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<persName>Theodor Fontane</persName>
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<persName>Gabriele Radecke</persName>
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<persName>Gabriele Radecke</persName>
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<resp key="oth">Metadaten</resp>
<name>
<persName>Martin de la Iglesia</persName>
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<respStmt>
<resp key="oth">IT, Visualisierung und Portalentwicklung</resp>
<name>
<persName>Mathias Göbel</persName>
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<listBibl>
<head>Druckgeschichte einzelner Notizbuchaufzeichnungen</head>
<bibl>Bislang keine Teildrucke bekannt.</bibl>
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<listBibl>
<head>Notizbuch-Gesamtpublikationen</head>
<listBibl>
<head>Fontane-Notizbuch-Portal</head>
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<bibl>Theodor Fontane: Notizbücher. Digitale genetisch-kritische und kommentierte Edition. Hrsg. von Gabriele Radecke. https://fontane-nb.dariah.eu/index.html. 2015-2017, abgerufen am: [Datum des Abrufs]</bibl>
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<licence target="http://creativecommons.org/licenses/by-nc-nd/4.0/">Alle im Rahmen des Projektes erarbeiteten Inhalte der Edition sind unter der Lizenz „CC-BY-ND-NC-4.0 international“ zugänglich. Die Digitalisate der Notizbücher Theodor Fontanes stehen unter der Lizenz „CC0-1.0“ zur Verfügung.</licence>
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<listBibl>
<head>Digitale Edition im TextGrid-Repositorium als Langzeitarchivierung</head>
<bibl>Theodor Fontane: Notizbücher. Digitale genetisch-kritische und kommentierte Edition. Hrsg. von Gabriele Radecke. https://textgridrep.de/browse.html?id=textgrid:129mw.0, abgerufen am: [Datum des Abrufs]</bibl>
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<listBibl>
<head>Publikationen im Verlag Walter de Gruyter</head>
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<listBibl>
<head>Print-Edition</head>
<bibl>Theodor Fontane: Notizbücher. Historisch-kritische und kommentierte Edition. Hrsg. von Gabriele Radecke. Berlin [in Vorbereitung]</bibl>
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<head>E-Book-Edition</head>
<bibl>Theodor Fontane: Notizbücher. Historisch-kritische und kommentierte Edition. Hrsg. von Gabriele Radecke. Berlin [in Vorbereitung]</bibl>
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<resp key="pdr">Gesamtleitung, Idee und Konzeption sowie editions- und literaturwissenschaftliche Leitung</resp>
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<persName>Dr. Gabriele Radecke</persName>
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<resp key="oth">Informationswissenschaftliche und -technologische Leitung sowie Koordination in der SUB</resp>
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<persName>Dr. Mirjam Blümm (seit April 2015)</persName>
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<persName>Prof. Dr. Heike Neuroth (Juni 2011–März 2015)</persName>
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<persName>Hartmut Hombrecher (August 2015–Juni 2017; Codierung)</persName>
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<persName>Juljana Battenberg (Juli 2016–September 2019; Register)</persName>
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<persName>Lisa Kunze (Februar 2018–September 2019; Register)</persName>
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<persName>Simon Sendler (Oktober 2018–September 2019; Codierung und IT)</persName>
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<persName>Jan Stieglitz (2018; Register)</persName>
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<persName>Anne Karzel (2019; Codierung)</persName>
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<name>
<persName>Mathias Göbel</persName>
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<persName>Michelle Weidling (Edierter Text und Buchausgabe)</persName>
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<persName>Alexander Jahnke</persName>
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<note>Fontanes unvollständige Inhaltsübersicht, die er teils auf Notizbuchhersteller-Etiketten, teils auf an- bzw. aufgeklebten Blättern der vorderen äußeren Einbanddecken oder auf vorderen äußeren Einbanddecken notierte.</note>
<item/>
</list>
<list type="Friedrich_Fontane">
<note>Friedrich Fontanes unvollständige Inhaltsübersicht, die er auf den Rückseiten von an- bzw. aufgeklebten Kalenderblättern der vorderen inneren Einbanddecken oder in Ausnahmefällen auf Notizbuchhersteller-Etiketten oder aufgeklebten Blättern der vorderen äußeren Einbanddecken festhielt. Die Inhaltsübersichten entstanden zwischen dem 2. März 1923 (vgl. Notizbuch E01; eigenhändige Datierung) und dem 9. Dezember 1927 (vgl. Notizbuch A15; Datum auf dem Kalenderblatt). Nur in wenigen Fällen hat Friedrich Fontane die Übersichten datiert. Die Inhaltsübersicht zu Notizbuch B14 entstand am oder nach dem 2. Juli 1925.</note>
<item>Theater: (Deborah – Verschämte Arbeit – Sommernachtstraum – Sekretär Othello – Tell)</item>
</list>
<list type="Fontane_Blätter">
<note>Die in den „Fontane Blättern“ 1976 veröffentlichte Inhaltsübersicht, die lediglich Theodor und Friedrich Fontanes Inhaltsübersichten zusammenführt. Mit vielen Entzifferungsfehlern; vgl. Fontane Blätter 1976, S. 64–66.</note>
<item>Theater: (Debrah – Verschämte Arbeit. Sommer. – Nachtstraum. – Sekretär Othello – Tell.)</item>
</list>
<list type="editorial">
<note>Gabriele Radeckes autopsiertes Inhaltsverzeichnis, das im Rahmen der Notizbuch-Edition von 2017 ermittelt wurde.</note>
<item>[Fünf Schlösser - Liebenberg: „Bilder“] (Reiseaufzeichnungen) (Fünf Schlösser 1889, Abschnitt Liebenberg XXX) (Reise: 10.11.1880) <ref target="#xpath(//surface[@n='20r'])">Blatt 20r</ref>, <ref target="#xpath(//surface[@n='21r'])">21r</ref>, <ref target="#xpath(//surface[@n='22r'])">22r</ref>, <ref target="#xpath(//surface[@n='22v'])">22v</ref>, <ref target="#xpath(//surface[@n='23r'])">23r</ref>, <ref target="#xpath(//surface[@n='24r'])">24r</ref>, <ref target="#xpath(//surface[@n='25r'])">25r</ref> und <ref target="#xpath(//surface[@n='26r'])">26r</ref></item>
<item>[Notizen: Homöopathie „Halsübel“) (Enstehung: vermutlich 1880), <ref target="#xpath(//surface[@n='1v'])">Blatt 1v</ref></item>
<item>[Literaturhinweis: Notizen. „Nials Saga“ (Entstehung: vermutlich 1880), <ref target="#xpath(//surface[@n='19v'])">Blatt 19v</ref></item>
<item>[Theaterkritik: Notizen. Deborah – von Salomon Hermann von Mosenthal] (Theaterbesuch: 9.10.1880), <ref target="#xpath(//surface[@n='1r'])">Blatt 1r</ref>, <ref target="#xpath(//surface[@n='2r'])">2r</ref>, <ref target="#xpath(//surface[@n='3r'])">3r</ref>, <ref target="#xpath(//surface[@n='4r'])">4r</ref>, <ref target="#xpath(//surface[@n='5r'])">5r</ref>, <ref target="#xpath(//surface[@n='6r'])">6r</ref>, <ref target="#xpath(//surface[@n='7r'])">7r</ref>, <ref target="#xpath(//surface[@n='8r'])">8r</ref>, <ref target="#xpath(//surface[@n='9r'])">9r</ref> und <ref target="#xpath(//surface[@n='9v'])">9v</ref></item>
<item>[Theaterkritik: Notizen. Der Secretair – von Ernst Wichert] (Theaterbesuch: 27.11.1880), <ref target="#xpath(//surface[@n='38r'])">Blatt 38r</ref>, <ref target="#xpath(//surface[@n='39r'])">39r</ref> und <ref target="#xpath(//surface[@n='40r'])">40r</ref></item>
<item>[Theaterkritik: Notizen. Die Waise von Lowood – von Charlotte Birch-Pfeiffer] (Theaterbesuch: 13.12.1880), <ref target="#xpath(//surface[@n='62v'])">Blatt 62v</ref>, <ref target="#xpath(//surface[@n='53v'])">53v</ref>, <ref target="#xpath(//surface[@n='52v'])">52v</ref> und <ref target="#xpath(//surface[@n='51v'])">51v</ref></item>
<item>[Theaterkritik: Notizen. Ein Sommernachtstraum – von William Shakespeare] (Theaterbesuch: 18.11.1880), <ref target="#xpath(//surface[@n='31r'])">Blatt 31r</ref>, <ref target="#xpath(//surface[@n='32r'])">32r</ref>, <ref target="#xpath(//surface[@n='33r'])">33r</ref>, <ref target="#xpath(//surface[@n='34r'])">34r</ref>, <ref target="#xpath(//surface[@n='35r'])">35r</ref>, <ref target="#xpath(//surface[@n='36r'])">36r</ref> und <ref target="#xpath(//surface[@n='37r'])">37r</ref></item>
<item>[Theaterkritik: Notizen. Faust I. – von Johann Wolfgang Goethe] (Theaterbesuch: XXX), <ref target="#xpath(//surface[@n='18r'])">Blatt 18r</ref>, <ref target="#xpath(//surface[@n='19r'])">19r</ref> und <ref target="#xpath(//surface[@n='18v'])">18v</ref></item>
<item>[Theaterkritik: Notizen. Othello – von William Shakespeare] (Theaterbesuch: 7.12.1880), <ref target="#xpath(//surface[@n='41r'])">Blatt 41r</ref>, <ref target="#xpath(//surface[@n='42r'])">42r</ref>, <ref target="#xpath(//surface[@n='43r'])">43r</ref>, <ref target="#xpath(//surface[@n='44r'])">44r</ref>, <ref target="#xpath(//surface[@n='45r'])">45r</ref>, <ref target="#xpath(//surface[@n='46r'])">46r</ref>, <ref target="#xpath(//surface[@n='47r'])">47r</ref>, <ref target="#xpath(//surface[@n='48r'])">48r</ref>, <ref target="#xpath(//surface[@n='49r'])">49r</ref>, <ref target="#xpath(//surface[@n='50r'])">50r</ref>, <ref target="#xpath(//surface[@n='51r'])">Blatt 51r</ref>, <ref target="#xpath(//surface[@n='52r'])">52r</ref>, <ref target="#xpath(//surface[@n='53r'])">53r</ref>, <ref target="#xpath(//surface[@n='54r'])">54r</ref>, <ref target="#xpath(//surface[@n='55r'])">55r</ref>, <ref target="#xpath(//surface[@n='56r'])">56r</ref>, <ref target="#xpath(//surface[@n='57r'])">57r</ref>, <ref target="#xpath(//surface[@n='54v'])">54v</ref>, <ref target="#xpath(//surface[@n='48v'])">48v</ref>, <ref target="#xpath(//surface[@n='49v'])">49v</ref> und <ref target="#xpath(//surface[@n='50v'])">50v</ref></item>
<item>[Theaterkritik: Notizen. Verschämte Arbeit – von Paul Lindau] (Theaterbesuch: 23.10.1880), <ref target="#xpath(//surface[@n='10r'])">Blatt 10r</ref>, <ref target="#xpath(//surface[@n='11r'])">11r</ref>, <ref target="#xpath(//surface[@n='12r'])">12r</ref>, <ref target="#xpath(//surface[@n='13r'])">13r</ref>, <ref target="#xpath(//surface[@n='14r'])">14r</ref>, <ref target="#xpath(//surface[@n='15r'])">15r</ref> und <ref target="#xpath(//surface[@n='16r'])">16r</ref></item>
<item>[Theaterkritik: Notizen. Wilhelm Tell – von Friedrich Schiller] (Theaterbesuch: 11.12.1880), <ref target="#xpath(//surface[@n='58r'])">Blatt 58r</ref>, <ref target="#xpath(//surface[@n='59r'])">59r</ref>, <ref target="#xpath(//surface[@n='60r'])">60r</ref>, <ref target="#xpath(//surface[@n='61r'])">61r</ref>, <ref target="#xpath(//surface[@n='62r'])">62r</ref>, <ref target="#xpath(//surface[@n='61v'])">61v</ref>, <ref target="#xpath(//surface[@n='60v'])">60v</ref>, <ref target="#xpath(//surface[@n='59v'])">59v</ref>, <ref target="#xpath(//surface[@n='58v'])">58v</ref>, <ref target="#xpath(//surface[@n='57v'])">57v</ref> und <ref target="#xpath(//surface[@n='56v'])">56v</ref></item>
<item>[Nicht ermittelt:] (Entstehung: XXX), <ref target="#xpath(//surface[@n='26v'])">Blatt 26v</ref></item>
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<ab><hi>Blattfragmente:</hi> 4; Reste von herausgeschnittenen Blättern, unbeschriftet. <ref target="#xpath(//surface[@n='27r'])">Blatt 27r</ref>-<ref target="#xpath(//surface[@n='30v'])">30v</ref></ab>
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<handNote xml:id="Archivar1" script="posthumous">Archivar 1: Unbekannter Archivar, in den 1960er Jahren</handNote>
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<handNote script="clean">Reinschriftliche Notizbuchaufzeichnungen mit sehr gleichmäßigen Schriftzügen, Unterstreichungen, Gliederungen und Einrückungen. Die meisten Reinschriften sind Abschriften früherer Aufzeichnungen oder belegen, dass konzeptionelle Überlegungen vorausgegangen waren.</handNote>
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<note type="editorial" target="#B14_1r_k">Fontanes Notizen zu Salomon Hermann von Mosenthals „Deborah“ entstanden während der Theateraufführung am 9. Oktober 1880. Die Kritik erschien am 12. Oktober 1880 in der Vossischen Zeitung (Nr. 284); vgl. <bibl><ptr target="lit:Bibliographie_1"/><citedRange>Nr. 3755</citedRange></bibl>.</note>
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<note type="editorial" target="#B14_1v_k">Homöopathische Mittel gegen Halsentzündungen. Vgl. Georg Adolph Weber: Systematische Darstellung der reinen Arzneiwirkungen aller bisher geprüften Mittel. Mit einem Vorwort vom Hofrath Dr. Samuel Hahnemann. Braunschweig: Vieweg 1834. 15. Geschwulstgefühl im Halse beim Schlingen, Stichwort Belladonna, Stichwort Bryonia. Vgl. auch Th. J. Rückert (Hrsg): Klinische Erfahrungen in der Homöopathie. Eine vollständige Sammlung aller, in der deutschen und ins Deutsche übertragenen homöopathischen Literatur niedergelegten Heilungen und praktischen Bemerkungen vom Jahre 1822 bis 1860. Vierter Band. Leipzig: Purfürst 1861, S. 41, Kap. 11 Bryonia.</note>
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<line style="margin-left:1.6cm">Die <seg><rs type="indirect" ref="wrk:Deborah"><hi><seg style="text-decoration:underline" rend="underline-style:half-s-shaped(upper-left)">Liebesſcen</seg>e</hi></rs></seg></line>
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<figDesc><ref target="http://vocab.getty.edu/aat/300200009">horizontale einfache Absatzlinie</ref></figDesc>
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<line style="margin-left:2.5cm"><seg><rs type="indirect" ref="wrk:Deborah"><hi>S<seg style="text-decoration:underline">cene</seg> I</hi></rs></seg>.</line>
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<line style="margin-left:3.2cm" rend="indent"><seg><rs type="direct" ref="psn:Hellmuth-Braem">Helmuth-Bräm</rs></seg></line>
<line style="margin-left:1.8cm">ſehr gut als <seg><rs type="indirect" ref="psn:Hellmuth-Braem">er</rs></seg></line>
<line style="margin-left:1.7cm">den Oſterſo<g ref="#ngem">nn</g>tag</line>
<line style="margin-left:2.0cm">anſpricht. – Die</line>
<line style="margin-left:1.9cm">ganze Rolle iſt</line>
<line style="margin-left:2.4cm">brillant, wie <seg><rs type="indirect" ref="psn:Hellmuth-Braem">er</rs></seg></line>
<line style="margin-left:2.0cm">dem <retrace>So</retrace>hn ausmalt,</line>
<line style="margin-left:2.0cm">wie’s ko<g ref="#mgem">mm</g>en muß,</line>
<line style="margin-left:7.2cm"><retrace>in</retrace></line>
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<line style="margin-left:2.0cm"><seg><rs type="direct" ref="psn:Stollberg">Stollberg</rs></seg> ſehr</line>
<line style="margin-left:1.5cm">gut. <seg><rs type="direct" ref="psn:Berndal">Berndal</rs></seg></line>
<line style="margin-left:1.4cm">„Geliebter</line>
<line style="margin-left:1.0cm">ni<g ref="#mgem">mm</g> mich</line>
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<line style="margin-left:2.9cm"><seg><rs type="direct" ref="psn:Stollberg">Stollberg</rs></seg></line>
<line style="margin-left:1.4cm">brillant.</line>
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<line style="margin-left:1.7cm">Es iſt ſtark</line>
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<line style="margin-left:2.0cm">ſchwach.</line>
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<line style="margin-left:2.7cm" rend="indent">Das Auf-</line>
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<line style="margin-left:2.3cm" rend="indent">Die <seg><rs type="direct" ref="psn:Abich_Julie"><hi><seg style="text-decoration:underline">Abich</seg></hi></rs></seg></line>
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<line style="margin-left:2.0cm">„und dieſem</line>
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<line style="margin-left:1.3cm" type="heading" subtype="section"><seg><rs type="indirect" ref="wrk:Deborah"><seg style="font-size:large"><hi><seg style="text-decoration:underline">Akt III</seg></hi></seg></rs></seg></line>
<line style="margin-left:2.4cm" rend="indent"><seg><rs type="indirect" ref="wrk:Deborah"><hi>S<seg style="text-decoration:underline">cene I.</seg></hi></rs></seg> Vor</line>
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<line style="margin-left:1.6cm">namentlich wie</line>
<line style="margin-left:1.6cm"><seg><rs type="indirect" ref="psn:Frieb-Blumauer">ſie</rs></seg> den Roſen-</line>
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<line style="margin-left:2.2cm" rend="indent">Zwei <hi><seg style="text-decoration:underline">Kirch</seg>en</hi>hälften</line>
<line style="margin-left:1.0cm">Das Grabmonument</line>
<line style="margin-left:1.2cm">darf nicht wackeln.</line>
<line style="margin-left:1.6cm"><seg><rs type="indirect" ref="psn:Stollberg">Ihre</rs></seg> Aufſchreie ſind</line>
<line style="margin-left:1.7cm">gut, und <seg><rs type="indirect" ref="psn:Stollberg">ihre</rs></seg> Ruhe</line>
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<line style="margin-left:2.2cm">etc.<handShift script="Latf"/>“ Die</line>
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<line style="margin-left:3.1cm" rend="indent">Der <seg><rs type="indirect" ref="wrk:Deborah"><hi><seg style="text-decoration:underline" rend="underline-style:half-s-shaped(upper-left)"><retrace>F</retrace>luch</seg></hi></rs></seg></line>
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<line style="margin-left:1.6cm"><seg><rs type="indirect" ref="psn:Stollberg">ſie</rs></seg> wolle nun</line>
<line style="margin-left:1.7cm">gehen und wieder-</line>
<line style="margin-left:1.6cm">ko<g ref="#mgem">mm</g>en – nur</line>
<line style="margin-left:1.8cm">ſehr ſchwach. Alles</line>
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<line style="margin-left:2.7cm" type="heading" subtype="section" rend="indent"><seg><rs type="indirect" ref="wrk:Deborah"><seg style="font-size:large"><hi><seg style="text-decoration:underline">Akt II</seg></hi></seg></rs></seg></line>
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<line style="margin-left:2.3cm">als wie irgend</line>
<line style="margin-left:1.9cm">wie ſonſt.</line>
<line style="margin-left:2.0cm">Sonderbare Sprache.</line>
<line style="margin-left:2.1cm">Statt Kinder-</line>
<line style="margin-left:2.3cm">theil ſtatt des</line>
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<line style="margin-left:3.2cm" rend="indent"><hi xml:id="B14_8r_a" next="#B14_8r_b">A<seg style="text-decoration:underline">uch die Rol</seg>le</hi></line>
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<line style="margin-left:1.8cm">Rollen darin:</line>
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<line style="margin-left:1.3cm"><seg><rs type="direct" ref="psn:Hellmuth-Braem"><seg style="letter-spacing:0.2cm; font-size:large"><retrace>H.</retrace> Bräm</seg></rs></seg> –</line>
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<note type="editorial" target="#B14_10r_k">Fontanes Notizen zu Paul Lindaus „Verschämte Arbeit“ entstanden während der Theateraufführung am 23. Oktober 1880. Die Kritik erschien am 26. Oktober 1880 in der Vossischen Zeitung (Nr. 298); vgl. <bibl><ptr target="lit:Bibliographie_1"/><citedRange>Nr. 3757</citedRange></bibl>.</note>
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<line style="margin-left:1.4cm">und im Einzelnen,</line>
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<line style="margin-left:1.1cm"><hi>u<seg style="text-decoration:underline">nſre</seg></hi> Zeit und Sitte</line>
<line style="margin-left:1.4cm">ſchildernde, das</line>
<line style="margin-left:1.3cm">Modern-Finanzielle,</line>
<line style="margin-left:1.2cm">das Großſprecheriſche,</line>
<line style="margin-left:1.0cm">das Geſinnungs⸗Ruppige</line>
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<line style="margin-left:1.5cm">nicht vorbereitet</line>
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<line style="margin-left:2.0cm" type="heading" subtype="section"><seg><rs type="indirect" ref="wrk:Verschaemte_Arbeit"><hi><seg style="text-decoration:underline; font-size:large" rend="underline-style:half-s-shaped(upper-left)">Akt II</seg></hi></rs></seg></line>
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<line style="margin-left:2.9cm"><seg type="heading" rend="align(center)"><rs type="direct" ref="wrk:Faust_I"><seg xml:id="B14_18r_k"><hi><seg style="text-decoration:underline; font-size:x-large" rend="underline-style:3/4-ellipse_right">Fauſt</seg></hi></seg></rs></seg> <handShift new="#Archivar2"/><fw type="pageNum">18</fw></line>
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<line style="margin-left:1.0cm">„O ſähſt</line>
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<note type="editorial" target="#B14_18r_k">Fontanes Notizen zu Goethes „Faust I“ entstanden während der Theateraufführung am XXX 1880 im Viktoria-Theater unter der Leitung von Devrient XXX. Bislang ist keine Publikation der Kritik bekannt.</note>
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<line style="margin-left:1.4cm">Das Weiſe,</line>
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<line style="margin-left:2.6cm">Herzen reißt“ <handShift new="#Archivar2"/><fw type="pageNum">19</fw></line>
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<note type="editorial" target="#B14_19v_k">Fontane notierte den Titel der schwedischen Übersetzung der isländischen Brandstifter-Sage (‘Brennu-Njáls saga’) sehr genau: Nials saga, från fornisländskan af A.U. Bååth: med ett tillägg: Darrads-sången. Isländska sagor i svensk bearbetning ; 1. Stockholm: Seligmann. 1879.</note>
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<line style="margin-left:1.4cm" type="item">a.<handShift script="Latf"/> Familienbilder</line>
<handShift script="Latn"/>
<line style="margin-left:1.4cm" type="item">b.<handShift script="Latf"/> Genrebilder</line>
<handShift script="Latn"/>
<line style="margin-left:1.4cm" type="item">c.<handShift script="Latf"/> Thierbilder.</line>
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<line/>
<line style="margin-left:0.3cm"><seg style="font-size:large"><hi>J<seg style="text-decoration:underline">apaniſches</seg></hi>.</seg></line>
<line/>
<line/>
<line style="margin-left:0.8cm"><seg style="font-size:large"><hi>D<seg style="text-decoration:underline">er Waffenſchrank.</seg></hi></seg></line>
<milestone unit="paragraph"/>
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<line style="margin-left:1.5cm"><seg style="font-size:large"><hi><seg style="text-decoration:underline">Bücher</seg></hi>.</seg></line>
<line style="margin-left:2.6cm">Die Titel eini-</line>
<line style="margin-left:1.2cm">ger der werth-</line>
<line style="margin-left:0.8cm">vollſten u. aparteſten.</line>
<line style="margin-left:0.0cm"><seg style="font-size:large"><hi xml:id="B14_20r_a" next="#B14_20r_b">C<seg style="text-decoration:underline">urioſa, Bilde</seg>r</hi></seg></line>
<line style="margin-left:2.1cm"><seg style="font-size:large"><hi xml:id="B14_20r_b" prev="#B14_20r_a"><seg style="text-decoration:underline">Werthſach</seg>en</hi>.</seg></line>
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<note type="editorial" target="#B14_20r_k">Der Duktus belegt, dass die Aufzeichnungen – die Übersicht über die Gemäldesammlung und weitere Sammlungsgegenstände auf Schloss Liebenberg (Blatt 20r) und die Notizen zu einzelnen Gemälden auf den folgenden sieben Seiten – während Fontanes Aufenthalt auf Schloss Liebenberg am 10. November 1880 entstanden sind. Fontane hatte Graf Philipp zu Eulenburg am 6. November 1880 seinen erneuten Besuch für den 9. und 10. November 1880 in einem Brief angekündigt; vgl. <bibl><ptr target="lit:GBA_Wanderungen_5"/><citedRange>S. 585</citedRange></bibl>. Die Notizbuchaufzeichnungen fanden dann Eingang in das 6. Kapitel des "Liebenberg"Abschnitts, das am 13. Februar 1881 in der Sonntagsbeilage der „Vossischen Zeitung“ erstsmals publiziert wurde (Nr. 7); vgl. <bibl><ptr target="lit:Bibliographie_1"/><citedRange>Nr. XXX</citedRange></bibl>. Fontanes Vor-Ort-Notizen blieben bislang für die Rekonstruktion des „Liebenberg“-Kapitels in dem Band „Fünf Schlösser“ (1889) unberücksichtigt und wurden erst im Rahmen der digitalen Notizbuch-Edition ermittelt.</note>
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<line><fw type="pageNum">21</fw></line>
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<line style="margin-left:2.0cm"><seg style="font-size:large">1. <seg><rs type="direct" ref="wrk:Jobst_Gerhard_Portraet"><hi>J<seg style="text-decoration:underline" rend="underline-style:half-s-shaped(lower-right)">obſt Gerhard</seg>t</hi></rs></seg></seg></line>
<line style="margin-left:2.4cm">Hofjagd⸗Koſtüm.</line>
<line style="margin-left:2.1cm">Schwarze<del><seg style="text-decoration:line-through" rend="line-through-style:zigzag">r</seg></del> Perrücke</line>
<line style="margin-left:2.8cm">großer whiſtler <anchor xml:id="B14_21r_1" next="#B14_21r_2"/><anchor xml:id="B14_21r_3" prev="#B14_21r_2"/></line></zone>
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<line style="margin-left:2.6cm">Von <seg><rs type="direct" ref="psn:Pesne_Antoine">Pesne</rs></seg></line>
<line style="margin-left:1.6cm">Küraſſir⸗Rüſtung.</line>
<line style="margin-left:2.2cm">Schwarzer Adler-</line>
<lb break="keepHyphen"/>
<line style="margin-left:2.9cm">Orden. </line>
<line style="margin-left:3.4cm">Rüſtung.</line></zone>
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<line style="margin-left:1.2cm">Klappkragen</line>
<line style="margin-left:0.0cm">Jagdſpieß in der Hand.</line>
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<line style="margin-left:2.0cm">Weißgepudert.</line>
<line style="margin-left:2.1cm">Johanniterkreuz.</line>
<line style="margin-left:2.2cm">Neben ihm</line>
<line style="margin-left:1.9cm"><seg><rs xml:id="B14_22r_e" next="#B14_22r_f" type="direct" ref="wrk:Pesne_Beschefer_Portraet">ſeine Gemahlin</rs></seg></line>
<line style="margin-left:1.7cm"><seg><rs xml:id="B14_22r_f" prev="#B14_22r_e" type="direct" ref="wrk:Pesne_Beschefer_Portraet">die Beſchefer</rs></seg>.</line>
<line style="margin-left:2.0cm"><seg><rs type="indirect" ref="wrk:Pesne_Ludwig_Portraet wrk:Pesne_Beschefer_Portraet">Beide</rs></seg> von</line>
<handShift script="Latn"/>
<line style="margin-left:2.1cm"><seg style="letter-spacing:0.2cm; font-size:large"><seg><rs type="direct" ref="psn:Pesne_Antoine">Pesne</rs></seg><handShift script="Latf"/>.</seg> – Dann</line>
<line style="margin-left:2.1cm">er, als alter Herr,</line>
<line style="margin-left:2.3cm">von der <seg style="letter-spacing:0.2cm; font-size:large"><handShift script="Latn"/><seg><rs type="direct" ref="psn:Teerbusch_Anna">Teerbusch</rs></seg><handShift script="Latf"/>.</seg></line>
<line style="margin-left:2.3cm"><retrace><seg><rs type="indirect" ref="wrk:Teerbusch_Ludwig_Portraet">Bruſbild</rs></seg></retrace>, Johanniterkreuz.</line>
<line style="margin-left:2.1cm">X---x und x---x</line>
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<line style="margin-left:0.0cm">Ausdruck. Weißer Herr</line>
<line style="margin-left:4.2cm">Gutes <seg><rs type="indirect" ref="wrk:Teerbusch_Ludwig_Portraet">Bild</rs></seg>.</line>
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<handShift script="Latn"/>
<line style="margin-left:1.4cm"><seg style="font-size:large"><seg style="letter-spacing:0.2cm"><seg><rs xml:id="B14_22v_b" prev="#B14_22v_a" type="direct" ref="wrk:Magnus_Eulenburg_Portraet">Eulenburg</rs></seg></seg><handShift script="Latf"/> von</seg></line>
<line style="margin-left:2.9cm"><seg style="font-size:large"><seg><rs type="direct" ref="psn:Magnus">Magnus</rs></seg>.</seg></line></zone>
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<handShift new="#Archivar2"/>
<line><fw type="pageNum">[<handShift new="#Archivar1"/>22<handShift new="#Archivar2"/>]</fw></line>
<handShift new="#Fontane" script="hasty"/>
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<line style="margin-left:2.7cm"><seg style="font-size:large"><seg><rs xml:id="B14_23r_j" prev="#B14_23r_i" type="direct" ref="psn:Hertefeld_Friedrich"><hi xml:id="B14_23r_b" prev="#B14_23r_a">Leo<seg style="text-decoration:underline">pold</seg></hi></rs></seg>.</seg></line>
<line style="margin-left:2.3cm">Fehlt. Dafür</line>
<line style="margin-left:2.5cm">eine <seg><rs type="direct" ref="wrk:Friedrich_Hertefeld_Silhouette">Silhouette</rs></seg></line>
<line style="margin-left:2.4cm">und ein <choice><abbr>kl:</abbr><expan>kleines</expan></choice></line>
<line style="margin-left:2.5cm"><seg><rs type="direct" ref="wrk:Friedrich_Hertefeld_Medaillon">Bronce-Medaillon</rs></seg>.</line>
<line style="margin-left:2.7cm">Sehr gut. <seg><rs type="indirect" ref="psn:Hertefeld_Friedrich">Er</rs></seg></line>
<line style="margin-left:3.0cm">wollte nicht</line>
<line style="margin-left:3.3cm">gemalt ſein.</line>
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<line style="margin-left:1.4cm"><seg style="font-size:large">5. <seg><rs xml:id="B14_23r_g" next="#B14_23r_h" type="direct" ref="wrk:Hildebrand_Hertefeld_Portraet"><hi xml:id="B14_23r_c" next="#B14_23r_d"><seg style="text-decoration:underline">Karl v. Hert</seg>e-</hi></rs></seg></seg></line>
<line style="margin-left:2.1cm"><seg style="font-size:large"><seg><rs xml:id="B14_23r_h" prev="#B14_23r_g" type="direct" ref="wrk:Hildebrand_Hertefeld_Portraet"><hi xml:id="B14_23r_d" prev="#B14_23r_c">f<seg style="text-decoration:underline">eld</seg></hi></rs></seg></seg> von <seg><rs xml:id="B14_23r_e" next="#B14_23r_f" type="direct" ref="psn:Hildebrand_Ernst">Ernſt</rs></seg></line>
<line style="margin-left:2.9cm"><seg><rs xml:id="B14_23r_f" prev="#B14_23r_e" type="direct" ref="psn:Hildebrand_Ernst">Hildebrand</rs></seg>. Die</line>
<line style="margin-left:3.2cm">Berliner Revue in</line>
<line style="margin-left:4.4cm">der Hand.</line>
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<line style="margin-left:1.9cm"><seg style="font-size:large">6.</seg> Der auf <handShift new="#Archivar2"/><fw type="pageNum">24</fw></line>
<handShift new="#Fontane"/>
<line style="margin-left:1.9cm">der <seg><rs xml:id="B14_24r_a" next="#B14_24r_b" type="indirect" ref="eve:Schlacht_Mooker_Heide">Mocker-</rs></seg></line>
<lb break="keepHyphen"/>
<line style="margin-left:1.6cm"><seg><rs xml:id="B14_24r_b" prev="#B14_24r_a" type="indirect" ref="eve:Schlacht_Mooker_Heide">Haide</rs></seg> blieb</line>
<line style="margin-left:1.2cm">(<seg><rs type="indirect" ref="wrk:Hertefeld_Portraet">Hertefeld</rs></seg>) Orange</line>
<line style="margin-left:1.8cm">Geuſenſchärpe.</line></zone>
<zone type="item">
<line style="margin-left:2.6cm"><seg style="font-size:large">7. <seg style="letter-spacing:0.2cm"><handShift script="Latn"/><seg><rs xml:id="B14_24r_c" next="#B14_24r_d" type="direct" ref="wrk:La_Poule_blanche_Gemaelde">La Poule</rs></seg></seg></seg></line>
<line style="margin-left:1.4cm"><seg style="letter-spacing:0.2cm; font-size:large"><seg><rs xml:id="B14_24r_d" prev="#B14_24r_c" type="direct" ref="wrk:La_Poule_blanche_Gemaelde">blanche</rs></seg><handShift script="Latf"/>.</seg> Huhn</line>
<line style="margin-left:2.2cm">und Hahn. <hi>S<seg style="text-decoration:underline">ie</seg></hi></line>
<line style="margin-left:2.0cm">das ſchön <seg><rs xml:id="B14_24r_e" next="#B14_24r_f" type="direct" ref="psn:Wylich_Sophie">Frl. v.</rs></seg></line>
<line style="margin-left:2.2cm"><seg><rs xml:id="B14_24r_f" prev="#B14_24r_e" type="direct" ref="psn:Wylich_Sophie"><hi>K<seg style="text-decoration:underline">alkſte</seg>in</hi></rs></seg>, Genoſſin</line>
<line style="margin-left:2.3cm">von der <seg><rs type="direct" ref="psn:Voss_Sophie">Panwitz</rs></seg>.</line>
<line style="margin-left:2.3cm"><hi><seg style="text-decoration:underline">Er</seg></hi>, vielleicht</line>
<line style="margin-left:3.2cm"><seg><rs type="direct" ref="psn:Wylich">Wylich</rs></seg> x---x</line>
<line style="margin-left:3.6cm">x---x. Ein</line></zone>
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<line><fw type="pageNum">25 [<handShift new="#Archivar1"/>24<handShift new="#Archivar2"/>]</fw></line>
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<line style="margin-left:1.9cm">hübſches weißes</line>
<line style="margin-left:2.1cm">Huhn, und ein</line>
<line style="margin-left:2.2cm">ſchwarzer mit</line>
<line style="margin-left:2.0cm">vielen rothen</line>
<line style="margin-left:1.9cm">Federn ausſtaffirter</line>
<line style="margin-left:2.0cm">Hahn und ein</line>
<line style="margin-left:2.2cm">dicklicher, dick-</line>
<line style="margin-left:1.9cm">kinniger Koller⸗</line>
<line style="margin-left:2.4cm">kopf.</line>
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<zone>
<handShift new="#Archivar2"/>
<line><fw type="pageNum">[<handShift new="#Archivar1"/>25<handShift new="#Archivar2"/>]</fw></line>
<handShift new="#Fontane" script="hasty"/>
<line style="margin-left:2.5cm"><seg><rs type="direct" ref="wrk:Wrangel_Portraet_Druck">Wrangel-Stich</rs></seg> <handShift new="#Archivar2"/><fw type="pageNum">26</fw></line>
<handShift new="#Fontane"/>
<line style="margin-left:4.3cm">mit Unterſchrift.</line>
<line style="margin-left:2.0cm"><seg><rs type="direct" ref="wrk:Wrangel_Medaillon">Wrangel⸗Medaillon</rs></seg></line>
<line style="margin-left:3.7cm">in Gips an</line>
<line style="margin-left:2.8cm"><seg><rs type="direct" ref="psn:Hess_Heinrich">Feldmarſchall <handShift script="Latn"/>He<handShift script="Latf"/>ſ<handShift script="Latn"/>s<handShift script="Latf"/></rs></seg>.</line>
<line style="margin-left:2.8cm">Und weil dieſer</line>
<handShift script="Latn"/>
<line style="margin-left:2.7cm"><seg><rs type="direct" ref="psn:Hess_Heinrich">He<handShift script="Latf"/>ſ<handShift script="Latn"/>s<handShift script="Latf"/></rs></seg> eine <seg><rs type="direct" ref="psn:Rothkirch">Rothkirch</rs></seg></line>
<line style="margin-left:2.8cm">heirathete, kam</line>
<line style="margin-left:2.6cm">es bei ſeinem</line>
<line style="margin-left:2.9cm">Tode wieder</line>
<line style="margin-left:2.9cm">nach <seg><rs type="direct" ref="plc:Schloss_Liebenberg">Liebenberg</rs></seg></line>
<line style="margin-left:1.2cm"><seg><rs type="direct" ref="wrk:Lucadou_Hauptquartier"><seg><date type="asynchronous" when-iso="1864">1864</date></seg> Hauptquartir</rs></seg></line>
<line style="margin-left:2.2cm">alles in x---x</line>
<line style="margin-left:2.9cm">x---x von</line>
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<line style="margin-left:0.0cm"><handShift script="Latn"/><seg><rs type="direct" ref="psn:Lucadou">Loucadou</rs></seg><handShift script="Latf"/> ge⸗</line>
<line style="margin-left:1.3cm">zeichnet.</line>
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<milestone unit="section" type="Text_12" spanTo="#B14_26v_z"/>
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<line>weggeblieben ſein.</line>
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<line style="margin-left:0.0cm">Seine ungeheure</line>
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<line style="margin-left:1.2cm">Aus dem Ausſtehenden</line>
<line style="margin-left:0.1cm">ein Stiftungsfonds. Er</line>
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<line style="margin-left:0.0cm">Thaler von x---x, x---x</line>
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<metamark function="deletion" corresp="#B14_26v_a">
<figure rend="medium:blue_pencil">
<figDesc>sieben Zeilen mit Blaustift <ref target="http://vocab.getty.edu/aat/300200009">gestrichen; erledigt</ref></figDesc>
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<line style="margin-left:1.9cm">geſellſchaft. Ex-</line>
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<line style="margin-left:2.9cm" rend="indent"><seg><rs type="direct" ref="psn:Stollberg">Stollberg</rs></seg> brillant.</line>
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<line style="margin-left:2.9cm" rend="indent"><seg><rs type="direct" ref="psn:Drach">Drach</rs></seg> ſpricht</line>
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<note type="editorial" target="#B14_31r_k">Fontanes Notizen zu Shakespeares „Ein Sommernachtstraum“ entstanden während der Theateraufführung am 18. November 1880. Die Kritik erschien am 20. November 1880 in der Vossischen Zeitung (Nr. 323); vgl. <bibl><ptr target="lit:Bibliographie_1"/><citedRange>Nr. 3761</citedRange></bibl>.</note>
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<line style="margin-left:1.3cm">leichte <mod type="subst"><del rend="overwritten">L</del><add place="superimposed">W</add></mod>ort muß <handShift new="#Archivar2"/><fw type="pageNum">32</fw></line>
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<line style="margin-left:1.3cm">nicht blos von</line>
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<line style="margin-left:1.1cm">vollem Drüber-</line>
<line style="margin-left:1.3cm">ſtehn.</line>
<line style="margin-left:2.1cm" type="heading" subtype="sub" rend="indent"><seg><rs type="indirect" ref="wrk:Sommernachtstraum"><hi>S<seg style="text-decoration:underline">cene 2.</seg></hi></rs></seg> <seg><rs xml:id="B14_32r_m" next="#B14_32r_n" type="direct" ref="psn:Vollmer">Voll-</rs></seg></line>
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<line style="margin-left:1.3cm">zu zudringlich, <handShift new="#Archivar2"/><fw type="pageNum">33</fw></line>
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<line style="margin-left:1.3cm">ziemlich gut. <handShift new="#Archivar2"/><fw type="pageNum">36</fw></line>
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<line style="margin-left:1.6cm">aber es fehlt <handShift new="#Archivar2"/><fw type="pageNum">37</fw></line>
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<note type="editorial" target="#B14_38r_k">Fontanes Notizen zu Ernst Wicherts „Der Secretair“ entstanden während der Theateraufführung am 27. November 1880. Die Kritik erschien am 28. November 1880 (Nachtkritik) in der Vossischen Zeitung (Nr. 331); vgl. <bibl><ptr target="lit:Bibliographie_1"/><citedRange>Nr. 3762</citedRange></bibl>, und am 30. November 1880 (Nr. 333); vgl. <bibl><ptr target="lit:Bibliographie_1"/><citedRange>Nr. 3763</citedRange></bibl>.</note>
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<line style="margin-left:1.0cm" type="heading" subtype="sub"><hi><seg style="text-decoration:underline; font-size:large"><seg><rs type="direct" ref="psn:Oberlaender">Oberländer</rs></seg>.</seg></hi> <handShift new="#Archivar2"/><fw type="pageNum">39</fw></line>
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<note type="editorial" target="#B14_41r_k">Fontanes Notizen zu Shakespeares „Othello“ entstanden während der Theateraufführung am 7. Dezember 1880. Die Kritik erschien am 9. Dezember 1880 in der Vossischen Zeitung (Nr. 342); vgl. <bibl><ptr target="lit:Bibliographie_1"/><citedRange>Nr. 3766</citedRange></bibl>.</note>
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<line style="margin-left:0.5cm">Es kriegt (vorher den Genuß</line>
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<line style="margin-left:0.3cm">vom <seg><rs type="indirect" ref="wrk:Othello">3. Akt</rs></seg> an ein</line>
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<line style="margin-left:0.4cm">Intereſſe. Zoologiſcher</line>
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<line style="margin-left:1.2cm"><hi>N<seg style="text-decoration:underline">atur⸗wil</seg>de</hi></line>
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<line style="margin-left:1.4cm">Sehr gut als</line>
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<line style="margin-left:0.8cm">ſieht und nun</line>
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<line style="margin-left:0.7cm">kann nicht ſein“.</line>
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<line style="margin-left:1.6cm" rend="indent">Das Ganze</line>
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<line style="margin-left:1.5cm">wirkſam,</line>
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<line style="margin-left:0.0cm">Kraft, Gaben, die vielleicht höher</line>
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<line style="margin-left:1.9cm">Ueberhaupt vom <handShift new="#Archivar2"/><fw type="pageNum">50</fw></line>
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<line style="margin-left:1.3cm"><seg><rs type="indirect" ref="wrk:Othello">3. Akt</rs></seg> an läßt</line>
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<line style="margin-left:1.8cm">es begi<g ref="#ngem">nn</g>t nun</line>
<line style="margin-left:1.7cm">ein ſolches Gebären,</line>
<line style="margin-left:1.4cm">auch Jago wird un-</line>
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<line style="margin-left:1.4cm"><hi><seg type="heading" subtype="section" style="text-decoration:underline; font-size:large" rend="underline-style:s-shaped"><seg><rs type="indirect" ref="wrk:Othello">Akt IV</rs></seg>.</seg></hi> <handShift new="#Archivar2"/><fw type="pageNum">51</fw></line>
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<line style="margin-left:1.7cm">Cypriſcher Garten.</line>
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<line style="margin-left:1.1cm">Bau – wirkt</line>
<line style="margin-left:1.2cm">nicht ſehr ächt.</line>
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<line style="margin-left:2.4cm" rend="indent"><seg><rs type="direct" ref="psn:Drach">Drachs</rs></seg> Spiel</line>
<line style="margin-left:1.3cm">iſt wohl wirkſam,</line>
<line style="margin-left:1.5cm">aber nicht eigentlich</line>
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<line style="margin-left:2.4cm" rend="indent">Am <seg><rs xml:id="B14_52r_m" next="#B14_52r_n" type="indirect" ref="wrk:Othello">Schluß des 4.</rs></seg> <handShift new="#Archivar2"/><fw type="pageNum">52</fw></line>
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<line style="margin-left:1.8cm"><seg><rs xml:id="B14_52r_n" prev="#B14_52r_m" type="indirect" ref="wrk:Othello">Akts</rs></seg> in <hi>w<seg style="text-decoration:underline">eiß</seg></hi>, wie</line>
<line style="margin-left:1.6cm">ein Kabylen-Fürſt,</line>
<line style="margin-left:1.6cm"><hi>Ab<seg style="text-decoration:underline">del-Kad</seg>er</hi>.</line>
<line style="margin-left:1.7cm">Es ſind dieſe 2 Akte</line>
<line style="margin-left:1.7cm">(<seg><rs type="indirect" ref="wrk:Othello">3. <choice><abbr>u</abbr><expan>und</expan></choice> 4.</rs></seg> nur</line>
<line style="margin-left:1.8cm">als vi<hi><seg style="text-decoration:underline">r<seg style="text-decoration:underline">tuoſe</seg></seg></hi></line>
<line style="margin-left:1.6cm">Beachtung auszuhalten,</line>
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<line style="margin-left:1.6cm">Virtuoſe wird das</line>
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<line style="margin-left:0.3cm">der klein anfing (als ſie</line>
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<line style="margin-left:1.2cm">Erbſchaft.</line>
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<line><fw type="pageNum">[<handShift new="#Archivar1"/>48<handShift new="#Archivar2"/>]</fw></line>
<line><handShift new="#Archivar2"/><fw type="pageNum">53</fw></line>
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<line style="margin-left:1.7cm"><note xml:id="B14_53r_a" type="authorial" subtype="text">proſaiſch.</note></line>
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<line style="margin-left:2.6cm">Wie <seg><rs type="indirect" ref="psn:Drach">er</rs></seg> das</line>
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<line style="margin-left:2.5cm"><seg><rs xml:id="B14_53r_m" next="#B14_53r_n" type="indirect" ref="wrk:Othello">die ganze</rs></seg></line>
<line style="margin-left:2.2cm"><seg><rs xml:id="B14_53r_n" prev="#B14_53r_m" type="indirect" ref="wrk:Othello">Scene</rs></seg> ſehr gut.</line>
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<line style="margin-left:0.5cm">putzigen, reichen, gelang-</line>
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<line style="margin-left:1.3cm"><seg type="heading" subtype="section" style="font-size:large"><hi><seg style="text-decoration:underline"><seg><rs type="indirect" ref="wrk:Wilhelm_Tell">Akt <retrace>II</retrace></rs></seg></seg></hi>.</seg> Drum</line>
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<note type="editorial" target="#B14_58r_k">Fontanes Notizen zu Schillers „Wilhelm Tell“ entstanden während der Theateraufführung am 11. Dezember 1880. Die Kritik erschien am 14. Dezember 1880 in der Vossischen Zeitung (Nr. 347); vgl. <bibl><ptr target="lit:Bibliographie_1"/><citedRange>Nr. 3769</citedRange></bibl>.</note>
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<line style="margin-left:1.9cm">Wie nun</line>
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<note type="editorial" target="#B14_62v_k">Fontanes Notizen zu Charlotte Birch-Pfeiffers „Die Waise von Lowood“ entstanden während der Theateraufführung am 13. Dezember 1880. Die Kritik erschien am 15. Dezember 1880 in der Vossischen Zeitung (Nr. 348); vgl. <bibl><ptr target="lit:Bibliographie_1"/><citedRange>Nr. 3771</citedRange></bibl>.</note>
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