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        <title>Notizbuch B11</title>
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          <persName>Theodor Fontane</persName>
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        <respStmt>
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          <name>
            <persName>Friedrich Fontane</persName>
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          <persName>Gabriele Radecke</persName>
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        <respStmt>
          <resp key="oth">Editorische Assistenz</resp>
          <name>
            <persName>Judith Michaelis</persName>
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          <name>
            <persName>Rahel Rami</persName>
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          <name>
            <persName>Gabriele Radecke</persName>
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          <name>
            <persName>Gabriele Radecke</persName>
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          <name>
            <persName>Judith Michaelis</persName>
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            <persName>Rahel Rami</persName>
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          <resp key="cwt">Kommentierung</resp>
          <name>
            <persName>Gabriele Radecke</persName>
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          <resp key="oth">Metadaten</resp>
          <name>
            <persName>Martin de la Iglesia</persName>
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        <respStmt>
          <resp key="oth">IT, Visualisierung und Portalentwicklung</resp>
          <name>
            <persName>Mathias Göbel</persName>
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          <listBibl>
            <listBibl>
              <head>Druckgeschichte einzelner Notizbuchaufzeichnungen</head>
              <bibl>Bislang keine Teildrucke bekannt.</bibl>
            </listBibl>
            <listBibl>
              <head>Notizbuch-Gesamtpublikationen</head>
              <listBibl>
                <head>Fontane-Notizbuch-Portal</head>
                <bibl>
                  <bibl>Theodor Fontane: Notizbücher. Digitale genetisch-kritische und kommentierte Edition. Hrsg. von Gabriele Radecke. https://fontane-nb.dariah.eu/index.html. 2015-2017, abgerufen am: [Datum des Abrufs]</bibl>
                  <availability>
                    <licence target="http://creativecommons.org/licenses/by-nc-nd/4.0/">Alle im Rahmen des Projektes erarbeiteten Inhalte der Edition sind unter der Lizenz „CC-BY-ND-NC-4.0 international“ zugänglich. Die Digitalisate der Notizbücher Theodor Fontanes stehen unter der Lizenz „CC0-1.0“ zur Verfügung.</licence>
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              </listBibl>
              <listBibl>
                <head>Digitale Edition im TextGrid-Repositorium als Langzeitarchivierung</head>
                <bibl>Theodor Fontane: Notizbücher. Digitale genetisch-kritische und kommentierte Edition. Hrsg. von Gabriele Radecke. https://textgridrep.de/browse.html?id=textgrid:129mw.0, abgerufen am: [Datum des Abrufs]</bibl>
              </listBibl>
              <listBibl>
                <head>Publikationen im Verlag Walter de Gruyter</head>
                <listBibl>
                  <listBibl>
                    <head>Print-Edition</head>
                    <bibl>Theodor Fontane: Notizbücher. Historisch-kritische und kommentierte Edition. Hrsg. von Gabriele Radecke. Berlin [in Vorbereitung]</bibl>
                  </listBibl>
                  <listBibl>
                    <head>E-Book-Edition</head>
                    <bibl>Theodor Fontane: Notizbücher. Historisch-kritische und kommentierte Edition. Hrsg. von Gabriele Radecke. Berlin [in Vorbereitung]</bibl>
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        <title>Notizbücher. Digitale genetisch-kritische und kommentierte Hybrid-Edition</title>
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          <name>
            <persName>Theodor Fontane</persName>
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          <resp key="edt">Herausgeberin</resp>
          <name>
            <persName>Dr. Gabriele Radecke</persName>
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          <resp key="pdr">Gesamtleitung, Idee und Konzeption sowie editions- und literaturwissenschaftliche Leitung</resp>
          <name>
            <persName>Dr. Gabriele Radecke</persName>
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          <resp key="oth">Informationswissenschaftliche und -technologische Leitung sowie Koordination in der SUB</resp>
          <name>
            <persName>Dr. Mirjam Blümm (seit April 2015)</persName>
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          <name>
            <persName>Prof. Dr. Heike Neuroth (Juni 2011–März 2015)</persName>
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        <respStmt>
          <resp key="oth">Editorische Assistenz</resp>
          <name>
            <persName>Judith Michaelis (Juni 2011–Dezember 2015; Codierung)</persName>
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          <name>
            <persName>Rahel Rami (Juni 2012–Juni 2017; Codierung und Register)</persName>
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          <name>
            <persName>Hartmut Hombrecher (August 2015–Juni 2017; Codierung)</persName>
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          <name>
            <persName>Adrian Bruhns (Februar 2016–Januar 2018; Codierung und Register)</persName>
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          <name>
            <persName>Juljana Battenberg (Juli 2016–September 2019; Register)</persName>
          </name>
          <name>
            <persName>Lisa Kunze (Februar 2018–September 2019; Register)</persName>
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          <name>
            <persName>Simon Sendler (Oktober 2018–September 2019; Codierung und IT)</persName>
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          <name>
            <persName>Jan Stieglitz (2018; Register)</persName>
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          <name>
            <persName>Anne Karzel (2019; Codierung)</persName>
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          <resp key="oth">Metadaten</resp>
          <name>
            <persName>Martin de la Iglesia</persName>
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          <name>
            <persName>Dr. Susanne Al-Eryani</persName>
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        <respStmt>
          <resp key="oth">IT, Visualisierung und Portalentwicklung</resp>
          <name>
            <persName>Mathias Göbel</persName>
          </name>
          <name>
            <persName>Michelle Weidling (Edierter Text und Buchausgabe)</persName>
          </name>
          <name>
            <persName>Ubbo Veentjer (Suche)</persName>
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        <respStmt>
          <resp key="oth">GND</resp>
          <name>
            <persName>Stephan Heupst</persName>
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          <name>
            <persName>Christoph Kudella</persName>
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          <resp key="csp">Beratung (Metadaten)</resp>
          <name>
            <persName>Alexander Jahnke</persName>
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          <name>
            <persName>Uwe Sikora</persName>
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          <resp key="csp">Beratung (TextGrid)</resp>
          <name>
            <persName>Stefan Funk</persName>
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          <name>
            <persName>Felix Lohmeier</persName>
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            <orgName>Theodor Fontane-Arbeitsstelle, Georg-August-Universität Göttingen, Seminar für Deutsche Philologie (Leitung: Dr. Gabriele Radecke)</orgName>
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            <persName>Dr. Jutta Weber</persName>
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                <note>Fontanes unvollständige Inhaltsübersicht, die er teils auf Notizbuchhersteller-Etiketten, teils auf an- bzw. aufgeklebten Blättern der vorderen äußeren Einbanddecken oder auf vorderen äußeren Einbanddecken notierte.</note>
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                <note>Friedrich Fontanes unvollständige Inhaltsübersicht, die er auf den Rückseiten von an- bzw. aufgeklebten Kalenderblättern der vorderen inneren Einbanddecken oder in Ausnahmefällen auf Notizbuchhersteller-Etiketten oder aufgeklebten Blättern der vorderen äußeren Einbanddecken festhielt. Die Inhaltsübersichten entstanden zwischen dem 2. März 1923 (vgl. Notizbuch E01; eigenhändige Datierung) und dem 9. Dezember 1927 (vgl. Notizbuch A15; Datum auf dem Kalenderblatt). Nur in wenigen Fällen hat Friedrich Fontane die Übersichten datiert. Die Inhaltsübersicht zu Notizbuch B11 entstand am oder nach dem 13. Juli 1925.</note>
                <item>Theater (1882)   Harold (Widenbruch) Damenkrieg Aus der Grosstadt</item>
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                <note>Die in den „Fontane Blättern“ 1976 veröffentlichte Inhaltsübersicht, die lediglich Theodor und Friedrich Fontanes Inhaltsübersichten zusammenführt. Mit vielen Entzifferungsfehlern; vgl. Fontane Blätter 1976, S. 64–66.</note>
                <item>Theater (1882).   Harold (Wildenbruch). Damenkrieg. Aus der Großstadt.</item>
              </list>
              <list type="editorial">
                <note>Gabriele Radeckes autopsiertes Inhaltsverzeichnis, das im Rahmen der Notizbuch-Edition von 2017 ermittelt wurde.</note>
                <item>[Literaturhinweis: Notizen. „1. Eine Tieckſche Novelle“] (Entstehung: vor dem 17.09.1882), <ref target="#xpath(//surface[@n='1r'])">Blatt 1r</ref> und <ref target="#B11_2r_2">2r</ref></item>
                <item>[Theaterkritik: Notizen. Aus der Großstadt – von Hugo Lubliner/Pseudonym: Hugo Bürger] (Theaterbesuch: 19.04.1883), <ref target="#xpath(//surface[@n='13r'])">Blatt 13r</ref>, <ref target="#xpath(//surface[@n='13v'])">13v</ref>, <ref target="#xpath(//surface[@n='16r'])">16r</ref>, <ref target="#xpath(//surface[@n='21r'])">21r</ref>, <ref target="#xpath(//surface[@n='22r'])">22r</ref>, <ref target="#xpath(//surface[@n='23r'])">23r</ref>, <ref target="#xpath(//surface[@n='24r'])">24r</ref>, <ref target="#xpath(//surface[@n='25r'])">25r</ref>, <ref target="#xpath(//surface[@n='26r'])">26r</ref>, <ref target="#xpath(//surface[@n='41r'])">41r</ref> und <ref target="#xpath(//surface[@n='45r'])">45r</ref></item>
                <item>[Theaterkritik: Notizen. Der Damenkrieg – von Eugène Scribe und Ernest Wilfrid Legouvé] (Theaterbesuch: 30.04.1882), <ref target="#xpath(//surface[@n='15v'])">Blatt 15v</ref>, <ref target="#xpath(//surface[@n='15r'])">15r</ref> und <ref target="#xpath(//surface[@n='14v'])">14v</ref></item>
                <item>[Theaterkritik: Notizen. Harold – von Ernst von Wildenbruch] (Theaterbesuch: 21.04.1882), <ref target="#xpath(//surface[@n='54v'])">Blatt 54v</ref>, <ref target="#xpath(//surface[@n='53v'])">53v</ref>, <ref target="#xpath(//surface[@n='52v'])">52v</ref>, <ref target="#xpath(//surface[@n='51v'])">51v</ref>, <ref target="#xpath(//surface[@n='50v'])">50v</ref>, <ref target="#xpath(//surface[@n='49v'])">49v</ref>, <ref target="#xpath(//surface[@n='46v'])">46v</ref>, <ref target="#xpath(//surface[@n='45v'])">45v</ref>, <ref target="#xpath(//surface[@n='41v'])">41v</ref>, <ref target="#xpath(//surface[@n='26v'])">26v</ref>, <ref target="#xpath(//surface[@n='25v'])">25v</ref>, <ref target="#xpath(//surface[@n='24v'])">24v</ref>, <ref target="#xpath(//surface[@n='23v'])">23v</ref>, <ref target="#xpath(//surface[@n='22v'])">22v</ref>, <ref target="#xpath(//surface[@n='21v'])">21v</ref>, <ref target="#xpath(//surface[@n='16v'])">16v</ref>, <ref target="#xpath(//surface[@n='6r'])">6r</ref>, <ref target="#xpath(//surface[@n='5v'])">5v</ref> und <ref target="#xpath(//surface[@n='5r'])">5r</ref></item>
                <item>[Theaterkritik: Notizen. Iphigenie auf Tauris – von Johann Wolfgang Goethe] (Theaterbesuch: 30.09.1882), <ref target="#xpath(//surface[@n='6v'])">Blatt 6v</ref>, <ref target="#xpath(//surface[@n='7r'])">7r</ref>, <ref target="#xpath(//surface[@n='7v'])">7v</ref>, <ref target="#xpath(//surface[@n='8r'])">8r</ref>, <ref target="#xpath(//surface[@n='8v'])">8v</ref>, <ref target="#xpath(//surface[@n='9r'])">9r</ref>, <ref target="#xpath(//surface[@n='9v'])">9v</ref>, <ref target="#xpath(//surface[@n='10r'])">10r</ref>, <ref target="#xpath(//surface[@n='10v'])">10v</ref>, <ref target="#xpath(//surface[@n='11r'])">11r</ref>, <ref target="#xpath(//surface[@n='11v'])">11v</ref>, <ref target="#xpath(//surface[@n='12r'])">12r</ref> und <ref target="#xpath(//surface[@n='12v'])">12v</ref></item>
                <item>[Theaterkritik: Notizen. Romeo und Julia – von William Shakespeare] (Theaterbesuch: 17.09.1882), <ref target="#xpath(//surface[@n='2v'])">Blatt 2v</ref>, <ref target="#xpath(//surface[@n='3r'])">3r</ref> und <ref target="#xpath(//surface[@n='3v'])">3v</ref></item>
                <item>[To-do-Liste: Briefadressatenliste und Packliste. Ggf. auch Grundlage für den Tagebucheintrag 3.05.19882; „1. An Zimmer. Stiefel“] (Entstehung: vermutlich am 1.05.1882), <ref target="#xpath(//surface[@n='14r'])">Blatt 14r</ref></item>
                <item>[Nicht ermittelt:] (Entstehung: XXX), <ref target="#xpath(//surface[@n='1v'])">Blatt 1v</ref> und <ref target="#xpath(//surface[@n='2r'])">2r</ref> </item>
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                  <ab><hi>Blattfragmente:</hi> 28; Reste von herausgeschnittenen Blättern, unbeschriftet (beschriftet: Blatt 17v-20r, 28v, 33v-34v, 35v, 43v, 44v, 47v, 48v, 55r, 57r, 58r-59r, 60r, 62r und 62v).<ref target="#xpath(//surface[@n='17r'])">Blatt 17r</ref>-<ref target="#xpath(//surface[@n='20v'])">20v</ref>, <ref target="#xpath(//surface[@n='27r'])">27r</ref>-<ref target="#xpath(//surface[@n='40v'])">40v</ref>, <ref target="#xpath(//surface[@n='47r'])">47r</ref>-<ref target="#xpath(//surface[@n='48v'])">48v</ref> und <ref target="#xpath(//surface[@n='55r'])">55r</ref>-<ref target="#xpath(//surface[@n='62v'])">62v</ref></ab>
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        <handNote xml:id="Archivar2" script="posthumous">Archivar 2: Gabriele Radecke, im November 2011</handNote>
        <handNote xml:id="fremde_Hand1" script="posthumous">Fremde Hand 1: Bibliothekssignatur auf den Signaturen-Klebchen (alt) der Einbanddecken/des Buchrückens</handNote>
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        <handNote script="clean">Reinschriftliche Notizbuchaufzeichnungen mit sehr gleichmäßigen Schriftzügen, Unterstreichungen, Gliederungen und Einrückungen. Die meisten Reinschriften sind Abschriften früherer Aufzeichnungen oder belegen, dass konzeptionelle Überlegungen vorausgegangen waren.</handNote>
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        <ab>Notizbuch B11 enthält Aufzeichungen zwischen dem 1. Mai 1882 und dem 19. April 1883: Theaternotizen zu Wildenbruchs „Harold“ (21. April 1882), zu Scribes/Legouvés „Der Damenkrieg“ (30. April 1882), zu Shakespeares „Romeo und Julia“ (17. September 1882), zu Goethes „Iphigenie“ (30. September 1882) und zu Lubliners (Bürgers) „Aus der Großstadt“, eine Briefadressaten-/Packliste (vermutlich am 1. Mai 1882) und Literaturhinweise (vor dem 17. September 1882) sowie nicht ermittelte Notizen. Die Aufzeichnungen entstanden unterwegs (im Theater) und am Schreibtisch.</ab>
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    <note type="editorial" target="#B11_1r_l">Unter Friedrich Ludwig Karl wurde Alt Madlitz zu einer wichtigen Stätte für die Kultur- und Kunstgeschichte der Mark Brandenburg. Es wurde zum Musenhof, an dem u.a. Ludwig Tieck, Achim von Arnim, Wilhelm von Humboldt und Clemens von Brentano verkehrten.</note>
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    <note type="editorial" target="#B11_1r_y"/>
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    <note type="editorial" target="#B11_2v_k">Fontanes Notizen zu Shakespeares „Romeo und Julia“ entstanden während der Theateraufführung am 17. September 1882. Die Kritik erschien am 19. September 1882 in der Vossischen Zeitung (Nr. 436); vgl. <bibl><ptr target="lit:Bibliographie_1"/><citedRange>Nr. 3868</citedRange></bibl>.</note>
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    <note type="editorial" target="#B11_6v_k">Fontanes Notizen zu Goethes „Iphigenie auf Tauris“ entstanden während der Theateraufführung am 30. September 1882. Die Kritik erschien am 1. Oktober 1882 in der Vossischen Zeitung (Nr. 459); vgl. <bibl><ptr target="lit:Bibliographie_1"/><citedRange>Nr. 3869</citedRange></bibl>.</note>
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    <note type="editorial" target="#B11_13r_k">Fontanes Notizen zu Hugo Lubliners (Bürgers) „Aus der Großstadt“ entstanden während der Theateraufführung am 19. April 1883. Die Kritik erschien am 21. April 1883 in der Vossischen Zeitung (Nr. 183); vgl. <bibl><ptr target="lit:Bibliographie_1"/><citedRange>Nr. 3904</citedRange></bibl>.</note>
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    <note type="editorial" target="#B11_14r_k">Vermutlich diente diese fragmentarisch überlieferte To-do-Liste, die sehr wahrscheinlich am 1. Mai 1882 entstanden ist, auch als Grundlage für Tagebucheinträge. So schreibt Fontane etwa am 3. Mai 1882: „Gearbeitet. kleine Kritiken corrigiert. An Herrn Hauptm: v. Kalckstein, Herrn v. Schierstaedt, Herrn von Jagow-Rühstädt und H. Scherz geschrieben. Spatziergang. Gearbeitet: Scherenberg-Aufsatz. Um 9 zu Frau v. Noville; Herr v. Buddenbrock zugegen; geplaudert.“ Die ausgefertigten Briefe sind im <bibl><ptr target="lit:HBV"/></bibl> nicht verzeichnet. Vgl. <bibl><ptr target="lit:GBA_Tagebuecher_2"/><citedRange> S. 171f.</citedRange></bibl>, und <bibl><ptr target="lit:Chronik_3"/><citedRange> S. 2474f.</citedRange></bibl> An Zimmer nicht ermittelt.</note>
    <note type="editorial" target="#B11_14r_l">Fontanes Kurzrezensionen für die Vossische Zeitung: zu Alfred Friedmanns „Gedichte“ (Leipzig: W. Friedrich 1882; am 13.06.1882, vgl. <bibl><ptr target="lit:Bibliographie_1"/><citedRange>Nr. 3859</citedRange></bibl>), Oskar Schwebels „Kulturhistorische Bilder aus der deutschen Reichshauptstadt“ (Berlin: Abenheim 1882; am 11.06.1882, vgl. <bibl><ptr target="lit:Bibliographie_1"/><citedRange>Nr. 3858</citedRange></bibl>), Franz von Holtzendorffs „Schottische Reiseskizzen“ (Breslau: Schottlaender 1882; am 15.06.1882, vgl. <bibl><ptr target="lit:Bibliographie_1"/><citedRange>Nr. 3860</citedRange></bibl>) und Fedor von Köppens „Männer und Thaten. Vaterländische Balladen“ (Leipzig: Dürr 1881; am 16.06.1882, vgl. <bibl><ptr target="lit:Bibliographie_1"/><citedRange> Nr. 3861</citedRange></bibl>). Vgl. auch <bibl><ptr target="lit:GBA_Tagebuecher_2"/>, 1. Mai 1882,<citedRange> S. 171f.</citedRange></bibl></note>
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        <line style="margin-left:1.4cm"><gap reason="damage" agent="torn" unit="mm" quantity="60"/></line>
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    <note type="editorial" target="#B11_15v_k">Fontanes Notizen zu Eugène Scribes/Ernest Wilfrid Legouvés „Der Damenkrieg“ entstanden während der Theateraufführung  am 30. April 1882. Die Kritik erschien am 2. Mai 1882 in der Vossischen Zeitung (Nr. 203); vgl. <bibl><ptr target="lit:Bibliographie_1"/><citedRange>Nr. 3852</citedRange></bibl>.</note>
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        <line>gelang z. B. die Stelle, wo ſie</line>
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        <line>ganze Dialog ſprach ſie </line>
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        <line>von <del instant="true"><seg style="text-decoration:line-through">zehn</seg></del> 8 bis 10 ſchwach</line>
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        <line>wie ſie relativ einfach</line>
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        <line>ganz gut. „X---x</line>
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        <line>x---x x---x.</line>
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        <line style="margin-left:2.7cm">ſagt <seg><rs type="indirect" ref="wrk:Aus_der_Grossstadt"><seg style="letter-spacing:0.2cm; font-size:large"><handShift script="Latn"/>Carlisle</seg></rs></seg></line>
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        <line style="margin-left:2.3cm">und dies iſt</line>
        <line style="margin-left:2.0cm"><hi>au<seg style="text-decoration:underline">ch</seg></hi> ein</line>
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        <line style="margin-left:3.5cm" rend="indent">Er ließ</line>
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        <line style="margin-left:0.3cm"><seg xml:id="B11_41v_k"><rs type="indirect" ref="wrk:Harold">2. Aktes</rs></seg> iſt</line>
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        <line style="margin-left:0.0cm">und <seg style="letter-spacing:0.2cm; font-size:large"><handShift script="Latn"/><seg><rs type="indirect" ref="wrk:Harold"><hi>H<seg style="text-decoration:underline">aro</seg>ld</hi></rs></seg></seg></line>
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        <line style="margin-left:0.3cm">brillant dargeſtellt</line>
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        <line><fw type="pageNum">42</fw></line>
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        <line>Nun ko<g ref="#mgem">mm</g>t ihr </line>
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        <line style="margin-left:0.5cm">ganze <seg><rs type="indirect" ref="wrk:Harold">Scene</rs></seg></line>
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        <line style="margin-left:0.2cm"><seg><rs xml:id="B11_45v_n" prev="#B11_45v_m" type="direct" ref="psn:Lubliner"><seg style="letter-spacing:0.2cm; font-size:large">Bürger</seg></rs></seg> wäre,</line>
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        <line style="margin-left:0.0cm">bartlos, ſcharf</line>
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