch-Portal</head>
                <bibl>
                  <bibl>Theodor Fontane: Notizbücher. Digitale genetisch-kritische und kommentierte Edition. Hrsg. von Gabriele Radecke. https://fontane-nb.dariah.eu/index.html. 2015-2017, abgerufen am: [Datum des Abrufs]</bibl>
                  <availability>
                    <licence target="http://creativecommons.org/licenses/by-nc-nd/4.0/">Alle im Rahmen des Projektes erarbeiteten Inhalte der Edition sind unter der Lizenz „CC-BY-ND-NC-4.0 international“ zugänglich. Die Digitalisate der Notizbücher Theodor Fontanes stehen unter der Lizenz „CC0-1.0“ zur Verfügung.</licence>
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              <listBibl>
                <head>Digitale Edition im TextGrid-Repositorium als Langzeitarchivierung</head>
                <bibl>Theodor Fontane: Notizbücher. Digitale genetisch-kritische und kommentierte Edition. Hrsg. von Gabriele Radecke. https://textgridrep.de/browse.html?id=textgrid:129mw.0, abgerufen am: [Datum des Abrufs]</bibl>
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              <listBibl>
                <head>Publikationen im Verlag Walter de Gruyter</head>
                <listBibl>
                  <listBibl>
                    <head>Print-Edition</head>
                    <bibl>Theodor Fontane: Notizbücher. Historisch-kritische und kommentierte Edition. Hrsg. von Gabriele Radecke. Berlin [in Vorbereitung]</bibl>
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                    <head>E-Book-Edition</head>
                    <bibl>Theodor Fontane: Notizbücher. Historisch-kritische und kommentierte Edition. Hrsg. von Gabriele Radecke. Berlin [in Vorbereitung]</bibl>
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            <persName>Theodor Fontane</persName>
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            <persName>Dr. Gabriele Radecke</persName>
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          <resp key="pdr">Gesamtleitung, Idee und Konzeption sowie editions- und literaturwissenschaftliche Leitung</resp>
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            <persName>Dr. Gabriele Radecke</persName>
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                <note>Fontanes unvollständige Inhaltsübersicht, die er teils auf Notizbuchhersteller-Etiketten, teils auf an- bzw. aufgeklebten Blättern der vorderen äußeren Einbanddecken oder auf vorderen äußeren Einbanddecken notierte.</note>
                <item/>
              </list>
              <list type="Friedrich_Fontane">
                <note>Friedrich Fontanes unvollständige Inhaltsübersicht, die er auf den Rückseiten von an- bzw. aufgeklebten Kalenderblättern der vorderen inneren Einbanddecken oder in Ausnahmefällen auf Notizbuchhersteller-Etiketten oder aufgeklebten Blättern der vorderen äußeren Einbanddecken festhielt. Die Inhaltsübersichten entstanden zwischen dem 2. März 1923 (vgl. Notizbuch E01; eigenhändige Datierung) und dem 9. Dezember 1927 (vgl. Notizbuch A15; Datum auf dem Kalenderblatt). Nur in wenigen Fällen hat Friedrich Fontane die Übersichten datiert. Die Inhaltsübersicht zu Notizbuch B07 entstand am oder nach dem 18. Juni 1925.</note>
                <item>Theater 1881. (Magdalene – Meeres- u. d. Liebe Wellen – Ein Kind des Glückes – Leibarzt – auch am Schluss noch Theater ?)</item>
              </list>
              <list type="Fontane_Blätter">
                <note>Die in den „Fontane Blättern“ 1976 veröffentlichte Inhaltsübersicht, die lediglich Theodor und Friedrich Fontanes Inhaltsübersichten zusammenführt. Mit vielen Entzifferungsfehlern; vgl. Fontane Blätter 1976, S. 64–66.</note>
                <item>Theater. 1881. (Magdalene – Meeres und der Liebe Wellen. – Ein Kind des Glückes. – Leibarzt – auch am Schluss nach Theater ?)</item>
              </list>
              <list type="editorial">
                <note>Gabriele Radeckes autopsiertes Inhaltsverzeichnis, das im Rahmen der Notizbuch-Edition von 2017 ermittelt wurde.</note>
                <item>„Befiehl dem Herrn“ (Exzerpt aus Psalm 37), <ref target="#B07_1r_1">Blatt 1r</ref></item><!-- Entstehung, auch im Stellenkommentar-->
                <item>„Denn der Tod ist“ (Exzerpt aus dem Brief des Apostels Paulus an die Gemeinde in Rom), <ref target="#xpath(//surface[@n='2r'])">Blatt 2r</ref></item><!-- Entstehung, auch im Stellenkmomentar-->
                <item>Der Hausarzt – von Gustav von Moser (1.06.1881) (Notizen: Theaterkritik), <ref target="#xpath(//surface[@n='18v'])">Blatt 18v</ref> und <ref target="#xpath(//surface[@n='19v'])">19v</ref></item>
                <item>Des Meeres und der Liebe Wellen – von Franz Grillparzer (12.10.1881) (Notizen: Theaterkritik), <ref target="#xpath(//surface[@n='10v'])">Blatt 10v</ref>, <ref target="#xpath(//surface[@n='11v'])">11v</ref>, <ref target="#xpath(//surface[@n='12v'])">12v</ref>, <ref target="#xpath(//surface[@n='13r'])">13r</ref>, <ref target="#xpath(//surface[@n='13v'])">13v</ref>, <ref target="#xpath(//surface[@n='14v'])">14v</ref>, <ref target="#xpath(//surface[@n='15v'])">15v</ref>, <ref target="#xpath(//surface[@n='16v'])">16v</ref>, <ref target="#xpath(//surface[@n='17v'])">17v</ref>, <ref target="#xpath(//surface[@n='20v'])">20v</ref>, <ref target="#xpath(//surface[@n='21v'])">21v</ref>, <ref target="#xpath(//surface[@n='22v'])">22v</ref>, <ref target="#xpath(//surface[@n='23v'])">23v</ref>, <ref target="#xpath(//surface[@n='27v'])">27v</ref>, <ref target="#xpath(//surface[@n='28v'])">28v</ref>, <ref target="#xpath(//surface[@n='29v'])">29v</ref> und <ref target="#xpath(//surface[@n='30v'])">30v</ref></item>
                <item>Die Geier-Wally – von Wilhelmine von Hillern (8.10.1881) (Notizen: Theaterkritik), <ref target="#xpath(//surface[@n='27r'])">Blatt 27r</ref>, <ref target="#xpath(//surface[@n='28r'])">28r</ref>, <ref target="#xpath(//surface[@n='20r'])">29r</ref>, <ref target="#xpath(//surface[@n='30r'])">30r</ref>, <ref target="#xpath(//surface[@n='31r'])">31r</ref>, <ref target="#xpath(//surface[@n='32r'])">32r</ref>, <ref target="#xpath(//surface[@n='33r'])">33r</ref>, <ref target="#xpath(//surface[@n='34r'])">34r</ref>, <ref target="#xpath(//surface[@n='35r'])">35r</ref>, <ref target="#xpath(//surface[@n='36r'])">36r</ref>, <ref target="#xpath(//surface[@n='37r'])">37r</ref>, <ref target="#xpath(//surface[@n='38r'])">38r</ref>, <ref target="#xpath(//surface[@n='39r'])">39r</ref>, <ref target="#xpath(//surface[@n='40r'])">40r</ref> und <ref target="#xpath(//surface[@n='41r'])">41r</ref></item>
                <item>Ein Kind des Glücks – von Charlotte Birch-Pfeiffer (11.06.1881) (Notizen: Theaterkritik), <ref target="#xpath(//surface[@n='21r'])">Blatt 21r</ref>, <ref target="#xpath(//surface[@n='22r'])">22r</ref> und <ref target="#xpath(//surface[@n='23r'])">23r</ref></item>
                <item>Gold und Eisen – von Hugo Lubliner (Pseudonym: Hugo Bürger) (20.09.1881) (Notizen: Theaterkritik), <ref target="#xpath(//surface[@n='58v'])">Blatt 58v</ref>, <ref target="#xpath(//surface[@n='57v'])">57v</ref>, <ref target="#xpath(//surface[@n='56v'])">56v</ref>, <ref target="#xpath(//surface[@n='55v'])">55v</ref>, <ref target="#xpath(//surface[@n='54v'])">54v</ref>, <ref target="#xpath(//surface[@n='53v'])">53v</ref>, <ref target="#xpath(//surface[@n='52v'])">52v</ref>, <ref target="#xpath(//surface[@n='51v'])">51v</ref>, <ref target="#xpath(//surface[@n='50v'])">50v</ref>, <ref target="#xpath(//surface[@n='49v'])">49v</ref>, <ref target="#xpath(//surface[@n='48v'])">48v</ref>, <ref target="#xpath(//surface[@n='47v'])">47v</ref>, <ref target="#xpath(//surface[@n='46v'])">46v</ref>, <ref target="#xpath(//surface[@n='45v'])">45v</ref>, <ref target="#xpath(//surface[@n='44v'])">44v</ref>, <ref target="#xpath(//surface[@n='43v'])">43v</ref>, <ref target="#xpath(//surface[@n='42v'])">42v</ref> und <ref target="#xpath(//surface[@n='41v'])">41v</ref></item>
                <item>Haussegen (Exzerpt: XXX), <ref target="#B07_1r_2">Blatt 1r</ref></item><!-- Entstehung, auch im Stellenkommentar-->
                <item>Kriemhild – von Adolf Wilbrandt (6.01.1882)(Notizen: Theaterkritik), <ref target="#xpath(//surface[@n='54r'])">Blatt 54r</ref></item>
                <item>Magdalena – von A. Weimar (d.i. Auguste Götze [1840-1908] (14.05.1881) (Notizen: Theaterkritik), <ref target="#xpath(//surface[@n='10r'])">Blatt 10r</ref>, <ref target="#xpath(//surface[@n='11r'])">11r</ref>, <ref target="#xpath(//surface[@n='12r'])">12r</ref>, <ref target="#xpath(//surface[@n='14r'])">14r</ref>, <ref target="#xpath(//surface[@n='15r'])">15r</ref>, <ref target="#xpath(//surface[@n='16r'])">16r</ref>, <ref target="#xpath(//surface[@n='17r'])">17r</ref>, <ref target="#xpath(//surface[@n='18r'])">18r</ref>, <ref target="#xpath(//surface[@n='19r'])">19r</ref> und <ref target="#xpath(//surface[@n='20r'])">20r</ref></item>
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                <foliation>Die erste Foliierung der Einzelblätter in arabischen Ziffern hat <rs ref="#Archivar1">Archivar 1</rs> vermutlich in den 1960er Jahren mit Bleistift auf den Blattvorderseiten (recto-Seiten) vorgenommen. Die zweite Foliierung der Einzelblätter wurde im Rahmen der Notizbuch-Edition von <rs ref="#Archivar2">Archivar 2</rs> im November 2011 mit Bleistift auf den Blattvorderseiten (recto-Seiten) in arabischen Ziffern durchgeführt. Dabei wurde die alte Zählung mit eckigen Klammern markiert. Der auf der <ref target="#xpath(//surface[@n='inner_front_cover'])">vorderen inneren Einbanddecke</ref> geschriebenen Auktionsnummer von 1933, „508-7“, ging keine Foliierung voraus.</foliation>
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        <handNote id="Archivar1" script="posthumous">Archivar 1: Unbekannter Archivar, in den 1960er Jahren</handNote>
        <handNote id="Archivar2" script="posthumous">Archivar 2: Gabriele Radecke, im November 2011</handNote>
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        <handNote id="fremde_Hand2" script="posthumous">Fremde Hand 2: Auktionsnummer, 1933</handNote>
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        <handNote medium="medium_pen">Feder mit mittlerer Breite</handNote>
        <handNote medium="medium_thin_pen">Feder mit feiner Breite</handNote>
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        <handNote script="clean">Reinschriftliche Notizbuchaufzeichnungen mit sehr gleichmäßigen Schriftzügen, Unterstreichungen, Gliederungen und Einrückungen. Die meisten Reinschriften sind Abschriften früherer Aufzeichnungen oder belegen, dass konzeptionelle Überlegungen vorausgegangen waren.</handNote>
        <handNote script="hasty">Sehr schwer zu entziffernde, mit Bleistift geschriebene Notizbuchaufzeichungen mit einem äußerst unruhigen Duktus und verzerrten Buchstaben. Sie sind darauf zurückzuführen, dass die Notizbuchaufzeichnungen ohne eine feste Schreibunterlage zumeist unterwegs entstanden sind. </handNote>
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      <note type="editorial" target="#B07_Ir_m">Richtig: „Der Hausarzt“. Friedrich Fontane verwechselt hier offenbar die beiden, von Fontane besprochenen Stücke, die in einer Saison kurz nacheinander gespielt wurden: Leopold Günters „Der Leibarzt“ (Aufführung am 19. April 1881) und Gustav von Mosers „Der Hausarzt“ (Aufführung am 1. Juni 1881).</note>
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    <note type="editorial" target="#B07_10r_m">Fontanes Notizen zu A. Weimars „Magdalena“ entstanden während der Theateraufführung am 14. Mai 1881. Die Kritik erschien am 17. Mai 1881 in der Vossischen Zeitung (Nr. 225); vgl. <bibl><ptr target="lit:Bibliographie_1"/><citedRange>Nr. 3802</citedRange></bibl>.</note>
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    <note type="editorial" target="#B07_10v_m #B07_10v_n">Fontanes Notizen zu Franz Grillparzers „Des Meeres und der Liebe Wellen“ entstanden während der Theateraufführung am 12. Oktober 1881. Die Kritik erschien am 14. Oktober 1881 in der Vossischen Zeitung (Nr. 479); vgl. <bibl><ptr target="lit:Bibliographie_1"/><citedRange>Nr. 3819</citedRange></bibl>.</note>
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        <line style="margin-left:2.1cm" rend="indent">Herr <seg><rs type="direct" ref="psn:Mueller_Eugen"><handShift script="Latn"/><hi><seg style="text-decoration:underline; letter-spacing:0.2cm; font-size:large">Müller</seg></hi><handShift script="Latf"/></rs></seg> ſehr gut zu</line>
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        <line style="margin-left:3.1cm" type="heading" subtype="sub"><seg id="B07_18v_m"><seg><rs type="indirect" ref="wrk:Hausarzt">Erſte Strophe</rs></seg>.</seg></line>
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          <line style="margin-left:0.0cm">An dem Schluß</line>
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    <note type="editorial" target="#B07_18v_m">Fontanes Notizen zu Gustav von Mosers „Der Leibarzt“ entstanden während der Theateraufführung am 1. Juni 1881. Die Nachtkritik erschien am 2. Juni 1881 in der Vossischen Zeitung (Nr. 251); vgl. <bibl><ptr target="lit:Bibliographie_1"/><citedRange>Nr. 3805</citedRange></bibl>, die Kritik am 3. Juni 1881 in der Vossischen Zeitung (Nr. 253); vgl. <bibl><ptr target="lit:Bibliographie_1"/><citedRange>Nr. 3806</citedRange></bibl>.</note>
    <note type="editorial" target="#B07_18v_l">Am 19. April 1881, also nur wenige Wochen zuvor, wurde Leopold Günthers „Der Leibarzt“ gespielt; Fontane hatte das Stück am 21. April 2881 in der Vossischen Zeitung (Nr. 183) besprochen; vgl. <bibl><ptr target="lit:Bibliographie_1"/><citedRange>Nr. 3794</citedRange></bibl>. Das erklärt auch, warum Friedrich Fontane im Inhaltsverzeichnis das falsche Stück („Der Leibarzt“ statt „Der Hausarzt“) notierte.</note>
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        <line style="margin-left:1.6cm">Verſchrobenheit. <handShift new="#Archivar2"/><fw type="pageNum">19</fw></line>
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    <note type="editorial" target="#B07_19v_k">Der handschriftliche Befund ist hier noch unklar und noch nicht endgültig in der Codierung festgelegt; ggf. hat Fontane diese Zeile durchgestrichen.<!--Befund unklar--></note>
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        <line style="margin-left:1.3cm">daß von einem <handShift new="#Archivar2"/><fw type="pageNum">20</fw></line>
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    <note type="editorial" target="#B07_21r_m #B07_21r_n">Fontanes Notizen zu Charlotte Birch-Pfeiffers „Ein Kind des Glücks“ entstanden während der Theateraufführung am 11. Juni 1881. Die Kritik erschien am 14. Juni 1881 in der Vossischen Zeitung (Nr. 269); vgl. <bibl><ptr target="lit:Bibliographie_1"/><citedRange>Nr. 3807</citedRange></bibl>.</note>
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    <note type="editorial" target="#B07_27r_k">Fontanes Notizen zu Wilhelmine von Hillerns „Die Geier-Wally“, deren Anfang nicht überliefert ist, entstanden während der Theateraufführung am 8. Oktober 1881. Die Kritik erschien am 11. Oktober 1881 in der Vossischen Zeitung (Nr. 473); vgl. <bibl><ptr target="lit:Bibliographie_1"/><citedRange>Nr. 3818</citedRange></bibl>.</note>
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        <line style="margin-left:1.6cm" type="heading" subtype="section"><hi><seg style="text-decoration:underline; font-size:large"><seg><rs type="indirect" ref="wrk:Geier-Wally">Akt II</rs></seg>.</seg></hi><handShift new="#Archivar2"/><fw type="pageNum">32</fw></line>
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    <note type="editorial" target="#B07_54r_m">Fontanes Notizen zu Adolf Wilbrandts „Kriemhild“ entstanden während der Theateraufführung am 6. Januar 1872: „Am Abend ins Theater: Wilbrandts ‚Kriemhild‘, alles vortrefflich, brillant componirt, geistvoll im Dialog, reich an guten und wirkungsvollen Scenen, aber doch todt und beinah langweilig, namentlich der 2. Akt; der 3. Akt (au fond vielleicht noch schlimmer) macht wenigstens so viel äußerlichen Lärm, daß man zu keiner Langenweile kommen kann“; vgl. <bibl><ptr target="lit:GBA_Tagebuecher_2"/><citedRange>S. 248</citedRange></bibl>. Zu einer Ausfertigung und Publikation der Theaterkritik ist es jedoch aus gesundheitlichen Gründen nicht gekommen; vgl. <bibl><ptr target="lit:Chronik_3"/><citedRange>S. 2439</citedRange></bibl>.</note>
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    <note type="editorial" target="#B07_58v_m">Fontanes Notizen zu Hugo Lubliners (Bürgers) „Gold und Eisen“ entstanden während der Theateraufführung am 20. September 1881. Die Kritik erschien am 22. September 1881 in der Vossischen Zeitung (Nr. 441); vgl. <bibl><ptr target="lit:Bibliographie_1"/><citedRange>Nr. 3817</citedRange></bibl>.</note>
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